|
Tchaikovsky
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no public music education system. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching Tchaikovsky received there set him apart from composers of the contemporary nationalist mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky was a Russian composer especially known for three very popular ballets: Swan Lake, The Sleeping Beauty (ballet), The Sleeping Beauty and The Nutcracker. He also composed operas, symphonies, choral works, concertos, and various other classical works. His work became dominant in 19th century Russia, and he became known both in and outside Russia as its greatest musical talent. Tchaikovsky and his times While the contributions of the Russian nationalistic group The Five (composers), The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, Tchaikovsky's formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th century Rococo elegance to a style more characteristic of Russian nationalists or a musical idiom expressly to channel his own overwrought emotio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky And The Five
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonies By Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky struggled with sonata form, the primary Western principle for building large-scale musical form, musical structures since the middle of the 18th century. Traditional Russian treatment of melody, harmony and structure actually worked against sonata form's ''modus operandi'' of movement, growth and development. Russian music—the Russian creative mentality as a whole, in fact—functioned on the principle of stasis. Russian novels, plays and operas were written as collections of self-contained tableaux, with the plots proceeding from one set-piece to the next. Russian folk music operated along the same lines, with songs comprised as a series of self-contained melodic units repeated continually. Compared to this mindset, the precepts of sonata form probably seemed as alien as if they had arrived from the moon. Sonata form also was not designed to accommodate the emotionally charged statements that Tchaikovsky wanted to make. In this, he was far from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including ''Romeo and Juliet'', the ''1812 Overture'', and the ballets ''Swan Lake'', '' The Sleeping Beauty'' and ''The Nutcracker''. These, along with two of his four concertos, three of his symphonies and two of his ten operas, are among his most familiar works. Almost as popular are the ''Manfred'' Symphony, ''Francesca da Rimini'', the '' Capriccio Italien'', and the Serenade for Strings. Works by opus number Works with opus numbers are listed in this section, together with their dates of composition. For a complete list of Tchaikovsky's works, including those without opus numbers, see here. For more detail on dates of composition, see here. *Op. 1 Two Pieces for piano (1867) **'' Scherzo à la russe'' in B major **''Impromptu'' in E minor *Op. 2 '' Souvenir de Hapsal'', 3 pieces for piano (1867) *Op. 3 '' The Voyevoda'', opera (1868) *Op. 4 Valse-caprice in D major, for piano (1868) *Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoje ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, links=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' (, ), Opus number, Op. 71, is an 1892 two-act classical ballet (conceived as a '; ) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. The plot is an adaptation of Alexandre Dumas's 1844 short story ''The Nutcracker'', itself a retelling of E. T. A. Hoffmann's 1816 short story ''The Nutcracker and the Mouse King''. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on ''The Sleeping Beauty'', assisted by Lev Ivanov. Although the complete and staged ''The Nutcracker'' ballet was not initially as successful as the 20-minute ''Nutcracker Suite'' that Tchaikovsky had premiered nine months earlier, it became popular in later years. Since the late 1960s, ''The Nutcracker'' has been danced by many ballet companies, especially in North America. Major American ballet companies generate around 40% of their annual ticket ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (Tchaikovsky)
''Romeo and Juliet'', TH 42, ČW 39, is an orchestral work composed by Pyotr Ilyich Tchaikovsky. It is styled an ''Overture-Fantasy'', and is based on Shakespeare's play of the same name. Like other composers such as Berlioz and Prokofiev, Tchaikovsky was deeply inspired by Shakespeare and wrote works based on ''The Tempest'' and ''Hamlet'' as well. Unlike Tchaikovsky's other major compositions, ''Romeo and Juliet'' does not have an opus number. It has been given the alternative catalogue designations TH 42 and ČW 39. Musical structure Although styled an 'Overture-Fantasy' by the composer, the overall design is a symphonic poem in sonata form with an introduction and an epilogue. The work is based on three main strands of the Shakespeare story. The first strand, written in F-sharp minor, following Mily Balakirev's suggestion, is the introduction representing the saintly Friar Laurence. Here there is a foreboding of doom from the lower strings. The Friar Laurence them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1812 Overture
''The Year 1812, Solemn Overture'', Op. 49, popularly known as the ''1812 Overture'', is a concert overture in E major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia's successful defense against the French invasion of the nation in 1812. The overture's first public performance, under the baton of Ippolit Al'tani, took place in Moscow on , under a tent, near the still unfinished Cathedral of Christ the Saviour, which also memorialised the 1812 defence of Russia.Felsenfeld, Daniel. Tchaikovsky: A Listener's Guide', p. 54. Amadeus Press, 2006. The fifteen-minute overture is best known for its climactic volley of cannon fire, ringing chimes, and a brass fanfare finale. It has also become a common accompaniment to fireworks displays on the United States' Independence Day. The ''1812 Overture'' went on to become one of Tchaikovsky's most popular works, along with his ballet scores to ''The Nutcracker'', '' The Sleeping Beauty'', and ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Tchaikovsky)
The Violin Concerto in D major, Op. 35 was the only concerto for violin composed by Pyotr Ilyich Tchaikovsky. Composed in 1878, it is one of the best-known violin concertos. The concerto was composed in Clarens, Switzerland, where Tchaikovsky was recovering from the fallout of his ill-fated marriage. The concerto was influenced by Édouard Lalo's '' Symphonie espagnole'' and was composed with the help of Tchaikovsky's pupil and probable former lover, Iosif Kotek. Despite Tchaikovsky's original intention to dedicate the work to Kotek, he instead dedicated it to Leopold Auer due to societal pressures. Auer, however, refused to perform it, and the premiere was given by Adolph Brodsky in 1881 to mixed reviews. The piece, which Tchaikovsky later rededicated to Brodsky, has since become a staple of the violin repertoire. The concerto has three movements, is scored for solo violin and orchestra, and typically runs for about 35 minutes. History The piece was written in Clarens, Swit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' (, ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825–1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. There are several recordings of it, and it is regularly performed. The work's title refers to the protagonist. Composition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic, and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements, or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
