|
Tayū
were the highest rank of female entertainers in early modern Japanese licensed quarters. were distinguished historically from other courtesans (yūjo; women of pleasure) and entertainers (Maiko, Geisha/Geiko) by their intensive training in numerous traditional artforms from a young age. The prestige this education conferred on them allowed them to refuse clients. They were the only entertainers to attend the Imperial banquets. were known for their training in Japanese tea ceremony, , , Japanese calligraphy, poetry, dance, singing, and the playing of traditional instruments, such as the . History differed from lower ranks of ''oiran'' by the social class of their customers and the services they offer. Traditionally, catered for the uppermost echelons of society, including the nobility and the imperial court. were recognised as a group in the beginning of the Edo period. Due to the limited size of their clientele, they were never numerous; during their peak there were appr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oiran
is a collective term for the highest-ranking courtesans in Japanese history, who were considered to be above common prostitutes (known as ) for their more refined entertainment skills and training in the traditional arts. Divided into a number of ranks within this category, the highest rank of were the , who were considered to be set apart from other due to their intensive training in the traditional arts and the fact that they lived and worked in Kyoto, the political capital of Japan, which remained the cultural heart of the country when the seat of political power moved to Tokyo. Though by definition also engaged in prostitution, higher-ranking had a degree of choice in which customers they took. The term originated in Yoshiwara, the red light district of Edo in the 1750s, and is applied to all ranks of high level courtesans in historical Japan. The services of were well known for being exclusive and expensive, with typically only entertaining the upper classes o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tayu (other)
Tayu may refer to: *Tayū, highest class of traditional entertainer in Japan * Tayu, Liaoning, a town in Wanghua District, Fushun, Liaoning, People's Republic of China * '' Archidasyphyllum diacanthoides'', a species of tree in the family ''Asteraceae'' endemic to Chile and Argentina, known as tayu in Mapudungun * Tayu (subdistrict), a subdistrict in Pati Regency, Central Java, Indonesia See also * Dayu (other) * Yu the Great Yu the Great or Yu the Engineer was a legendary king in ancient China who was credited with "the first successful state efforts at flood control", his establishment of the Xia dynasty, which inaugurated Dynasties in Chinese history, dynastic ru ... (), legendary Chinese leader * Ta Yü (game), strategy game named after the Chinese leader {{Disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihongami
is the term used for a number of traditional Culture of Japan, Japanese hairstyles considered to be distinctive in their construction and societal role. Traditionally, the construction of most hairstyles consisted of two "wings" at the side of the head, curving upwards towards the back of the head to form a Chonmage, topknot or ponytail, with a long loop of hair below this also drawn into the topknot. Styles were accessorised with kanzashi, traditional hair accessories, though typically only by women; the combination of both style and accessories formed hairstyles that distinctively varied based on gender, age, job role and social standing. Most styles of were hardened and shaped with wax, known as , and were styled with specially carved combs made of either bamboo or buxus, boxwood, with heated tongs used to straighten the hair before styling. Hair styled in this manner was typically restyled weekly, and in some cases would necessitate sleeping on a pillow raised from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shimabara, Kyoto
(often simplified to , sometimes styled ), established in 1640, was the designated red light district () in Kyoto. Following the outlawing of sex work in Japan, it went defunct as a red-light district in the 1950s but continued as a geisha district () for a few more years. By the 1970s, geisha were no longer registered in Shimabara. , who never disappeared entirely from Shimabara, were allowed to register as a special type of geisha following the outlawing of prostitution, and continue to perform in the district to this day. Shimabara continues to operate as a tourist district, and operates one . History Before the establishment of Shimabara, earlier courtesan districts were established: first in in 1589, with the permission of Toyotomi Hideyoshi, which was moved to when the Edo period started, which was then moved to Shimabara in 1640/41. Shimabara was established in 1640 for a brothel owned by Hara Saburoemon and was closed (as a prostitution district) in 1958, when pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jōshō-ji
was a former Buddhist monastery in northeastern Kyoto, Japan, endowed by Emperor Sutoku in fulfillment of a sacred vow. It is known as one of the ,Adophson, Mikael S. (2000) ''The Gates of Power: Monks, Courtiers, and Warriors in Premodern Japan,'' p. 388 n99./ref> which encompass monastery complexes which enjoyed extravagant Imperial patronage from their inception. They are sometimes identified as the "Superlative Temples" or the "''Shō'' Temples" because of the middle syllable of the temple name. History This temple and the other Rokushō-ji establishments had a particular function within the Imperial . The Rokushō-ji were "sacred vow temples" (''gogan-ji'') built by imperial command following a precedent established by Emperor Shirakawa's Hosshō-ji. Although these temple complexes were ostensibly established for a presumptively pious purpose, :the relationship of Emperors Shirakawa, Toba, Sutoku, and Konoe with Hosshō-ji and the other "imperial vow" temples and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teeth Blackening
Teeth blackening or teeth lacquering is a custom of dyeing one's teeth black. It was most predominantly practiced in Southeast Asian and Oceanic cultures, particularly among Austronesian, Austroasiatic, and Kra–Dai-speaking peoples. It was also practiced in Japan prior to the Meiji era, as well as in India. It was also performed among some groups in the Americas, most notably among the Shuar people of northern Peru and Ecuador. Teeth blackening is usually done during puberty. It was seen as a sign of maturity, beauty, and civilization. A common belief is that blackened teeth differentiated humans from animals. Teeth blackening is often done in conjunction with traditions of tooth sharpening and dental evulsion, as well as other body modification customs like tattoos. Teeth blackening and filing were regarded with fascination and disapproval by early European explorers and colonists. The practice survives in some isolated ethnic groups in Southeast Asia and Oceania but has mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oshiroi
is a powder foundation (cosmetics), foundation traditionally used by kabuki actors, geisha and their maiko, apprentices. The word is written with kanji meaning "white powder", and is pronounced as the word for white () with the Honorific speech in Japanese#Honorific prefixes, honorific prefix . When worn by geisha and , is notable for only partially covering the nape of the neck, as an uncovered nape was traditionally considered erotic in Japanese culture. Description is traditionally applied over a base of two types of wax used as a primer: is applied to the eyebrows, whereas (facial wax) is applied to cover the rest of the face and the neck. The upper portion of back is also covered if the wearer will be dressed in a ("trailing skirt") kimono, where the upper half of the neck will be visible. The is mixed with water before being applied with a wide, flat brush over the neck, face and back. The must be mixed carefully with water to achieve the right consistency, and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiko
A is an apprentice geiko in Kyoto (in Tokyo it is geisha). Their jobs consist of performing songs, dances, and playing the or other traditional Japanese instruments for visitors during banquets and parties, known as . are usually aged 17 to 20, and graduate to geiko status after a period of training that includes traditional dance, the , , and, in Kyoto only, learning the Kyoto dialect. The apprenticeship ranges from a few months to a year or two years, although apprentices too old to dress as may advance to geiko despite still training. Apprentice geisha in other locations in Japan are known by other terms, such as for apprentices in Tokyo. The traditions of apprentice geisha in these areas diverge from those in Kyoto, sometimes to a considerable degree, including an apprentice's appearance and the structure of her apprenticeship. Work In the morning, take lessons in the traditional arts. At night, they dance, sing, play the , and serve visitors at exclusive (teaho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geisha
{{Culture of Japan, Traditions, Geisha {{nihongo, Geisha{{efn, {{IPAc-en, lang, ˈ, ɡ, eɪ, ., ʃ, ə, {{IPA, ja, ɡei.ɕa, ɡeː-, lang{{cite book, script-title=ja:NHK日本語発音アクセント新辞典, publisher=NHK Publishing, editor=NHK Broadcasting Culture Research Institute, date=24 May 2016, lang=ja, 芸者, also known as {{nihongo, , 芸子, geiko{{efn, {{IPA, ja, ɡei.ko, ɡeː-, lang, {{citation needed span, in Kyoto and Kanazawa, date=May 2025 or {{nihongo, , 芸妓, geigi{{efn, {{IPA, ja, ɡeꜜi.ɡi, ɡeꜜː-, -ŋi, lang , are female Japanese people, Japanese performing arts, performing artists and entertainers trained in performing arts#Japan, traditional Japanese performing arts styles, such as Japanese traditional dance, dance, Music of Japan, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, nihongami#geisha, traditional hairstyles and {{transliteration, ja, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanzashi
are hair ornaments used in traditional Japanese hairstyles. The term refers to a wide variety of accessories, including long, rigid hairpins, barrettes, fabric flowers and fabric hair ties. In the English-speaking world, the term is typically used to refer to hair ornaments made from layers of folded cloth used to form flowers (), or the technique of folding used to make the flowers. History were first used in Japan during the Jōmon period. During that time, the wearing of a single thin rod or stick was considered to hold powers to ward off evil spirits, with people wearing them in their hair for protective purposes. The Jōmon period also saw the introduction of hair combs. During the Nara period, a variety of Chinese cultural aspects and items were brought to Japan through mutual trade and envoys. The items brought back from China included Chinese hairpins (, ; written with the same Chinese character as ), amongst other hair ornaments such as Chinese combs. During th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kimono
The is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn Garment collars in hanfu#Youren (right lapel), left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an , and is commonly worn with accessories such as zōri sandals and socks. Kimonos have a set method of construction and are typically made from a long, narrow bolt of cloth known as a , though Western-style fabric bolts are also sometimes used. There are different types of kimono for men, women, and children, varying based on the occasion, Seasonal Wardrobe Change in Japan, the season, the wearer's age, and – less commonly in the modern day – the wearer's marital status. Despite the kimono's reputation as a formal and difficult-to-wear garment, there are types of kimono suitable for both formal and informal occasions. The way a person wear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
