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Taraxippus
In Greek mythology, the Taraxippus (plural: ''taraxippoi'', "horse disturber", Latin ''equorum conturbator'') was a presence, variously identified as a ghost or dangerous site, blamed for frightening horses at hippodromes throughout Greece. Some ''taraxippoi'' were associated with the Greek hero cults or with Poseidon in his aspect as a god of horses ( grc, Ποσειδῶν ῐ̔́πποs) who brought about the death of Hippolytus. Pausanias, the ancient source offering the greatest number of explanations, regards it as an epithet rather than a single entity. Origin The most notorious of the ''taraxippoi'' was the ''Taraxippos Olympios'' at Olympia. Pausanias describes the site: Horse- and chariot-races were a part of funeral games from the Homeric era. The use of a hero's tomb or an altar as the turning-post of a racetrack originates in rituals for the dead. In the ''Iliad,'' Achilles kills Hector in retribution for the death of his friend Patroclus, then drives his chariot ar ...
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Chariot Racing
Chariot racing ( grc-gre, ἁρματοδρομία, harmatodromia, la, ludi circenses) was one of the most popular ancient Greek, Roman, and Byzantine sports. In Greece, chariot racing played an essential role in aristocratic funeral games from a very early time. With the institution of formal races and permanent racetracks, chariot racing was adopted by many Greek states and their religious festivals. Horses and chariots were very costly. Their ownership was a preserve of the wealthiest aristocrats, whose reputations and status benefitted from offering such extravagant, exciting displays. Their successes could be further broadcast and celebrated through commissioned odes and other poetry. In standard racing practise, each chariot held a single driver and was pulled by four horses, or sometimes two. Drivers and horses risked serious injury or death through collisions and crashes; this added to the excitement and interest for spectators. Most charioteers were slaves or contr ...
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Hippodrome
The hippodrome ( el, ἱππόδρομος) was an ancient Greek stadium for horse racing and chariot racing. The name is derived from the Greek words ''hippos'' (ἵππος; "horse") and ''dromos'' (δρόμος; "course"). The term is used in the modern French language and some others, with the meaning of "horse racecourse". Hence, some present-day horse-racing tracks also include the word "hippodrome" in their names, such as the Hippodrome de Vincennes and the Central Moscow Hippodrome. In the English-speaking world the term is occasionally used for theatres. Overview The Greek hippodrome was similar to the Roman version, the circus. (The hippodrome was not a Roman amphitheatre, which was used for spectator sports, executions, and displays, or a Greek or Roman semicircular amphitheater used for theatrical performances.) The Greek hippodrome was usually set out on the slope of a hill, and the ground taken from one side served to form the embankment on the other side ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the '' Iliad'' and the '' Odyssey''. Two poems by Homer's near contemporary Hesiod, the '' Theogony'' and the '' Works and Days'', contain accounts of the genes ...
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Gregory Nagy
Gregory Nagy ( hu, Nagy Gergely, ; born October 22, 1942 in Budapest)"CV: Gregory Nagy"
''gregorynagy.org''
is an American professor of Classics at , specializing in and poetry. Nagy is known for extending and ...
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Giants (Greek Mythology)
In Greek and Roman mythology, the Giants, also called Gigantes (Greek: Γίγαντες, ''Gígantes'', Γίγας, ''Gígas''), were a race of great strength and aggression, though not necessarily of great size. They were known for the Gigantomachy (or Gigantomachia), their battle with the Olympian gods. According to Hesiod, the Giants were the offspring of Gaia (Earth), born from the blood that fell when Uranus (Sky) was castrated by his Titan son Cronus. Archaic and Classical representations show Gigantes as man-sized hoplites (heavily armed ancient Greek foot soldiers) fully human in form. Later representations (after c. 380 BC) show Gigantes with snakes for legs. In later traditions, the Giants were often confused with other opponents of the Olympians, particularly the Titans, an earlier generation of large and powerful children of Gaia and Uranus. The vanquished Giants were said to be buried under volcanoes and to be the cause of volcanic eruptions and earthquakes. Or ...
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William Smith (lexicographer)
Sir William Smith (20 May 1813 – 7 October 1893) was an English lexicographer. He became known for his advances in the teaching of Greek and Latin in schools. Early life Smith was born in Enfield in 1813 to Nonconformist parents. He attended the Madras House school of John Allen in Hackney. Originally destined for a theological career, he instead became articled to a solicitor. Meanwhile, he taught himself classics in his spare time, and when he entered University College London carried off both the Greek and Latin prizes. He was entered at Gray's Inn in 1830, but gave up his legal studies for a post at University College School and began to write on classical subjects. Lexicography Smith next turned his attention to lexicography. His first attempt was '' A Dictionary of Greek and Roman Antiquities'', which appeared in 1842, the greater part being written by him. Then followed the ''Dictionary of Greek and Roman Biography and Mythology'' in 1849. A parallel '' Dicti ...
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Myrtilus
In Greek mythology, Myrtilus (Ancient Greek: Μυρτίλος) was a divine hero and son of Hermes. His mother is said variously to be the Amazon Myrto;Scholia on Apollonius Rhodius, ''Argonautica'' 1.752 Phaethusa, daughter of Danaus; or a nymph or mortal woman named Clytie, Clymene or Cleobule ( TheobuleHyginus, ''Fabulae'' 224). Myrtilus was the charioteer of King Oenomaus of Pisa in Elis, on the northwest coast of the Peloponnesus. Mythology On the eve of the fateful horse race that would decide the marriage between Pelops and Hippodamia, Myrtilus was approached by Pelops (or in some accounts, by Hippodamia) who wanted him to hinder the efforts of his master, Oenomaus, to win the race. Myrtilus was offered as bribe the privilege of the first night with Hippodamia. Myrtilus, who loved Hippodamia himself but was too afraid to ask her hand of her father, agreed and sabotaged the king's chariot by replacing the bronze linchpins with fake ones made of bees' wax. In the ensu ...
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Hippodamia
Hippodamia (, ; also Hippodamea and Hippodameia; Ancient Greek: Ἱπποδάμεια "she who masters horses" derived from ''hippos'' "horse" and ''damazein'' "to tame") was a Greek mythological figure. She was the queen of Pisa as the wife of Pelops. Family Hippodamia was the daughter of King Oenomaus of Pisa either by Sterope, daughter of Atlas and Pleione, Evarete, daughter of Acrisius and Eurydice, or Eurythoe, daughter of Danaus. She was probably the sister of Leucippus and Alcippe, wife of Evenus and mother of Marpessa. Hippodamia married Pelops, son of King Tantalus of Lydia, and their daughters were Astydameia, Nicippe, Lysidice, Mytilene, and Eurydice, and their sons were Atreus, Thyestes, Pittheus, Alcathous, Troezen, Hippalcimus, Copreus, Dias, and Hippasus. Aelius, Cleonymus, Sciron, Argeius, Corinthius, Dysponteus, and Pleisthenes are also listed as her sons. Mythology Hippodamia's father, King Oenomaus of Pisa, was fearful of a pro ...
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Oenomaus
In Greek mythology, King Oenomaus (also Oenamaus; grc-gre, Οἰνόμαος, ''Oἱnómaos'') of Pisa, was the father of Hippodamia and the son of Ares. His name ''Oinomaos'' denotes a wine man. Family Oenomaeus' mother was either naiad Harpina (daughter of the river god Phliasian Asopus, the armed (''harpe'') spirit of a spring near Pisa) or Sterope, one of the Pleiades, whom some identify as his consort instead. He married, if not Sterope, then Evarete of Argos, the daughter of Acrisius and Eurydice. Yet others give Eurythoe, daughter of Danaus, either as his mother or consort. His children besides Hippodamia were Leucippus (who perished because of his love for Daphne) and Alcippe (mother of Marpessa by Evenus). Pausanias, who is generally skeptical about stories of humans descending from gods, makes Oenomaus son of a mortal father, Alxion. John Tzetzes adduces a version which, in the same vein, calls Oenomaus son of a Hyperochus by Sterope. The genealogy offer ...
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Amulet
An amulet, also known as a good luck charm or phylactery, is an object believed to confer protection upon its possessor. The word "amulet" comes from the Latin word amuletum, which Pliny's ''Natural History'' describes as "an object that protects a person from trouble". Anything can function as an amulet; items commonly so used include statues, coins, drawings, plant parts, animal parts, and written words. Amulets which are said to derive their extraordinary properties and powers from magic or those which impart luck are typically part of folk religion or paganism, whereas amulets or sacred objects of formalised mainstream religion as in Christianity are believed to have no power of their own without faith in Jesus and being blessed by a clergyman, and they supposedly will also not provide any preternatural benefit to the bearer who does not have an appropriate disposition. Talisman and amulets have interchangeable meaning. Amulets refer to any object which has the power to ...
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Consualia
The Consualia or ''Consuales Ludi'' was the name of two ancient Roman festivals in honor of Consus, a tutelary deity of the harvest and stored grain. ''Consuales Ludi'' harvest festivals were held on August 21,Plutarch. "Life if Romulus", in '' Plutarch's Lives,'' trans. Aubrey Stewart and George Long. London and New York: George Bell and Sons, 1894XV/ref> and again on December 15, in connection with grain storage. The shrine of Consus was underground, it was covered with earth all year and was only uncovered for this one day. Mars, the god of war, as a protector of the harvest, was also honored on this day, as were the Lares, the household gods that individual families held sacred. During the celebration horses, mules, and asses were exempted from all labour, and were led through the streets adorned with garlands and flowers. Chariot races were held this day in the Circus Maximus, which included an odd race in which chariots were pulled by mules. In Roman mythology, the C ...
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Circus Maximus
The Circus Maximus ( Latin for "largest circus"; Italian: ''Circo Massimo'') is an ancient Roman chariot-racing stadium and mass entertainment venue in Rome, Italy. In the valley between the Aventine and Palatine hills, it was the first and largest stadium in ancient Rome and its later Empire. It measured in length and in width and could accommodate over 150,000 spectators. In its fully developed form, it became the model for circuses throughout the Roman Empire. The site is now a public park. Events and uses The Circus was Rome's largest venue for '' ludi'', public games connected to Roman religious festivals. ''Ludi'' were sponsored by leading Romans or the Roman state for the benefit of the Roman people (''populus Romanus'') and gods. Most were held annually or at annual intervals on the Roman calendar. Others might be given to fulfil a religious vow, such as the games in celebration of a triumph. In Roman tradition, the earliest triumphal ''ludi'' at the ...
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