Tanz
''Tanz'' is the second recording by American guitarist Tim Sparks on the Tzadik Records label, released in 2000. The word () is Yiddish for dance, cognate to the German word with the same meaning. History After the recording of traditional Jewish music arranged for solo guitar on ''Neshamah'', producer John Zorn combined Sparks with Masada alumni Greg Cohen and Brazilian percussionist Cyro Baptista. Music critic Ben Kettlewell called the combination of Sparks, Cohen and Baptisto "a wonderful adventure into the myriad of styles of music of the Jewish Diaspora." Cohen and Baptista would reunite with Sparks for two more releases on the Tzadik label. ''Tanz'' includes four arrangements of songs by Klezmer clarinetist Naftule Brandwein. Sparks would later record '' Little Princess'', an entire album of Brandwein arrangements. Reception Writing for Allmusic, critic Sean Westergaard wrote, "Sparks comes from a classical guitar background more than a fingerpicking folky backgr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Little Princess (Tim Sparks Album)
''Little Princess'' (subtitled ''Tim Sparks Plays Naftule Brandwein'') is the eighth album by guitarist Tim Sparks and his fourth on the Tzadik Records label. It is a tribute album to the music of Klezmer clarinetist Naftule Brandwein. History Naftule Brandwein, a flamboyant clarinet player, helped bring klezmer to North America in the early 20th century. His 78 rpm records were long seen as a primary source of klezmer until 1997 when they were re-mastered and reissued. Having previously recorded a few Brandwein compositions on his earlier Tzadik Records releases, Sparks returned to the Brandwein repertoire for his fourth CD for Tzadik. He stated “I’m not trying to make a klezmer guitar record, but rather rethink Naftule Brandwein through my particular kind of prism. I found that by taking a klezmer tune by Naftule Brandwein and putting it in a flamenco key, the melody suddenly just slides off the fret board.” Bassist Greg Cohen and percussionist Cyro Baptista, who had bot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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At The Rebbe's Table
''At the Rebbe's Table'' is the third recording by guitarist Tim Sparks on the Tzadik Records label. History Producer John Zorn combined Sparks with Masada alumni Greg Cohen and Brazilian percussionist Cyro Baptista on Sparks' previous release '' Tanz'', and this time adds guitarist Marc Ribot on nylon-string guitar and Erik Friedlander on cello. Reception ''At the Rebbe's Table'' received favorable reviews. Allmusic music critic Steven Loewy stated "Sparks treats the melodies respectfully as serious guides to a people's past, and in the process explores the life-affirming nature of the music." '' JazzTimes'' critic Josef Woodard wrote "Whatever the heritage or cultural pedigree, it's simply touching music." Music critic Kirk Albrecht wrote ''At the Rebbe's Table'' "...may be Sparks' best yet in capturing the life and cross-pollination richly textured in these 11 selections from the diaspora Jewish communities around the world." Track listing #"Returning from the River" ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tim Sparks
Tim Sparks (born October 31, 1954) is an American acoustic guitar player, singer, arranger and composer. Life Raised in Winston-Salem, North Carolina, he was given his first guitar when a bout of encephalitis kept him out of school for a year. The music he heard around him was traditional country blues, and the gospel his grandmother played on piano in a small church in the Blue Ridge Mountains, so that's what he taught himself to play. He was nominated for a scholarship at the prestigious North Carolina School of the Arts. There he studied the classics with Andrés Segovia protegee Jesus Silva. While recording three albums with the seminal vocal jazz ensemble Rio Nido, Sparks also became proficient in jazz styles from Brazilian to Bebop, which brought him several regional music awards including Best Acoustic Guitarist, Best Latin Jazz guitarist, and Best Jazz Guitarist in the Minnesota Music Awards. In 1993 he won the National Fingerstyle Guitar Championship at the Walnut Valle ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cyro Baptista
Cyro Baptista (born December 23, 1950) is a Brazilian percussionist in jazz and world music. He creates many of the percussion instruments he plays. Career Born in São Paulo, Brazil, Baptista arrived in the U.S. in 1980 with a scholarship to Creative Music Studio in Woodstock, New York. During the 1980s, he worked on films with John Zorn and appeared on Zorn's albums in the 1990s. Also in the '90s, he appeared on albums by Marisa Monte, Holly Cole, and Cassandra Wilson. In 1997 he released his first solo album, ''Vira Loucos'', with cover versions of music by Heitor Villa-Lobos. The album was recorded with Marc Ribot and Nana Vasconcelos and released by Avant, a label owned by Zorn. He was a member of Zorn's band Dreamers. He recorded with pianist Herbie Hancock on his album ''Possibilities''. He recorded and performed worldwide with Hancock's Grammy award-winning ''Gershwin's World''. He toured with Yo-Yo Ma's Brazil Project and appeared on the '' Obrigado Brazil'', whic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Klezmer
Klezmer ( yi, קלעזמער or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker. After the destruction of Jewish life in Eastern Europe during the Holoca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Neshamah
''Neshamah (Songs from the Jewish Diaspora)'' is the first solo recording by American guitarist Tim Sparks on the Tzadik Records label. "Neshamah" means "soul" in Hebrew. The arrangements adapt Ashkenazic klezmer, Sephardic and Middle Eastern Jewish music for the solo guitar. History Sparks had sent a copy of his earlier CD '' Guitar Bazaar'' to avant-garde composer, record producer, and multi-instrumentalist John Zorn who liked the Bartok "Rumanian Dances" arrangements on that CD. Sparks had previously played a lot of Jewish music with various Jewish musicians and became adept in the Klezmer style. Zorn suggested the solo guitar adaptations of traditional Jewish songs. Sparks blended the songs with his background in jazz, Latin American, Balkan and American roots music. Reception In his Allmusic review, music critic Steven Lowey praised ''Neshamah'' writing "Sometimes the guitar transforms a piece into something different than it was originally... parkssqueezes every ounce ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jim Ferguson
James Edwin Ferguson (born December 23, 1948) is an American guitarist, composer, journalist, and educator. Born in Dayton, Ohio, Ferguson began his early music education playing the trombone at age 7, and then after eight years of study, switched to the guitar at age 15. He moved to California and began his music career in the 1970s, performing, teaching, and devoting serious study to the guitar. He has performed in the U.S. and abroad, is featured on solo guitar CDs showcasing his original compositions for classical guitar, and has had numerous compositions published in both anthologies''Master Anthology of Blues Guitar Solos Volume 1'' (Book/2 CD set), 2000, Mel Bay Publications. A Mel Bay bestseller. .''Master Anthology of Jazz Guitar Solos Volume 1'' (Book/3 CD set), 2000, Mel Bay Publications. .''Contemporary Anthology of Solo Guitar Music for Five Fingers of the Right Hand'', 2009, edited by Charles Postlewate, Mel Bay Publications. .''25 Compositions'' (Book/CD set), 2 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Acoustic Guitar (magazine)
''Acoustic Guitar'' is a monthly magazine published in the United States since July/August 1990 by String Letter Publishing. The magazine offers information, inspiration, and instruction related to acoustic guitars for players of all levels from beginners to teachers. Each issue includes three or so songs with notation and tablature, lessons, product reviews and interviews of prominent acoustic musicians. History ''Acoustic Guitar'' was founded in the summer of 1990 under the editorial direction of Jeffrey Pepper Rodgers as a publication of String Letter Publishing of Richmond, California. String Letter had previously been established in 1985 as the publisher of '' Strings'', a magazine oriented towards players of bowed string instruments. The first issue featured the first in a series of columns written by Sharon Isbin, a biography on Robert Johnson, a profile of Bruce Cockburn's song craft, and commentary on the "new" MTV Unplugged series. The issue also included musical ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dirty Linen
''Dirty Linen'' was a bi-monthly magazine of folk and world music based in Baltimore, Maryland. The magazine ceased publication in the spring of 2010. The magazine offered extensive reviews of folk music recordings, videos, books, and concerts as well as in depth profiles of musical artists and venues. They also maintained a schedule of concerts and festivals of folk music performances in North America in their "gig guide" which was available within the magazine or through their web site. Other features included, "The Horse Trader" classified ads, and a "Wireless" discussion of whats on the air waves. History ''Dirty Linen'' originated in 1983 as a publication titled ''Fairport Fanatics'', a fan magazine for the British band Fairport Convention created by T.J. McGrath of Fairfield, Connecticut. In 1987 Paul Hartman took over as editor and publisher, renamed the magazine ''Dirty Linen.'' "Dirty Linen" was the title of a traditional tune, arranged as an instrumental by Dave ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Down Beat
' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm which it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the "downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; articles on individual musicians and music forms; and its famous "Blindfold Test" column, in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include '' Rolling Stone'', ''Melody Maker'' and '' Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |