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Take The Message Everywhere
''Take the Message Everywhere'' (1968) is the debut album release for Jesus music/gospel music performers Andraé Crouch and the Disciples. Track listing All tracks composed by Andraé Crouch; except where noted. Side one # "He Never Sleeps" (Traditional; arranged by Andraé Crouch) - 2:25 # "Everywhere" - 2:00 # "The Broken Vessel" - 2:32 # "I've Got It" - 2:20 # "Without a Song" (Billy Rose, Edward Eliscu, Vincent Youmans) - 2:45 Side two # "No, Not One" - 2:20 # "I'll Never Forget" - 2:29 # "The Blood Will Never Lose Its Power" - 2:58 # "Wade in the Water" - 2:05 # "What Makes a Man Turn His Back on God?" - 2:23 # " Precious Lord, Take My Hand" (Thomas A. Dorsey Thomas Andrew Dorsey (July 1, 1899 – January 23, 1993) was an American musician, composer, and Christian evangelist influential in the development of early blues and 20th-century gospel music. He penned 3,000 songs, a third of them gospel, in ...) - 2:07 References * {{Authority control 1968 debut album ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andraé Crouch
Andraé Edward Crouch (July 1, 1942 – January 8, 2015) was an American gospel singer, songwriter, arranger, record producer and pastor. Referred to as "the father of modern gospel music" by contemporary Christian and gospel music professionals, Crouch was known for his compositions "The Blood Will Never Lose Its Power", " My Tribute (To God Be the Glory)" and "Soon and Very Soon". He collaborated on some of his recordings with famous and popular artists such as Stevie Wonder, El DeBarge, Philip Bailey, Chaka Khan, and Sheila E., as well as the vocal group Take 6, and many popular artists covered his material, including Bob Dylan, Barbara Mandrell, Paul Simon, Elvis Presley and Little Richard. In the 1980s and 1990s, he was known as the "go-to" producer for superstars who sought a gospel choir sound in their recordings; he appeared on a number of recordings, including Michael Jackson's " Man In the Mirror", Madonna's " Like a Prayer", and "The Power", a duet between Elton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus Music
Jesus music, known as gospel beat music in the United Kingdom, is a style of Christian music that originated on the West Coast of the United States in the late 1960s and early 1970s. This musical genre developed in parallel to the Jesus movement. It outlasted the movement that spawned it and the Christian music industry began to eclipse it and absorb its musicians around 1975. History Jesus music primarily began in population centers of the United States where the Jesus movement was gaining momentum—Southern California (especially Costa Mesa and Hollywood), San Francisco, Seattle, and Chicago—around 1969–70. Large numbers of hippies and street musicians began converting to born-again Christianity. A number of these conversions, especially in southern California, were due largely to the outreach of Lonnie Frisbee and Pastor Chuck Smith of Calvary Chapel in Costa Mesa. In the aftermath of such conversions, these musicians continued playing the same styles of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Music
Gospel music is a traditional genre of Christian music and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music vary according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often performed in a call-and-response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand–clapping and foot–stomping as rhythmic accompaniment. Most of the singing was done ''a cappella''.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Light Records
Light Records is a gospel record label founded in 1966 by Ralph Carmichael, as a joint venture with the Waco, Texas-based Word Records. It is a subsidiary of the MNRK Music Group. History Light Records' first roster included Ralph Carmichael, the Carmichael Young People, Ralph Carmichael's 102 Strings recordings, and Ralph's daughter Kim (Carol) Carmichael. Other artists included Jimmy Durante and Thurl Ravenscroft (the voice of Tony the Tiger in cereal commercials). Light moved into Gospel music quickly, with the 1968 signing of future Grammy Award-winners Andrae Crouch & the Disciples and ''The Oral Roberts Singers'', featuring Richard Roberts (evangelist) who had a hit with their opening theme ''Something Good Is Going to Happen to You'' and closing theme ''A God of Miracles'' for ''The Oral Roberts Hour''. Soon other gospel artists, including Kristle Murden, The Archers, The Winans, Walter Hawkins, Tramaine Hawkins and Bob Bailey joined the roster. For a time, Lig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Carmichael
Ralph Carmichael (May 27, 1927 – October 18, 2021) was an American composer and arranger of both secular pop music and contemporary Christian music. He is regarded as one of the pioneers of contemporary Christian music. Early life and career Carmichael was born in Quincy, Illinois, the son of a Pentecostal minister. As a teenager, Carmichael played violin with the San Jose Civic Symphony. At seventeen, he enrolled at Southern California Bible College (now Vanguard University) to become a preacher like his father, grandfather, three uncles, and five cousins. He started a campus men's quartet, as well as ensembles and mixed groups of all kinds, blending jazz and classical music techniques with gospel songs and hymns. His bands were unwelcomed at many churches, and he was not allowed to store his baritone saxophone on campus because of its associations with big band music. After college, Carmichael's band received mixed reactions from the Christian community. One church asked th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The COGICS
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Rose
Billy Rose (born William Samuel Rosenberg; September 6, 1899 – February 10, 1966) was an American impresario, theatrical showman, lyricist and columnist. For years both before and after World War II, Billy Rose was a major force in entertainment, with shows such as ''Billy Rose's Crazy Quilt'' (1931), ''Jumbo'' (1935), '' Billy Rose's Aquacade'' (1937), and '' Carmen Jones'' (1943). As a lyricist, he is credited with many songs, notably " Don't Bring Lulu" (1925), " Tonight You Belong To Me" (1926), " Me and My Shadow" (1927), "More Than You Know" (1929), " Without a Song" (1929), " It Happened in Monterrey" (1930), and "It's Only a Paper Moon" (1933). Despite his accomplishments, Rose may be best known today as the husband of comedian and singer Fanny Brice (1891–1951). Life and work Rose was born to a Jewish family in New York City. He attended Public School 44, where he was the 50-yard dash champion. While in high school, Billy studied shorthand under John Robert Greg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Eliscu
Edward Eliscu (April 2, 1902 – June 18, 1998) was an American lyricist, playwright, producer and actor, and a successful writer of songs for films. Life Eliscu was born in Manhattan, New York City. His parents, Frank and Sofia Eliscu, were born in Romania and emigrated to the United States. He attended DeWitt Clinton High School in Manhattan as a classmate of director George Cukor. He then attended City College of New York and graduated with a Bachelor of Science degree. His older brother Millton D'Eliscu was a military officer, multi-sport coach, and athletic director. He then began acting in Broadway plays. Eliscu's first film score was with Vincent Youmans and Billy Rose for the film '' Great Day''. Two well-known songs from that show include "More Than You Know," and "Without a Song." He married the dancer and journalist Stella Bloch in 1931. They both worked in the film industry until the House Committee on Un-American Activities named her husband in the 195 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Youmans
Vincent Millie Youmans (September 27, 1898 – April 5, 1946) was an American Broadway composer and producer. A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy DeSylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, he turned to longer musical sentences and more rhapsodic melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage. Biography Youmans was born in New York City, United States, into a prosperous family of hat makers. When he was two, his father moved the fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wade In The Water
"Wade in the Water" is an African-American spiritual, the lyrics of which were first co-published in 1901 in ''New Jubilee Songs as Sung by the Fisk Jubilee Singers'' by Frederick J. Work and his brother, John Wesley Work Jr. The Sunset Four Jubilee Singers made the first commercial recording of "Wade in the Water" in 1925, released by Paramount Records. The song is also associated with songs of the Underground Railroad. Fisk Jubilee Singers John Wesley Work Jr. (1871–1925)—also known as John Work II—spent three decades at the historically black college in Nashville, Tennessee, Fisk University, collecting and promulgating the "jubilee songcraft" of the original Fisk Jubilee Singers—an African-American ''a cappella'' Fisk University student chorus (1871–1878), known for introducing a wider audience to spirituals. This CD collection included the history by Doug Seroff which is "accompanied by the 43 extant selections recorded by the Fisk Quartet when Work led the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Precious Lord, Take My Hand
"Take My Hand, Precious Lord" (a.k.a. "Precious Lord, Take My Hand") is a gospel song. The lyrics were written by Thomas A. Dorsey, who also adapted the melody. Origin The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". "Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without attribution for many years. "Maitland" is also sometimes attributed to ''The Oberlin Social and Sabbath School Hymn Book'', which Allen edited, but this collection does not contain music. This tune originally appeared in hymnals and tune books as "Cross and Crown"; the name "Maitland" appears as early as 1868. Dorsey said that he had heard Blind Connie Williams sing his version of this song with "Precious Lord" and used it as inspiratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
