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Take No Yuki
is a Noh play by Seami. Theme A man separates from his first wife and his daughter, but keeps his son with his second wife, who is urged by him to look after both the boy and the bamboo grove while he is on pilgrimage. Suspecting the son has complained of her to his actual parents, the stepmother sends him out, coatless, to brush the winter snow off the bamboos. After the boy dies of exposure in the bamboo grove, his sister and mother sing a song of despair, before the pious reconciliation of father and mother brings the dead boy back to life at the close. Later allusions *In a haiku offered to a family who had lost their own child, Bashō alludes to the Noh play: “Withered and bending / Dejected world upside-down / Bamboo of the snow” *Prints based on the play’s story were not uncommon. See also * Torioi(bune) *Wicked stepmother *Yuki-onna is a spirit or yōkai in Japanese folklore that is often depicted in Japanese literature, films, or animation. She may also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Play
is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is Japan's oldest major theater art that is still regularly performed today. Noh is often based on tales from traditional literature featuring a supernatural being transformed into a human hero who narrates the story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent specific roles such as ghosts, women, deities, and demons. Having a strong emphasis on tradition rather than innovation, Noh is highly codified and regulated by the ''iemoto'' system. Although the terms Noh and ''nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami Motokiyo
, also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a close relationship with him. Although some think that due to the prevalence of exploration of male love in Noh plays, that the two may have had an intimate relationship, it has never truly been proven whether it was or not. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Waley
Arthur David Waley (born Arthur David Schloss, 19 August 188927 June 1966) was an English orientalist and sinologist who achieved both popular and scholarly acclaim for his translations of Chinese and Japanese poetry. Among his honours were appointment as Commander of the Order of the British Empire in 1952, receiving the Queen's Gold Medal for Poetry in 1953, and being invested as a Member of the Order of the Companions of Honour in 1956. Although highly learned, Waley avoided academic posts and most often wrote for a general audience. He chose not to be a specialist but to translate a wide and personal range of classical literature. Starting in the 1910s and continuing steadily almost until his death in 1966, these translations started with poetry, such as ''A Hundred and Seventy Chinese Poems'' (1918) and ''Japanese Poetry: The Uta'' (1919), then an equally wide range of novels, such as ''The Tale of Genji'' (1925–26), an 11th-century Japanese work, and ''Monkey'', fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chikamatsu Monzaemon
, real name , was a Japanese dramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki. The ''Encyclopædia Britannica'' has written that he is "widely regarded as the greatest Japanese dramatist". His most famous plays deal with double-suicides of honor bound lovers. Of his puppet plays, around 70 are ''jidaimono'' (時代物) (historical romances) and 24 are ''sewamono'' (世話物) (domestic tragedies). The domestic plays are today considered the core of his artistic achievement, particularly works such as '' The Courier for Hell'' (1711) and '' The Love Suicides at Amijima'' (1721). His histories are viewed less positively, though '' The Battles of Coxinga'' (1715) remains praised. Biography Chikamatsu was born Sugimori Nobumori. to a samurai family. There is disagreement about his birthplace. The most popular theory. suggests he was born in Echizen Province, but there are other plausible locations, including H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsuo Bashō
; born , later known as was the most famous Japanese poet of the Edo period. During his lifetime, Bashō was recognized for his works in the collaborative '' haikai no renga'' form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku). He is also well known for his travel essays beginning with '' Records of a Weather-Exposed Skeleton'' (1684), written after his journey west to Kyoto and Nara. Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. As he himself said, "Many of my followers can write hokku as well as I can. Where I show who I really am is in linking haikai verses." Bashō was introduced to poetry at a young age, and after integrating himself into the intellectual scene of Edo (modern Tokyo) he quickl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makoto Ueda (poetry Critic)
was a professor emeritus of Japanese literature at Stanford University. Ueda won the Japan–U.S. Friendship Commission Prize for the Translation of Japanese Literature in 1996 for his translated anthology ''Modern Japanese Tanka'' (Columbia University Press, 1996). Education and career He earned a Ph.D. in comparative literature in 1961. In 2004–2005 he served as the honorary curator of the American Haiku Archives at the California State Library in Sacramento, California. He was given that honor "in recognition of Ueda’s many decades of academic writing about haiku and related genres and his leading translations of Japanese haiku." The library added that "Ueda has been our most consistently useful source for information on Japanese haiku, as well as our finest source for the poems in translation, from Bashô to the present day." His work on female poets and 20th century poets "had an enormous impact". Bibliography He is an author of numerous books about Japanese literature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torioi(bune)
or is a Noh play of the fourth category, probably from the 16th century, and possibly by Kongō Yagorō. Theme An absentee husband and father sets in motion a chain of events whereby the steward left in charge of the family estate gradually exerts power over the mother and her son, Hanawaka. Eventually the pair are forced into the demeaning activity of bird-scaring from a boat among the ricefields. See also *Take no yuki is a Noh play by Seami. Theme A man separates from his first wife and his daughter, but keeps his son with his second wife, who is urged by him to look after both the boy and the bamboo grove while he is on pilgrimage. Suspecting the son has c ... References {{Reflist, 2 External links Tori-oi-bune: Picture Noh Noh plays ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wicked Stepmother
''Wicked Stepmother'' is a 1989 American black comedy fantasy film written, produced, and directed by Larry Cohen and starring Bette Davis and Barbara Carrera. It is best known for being the last film of Bette Davis, who withdrew from the project after filming began, citing major problems with the script, Cohen's direction, and the way she was being photographed. Cohen later claimed she really dropped out due to ill health but avoided publicizing the truth for fear it would affect potential future employment. Davis disputed this claim. Synopsis The original plot cast Davis as the title character, a chain-smoking witch named Miranda, who has married Sam while his vegetarian daughter Jenny and son-in-law Steve are on vacation. They return to find their new stepfamily, stepmother has filled their refrigerator with meat and played havoc with their collection of herbs. To explain Davis' absence, the script was rewritten to introduce Miranda's daughter Priscilla, a witch who inhabit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuki-onna
is a spirit or yōkai in Japanese folklore that is often depicted in Japanese literature, films, or animation. She may also go by such names as ''yuki-musume'', cited by (雪娘, "snow daughter"), ''yukihime'' (雪姫, "snow princess"), ''yuki-onago'' (雪女子, "snow girl"), ''yukijorō'' (雪女郎, "snow woman"), ''yuki anesa'' (雪姉さ, "snow sis"), ''yuki-onba'' (雪乳母, "snow granny" or "snow nanny"), ''yukinba'' (雪婆, "snow hag") in Ehime, ''yukifuri-baba'' (雪降り婆, "snowfall witch" or "snowfall hag") in Nagano. They are also called several names that are related to icicles, such as '' tsurara-onna'', ''kanekori-musume'', and ''shigama-nyōbō''. Origins Yuki-onna originates from folklores of olden times; in the Muromachi period '' Sōgi Shokoku Monogatari'' by the renga poet Sōgi, there is a statement on how he saw a yuki-onna when he was staying in Echigo Province (now Niigata Prefecture), indicating that the legends already existed in the Muromachi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Plays
is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is Japan's oldest major theater art that is still regularly performed today. Noh is often based on tales from traditional literature featuring a supernatural being transformed into a human hero who narrates the story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent specific roles such as ghosts, women, deities, and demons. Having a strong emphasis on tradition rather than innovation, Noh is highly codified and regulated by the ''iemoto'' system. Although the terms Noh and ''nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
