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Take Me Higher (other)
''Take Me Higher'' is the twenty-first studio album by American singer Diana Ross, released on September 5, 1995, by Motown Records. Ross' first regular studio release in four years, following ''The Force Behind the Power'' (1991) and the holiday album ''A Very Special Season'' (1994), the album features work from urban producers such Narada Michael Walden, Mike Mani, Louis Biancaniello, Jon-John and the Babyface protégés, The Boom Brothers. The album peaked at number 10 on the UK Albums Chart and entered the top forty in Austria and Scotland as well as on the US Top R&B/Hip-Hop Albums. ''Take Me Higher'' yielded several singles, including the UK hits "Take Me Higher", "Gone" and Ross' dance cover of Gloria Gaynor's disco anthem "I Will Survive" (1978). Photographer Ruven Afanador shot the album cover and the fashion forward video shoot which Ross used for promotional purposes. He also shot the video compilation for the single, "Don't Stop". Critical reception In a retrospec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diana Ross
Diana Ross (born March 26, 1944) is an American singer and actress. She rose to fame as the lead singer of the vocal group the Supremes, who became Motown's most successful act during the 1960s and one of the world's best-selling girl groups of all time. They remain the best-charting female group in history, with a total of twelve number-one hit singles on the US ''Billboard'' Hot 100, including " Where Did Our Love Go", " Baby Love", " Come See About Me", and " Love Child". Following departure from the Supremes in 1970, Ross embarked on a successful solo career in music, film, television and on stage. Her eponymous debut solo album featured the U.S. number-one hit " Ain't No Mountain High Enough" and music anthem " Reach Out and Touch (Somebody's Hand)". It was followed with her second solo album, '' Everything Is Everything'' (1970), which spawned her first UK number-one single " I'm Still Waiting". She continued her successful solo career by mounting elaborate record-set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloria Gaynor
Gloria Gaynor (née Fowles; born September 7, 1943) is an American singer, best known for the disco era hits " I Will Survive" (1978), " Let Me Know (I Have a Right)" (1979), " I Am What I Am" (1983), and her version of " Never Can Say Goodbye" (1974). Early life Gaynor was born Gloria Fowles in Newark, New Jersey, to Daniel Fowles and Queenie Mae Proctor. Her grandmother lived nearby and was involved in her upbringing. "There was always music in our house", Gaynor wrote in her autobiography ''I Will Survive''. She enjoyed listening to the radio, and to records by Nat King Cole and Sarah Vaughan. Her father played the ukulele and guitar and sang professionally in nightclubs with a group called Step 'n' Fetchit. Gloria grew up a tomboy; she had five brothers and one sister. Her brothers sang gospel and formed a quartet with a friend. Gaynor was not allowed to sing with the all-male group, nor was her younger brother Arthur, as Gloria was a girl and he was too young. Arthur later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by ''Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were conso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Club Songs
Dance Club Songs is a chart published weekly by ''Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was " You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, ''Teenage Dream'' (2010), became the first album in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Dance Singles And Albums Charts
The UK Dance Singles Chart and the UK Dance Albums Chart are music charts compiled in the United Kingdom by the Official Charts Company from sales of songs in the dance music genre (e.g. house, trance, drum and bass, garage, synthpop) in record stores and digital downloads. The chart can be viewed on the BBC Radio 1's and Official Charts Company's website. The archive on the Official Charts Company website goes back to 3 July 1994, the beginning of the first charting week. The dates listed in the menus below represent the Saturday after the Sunday the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by ''Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by ''Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its "number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coincide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diana Ross (1976 Album)
''Diana Ross'' is the seventh studio album by American singer Diana Ross, released on February 10, 1976 by Motown Records. It is her second self-titled record after ''Diana Ross'' (1970). It reached #5 in the USA (4 R&B) and sold over 700,000 copies. www.GreasyLake.org The album was Ross' biggest-selling album since 1973's '''', reaching #5 on the US Billboard 200 album chart, #4 on the US Billboard R&B Album Chart and the Top 5 in the UK, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibe (magazine)
''Vibe'' is an American music and entertainment magazine founded by producers David Salzman and Quincy Jones. The publication predominantly features R&B and hip hop music artists, actors and other entertainers. After shutting down production in the summer of 2009, it was purchased by the private equity investment fund InterMedia Partners, then issued bi-monthly with double covers and a larger online presence. The magazine's target demographic is predominantly young, urban followers of hip hop culture. In 2014, the magazine discontinued its print version. The magazine features a broader range of interests than its closest competitors '' The Source'' and '' XXL'', which focus more narrowly on rap music, or the rock and pop-centric ''Rolling Stone'' and '' Spin''. Publication history Quincy Jones launched ''Vibe'' in 1993, in partnership with Time Inc. Originally, the publication was called ''Volume'' before co-founding editor, Scott Poulson-Bryant named it ''Vibe''. Though ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Musical Express
''New Musical Express'' (''NME'') is a British music journalism, music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations. As a 'rock inkie', ''NME'' was the first British newspaper to include a Single (music), singles Record chart, chart, adding that feature in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons (British journalist), Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. The magazine's website NME.com wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated '' Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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