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Take Me Away (Avril Lavigne Song)
"Take Me Away" is a song by Canadian singer-songwriter Avril Lavigne, taken as a promotional single from her second studio album ''Under My Skin (Avril Lavigne album), Under My Skin'' (2004). It was written by herself and Evan Taubenfeld, whilst production was handled by Don Gilmore. The song has a Metal (genre), metal sound and started playing on Canadian rock radio in March 2004, at around the same time that the album's lead single, "Don't Tell Me (Avril Lavigne song), Don't Tell Me", was being promoted. The song was also included as the A-side and B-side, B-side on the physical release of "Don't Tell Me" in many regions, and re-released digitally as a promotional single from the album on May 24, 2004. "Take Me Away" received mixed reviews from Music journalism, music critics. Some critics complimented the composition and musical styles, whilst the rest criticized her songwriting and negatively compared it to the work of fellow Canadian artist Alanis Morissette. Background and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promotional Recording
A promotional recording, promo, or plug copy is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and television stations, and to tastemakers, such as DJs, music journalists, and critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release. Promos are often distributed in plain packaging, without the text or artwork that appears on the commercial version. Typically a promo is marked with some variation of the following text: "Licensed for promotional use only. Sale is prohibited." It may also state that the promo is still the property of the distributor and is to be "returned upon demand." However, it is not illegal to sell promotional recordings, and recalls of promos are extremely rare and u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats, or beating may refer to: Common uses * Assault, inflicting physical harm or unwanted physical contact * Battery (crime), a criminal offense involving unlawful physical contact * Battery (tort), a civil wrong in common law of intentional harmful or offensive contact * Corporal punishment, punishment intended to cause physical pain * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition * Beating (hunt), driving game out of areas of cover during a hunt Arts, entertainment and media Fictional characters * Beat, an anthro fox in the animated series " Motto! Majime ni Fumajime Kaiketsu Zorori" * Beat, in the video game '' Eternal Sonata'' * Beat, in the video game '' Jet Set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * The '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Minor
E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp, on the F. Its relative major is G major and its parallel major is E major. The E natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (un fretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar. Scale degree chords The scale degree chords of E minor are: * Tonic – E minor * Supertonic – F-sharp diminished * Mediant – G major * Subdominant – A minor * Dominant – B minor * Submediant – C major * Subtonic – D major Nota ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, jazz music, art music, and pop music. A particular key features a '' tonic (main) note'' and its corresponding '' chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest. The tonic also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major mode, minor mode, or one of several other modes. Musicians assume major when this is not specified; for example, "this piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in a single key; longer pieces in the classical repe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultimate Guitar Archive
Ultimate Guitar (Ultimate Guitar USA LLC), also known as Ultimate-Guitar.com or simply UG, is an online platform for guitarists and musicians, started on October 9, 1998 by Eugeny Naidenov and based in San Francisco, US. Its website and mobile application provide free and paid user-submitted guitar tablatures and chord sheets, as well as video courses, reviews of music and equipment, interviews with musicians and forums. It is now part of Muse Group. Features Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website. The forum is moderated, but there has been no censorship of curse and swear words since September 1, 2015. From 2007 until 2014, Ultimate Guitar allowed its users to create prof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let Go (Avril Lavigne Album)
''Let Go'' is the debut album by Canadian singer-songwriter Avril Lavigne, released on 4 June 2002, by Arista Records. Critics have described ''Let Go'' as a pop-punk and alternative rock album with a grunge-oriented sound. The album has sold over 16 million copies worldwide, making it Lavigne's highest-selling album to date and List of best-selling albums of the 21st century, the best selling album of the 21st century by a Canadian artist. Upon release, ''Let Go'' received generally positive reviews from music critics. The album was credited as the biggest pop debut of 2002. According to ''Billboard (magazine), Billboard'', the album was the 21st-best-selling album of the decade. It was certified RIAA certification, 7× Platinum by the Recording Industry Association of America (RIAA) in the United States, and it received a Canadian Recording Industry Association#Album certifications, diamond certification from Music Canada. The album reached multi-platinum in many countries aro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lauren Christy
Lauren Christy (born 1968) is a British songwriter and record producer. Originally a solo artist, she found success as part of the writing production trio the Matrix. The Matrix was nominated for the Grammy Award for Producer of the Year, Non-Classical at the 46th Annual Grammy Awards. Biography Christy studied at the Bush Davies Ballet School as a child, before she decided to become a musician. Career By age nineteen, Christy had become a solo recording artist. She was signed to EMI Publishing and achieved a recording contract with Polygram Mercury records. In 1994, she received an American Music Awards nomination for Best New Artist. Her song "The Color of the Night" for the film ''Color of Night'' also garnered her a Golden Globe nomination for Best Song in an Original Motion Picture. Five years later, Christy moved into production as co-creator of the Matrix. Alongside creative partners, Christy's then-husband Graham Edwards and Scott Spock, the trio wrote and produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Matrix (production Team)
The Matrix is an American-British songwriting and record production team, consisting of Lauren Christy, Scott Spock, and Graham Edwards. In 1999, the production team took on their first project, the Jackson Mendoza song "Venus or Mars"; it was intended to be a one-off project. Christy, Spock, and Edwards enjoyed the songwriting and production process, which prompted them to form a production team. The team chose their name, the Matrix, as they wanted to remain in the background and allow the artists they work with to further stand out. The Matrix's breakthrough came in 2002 with the release of Avril Lavigne's debut studio album '' Let Go'', in which they co-wrote and produced five songs. Three of the songs became top ten singles on the ''Billboard'' Hot 100 chart (" Complicated", " Sk8er Boi", and " I'm with You") and their work with Lavigne collectively earned them seven Grammy Award nominations in 2003 and 2004. The success of these songs caused the Matrix to become a sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
