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Sōsho
Cursive script (; , ''sōshotai''; , ''choseo''; ), often referred to as ''grass script'', is a Chinese script styles, script style used in Chinese calligraphy, Chinese and East Asia, East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. The cursive script functions primarily as a kind of shorthand script or calligraphic style and is faster to write than other styles, but it can be difficult to read for those unfamiliar with it because of its abstraction and alteration of character structures. People who can read only regular script, standard or printed forms of Chinese or Chinese family of scripts, related scripts may have difficulty reading the cursive script. Names The character primarily means "grass", and the character means script in this context, which has led to the literal calque for as "grass script". However, can be extended to mean "hurried" or "rough", from which the name came. Thus, the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shorthand
Shorthand is an abbreviated symbolic writing method that increases speed and brevity of writing as compared to Cursive, longhand, a more common method of writing a language. The process of writing in shorthand is called stenography, from the Greek language, Greek ''stenos'' (narrow) and ''graphein'' (to write). It has also been called brachygraphy, from Greek ''brachys'' (short), and tachygraphy, from Greek ''tachys'' (swift, speedy), depending on whether compression or speed of writing is the goal. Many forms of shorthand exist. A typical shorthand system provides symbols or abbreviations for words and common phrases, which can allow someone well-trained in the system to write as quickly as people speak. Abbreviation methods are alphabet-based and use different abbreviating approaches. Many journalists use shorthand writing to quickly take notes at press conferences or other similar scenarios. In the computerized world, several autocomplete programs, standalone or integrated in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Calligraphy
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely Visual arts, visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. Calligraphy is considered one of the four most-sought skills and hobbies of ancient Chinese literati, along with playing stringed musical instruments, the Go (game), board game "Go", and painting. There are some general standardizations of the various Chinese script styles, styles of calligraphy in this tradition. Chinese calligraphy and Ink wash painting, ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy is sheer life experienced through energy in motion tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mi Fu
Mi Fu (Chinese language, Chinese: 米芾; 1051–1107)Barnhart: 373. He was born with the name 米黻, also pronounced Mi Fu. His courtesy name was Yuanzhang (元章) with several sobriquets: Nangong (南宮), Lumen Jushi (鹿門居士), Xiangyang Manshi (襄陽漫士), and Haiyue Waishi (海岳外史) was a Chinese people, Chinese painter, poet, calligrapher, and art theorist in the Song dynasty, Early Song Dynasty. Born in Taiyuan, he was known for his misty landscape paintings, which consisted of broad, wet ink dots applied with a flat brush. This technique, later known as the "Mi Fu Style", significantly influenced Chinese painting. His poetry and calligraphy were inspired by Li Bai and Wang Xizhi, respectively. Mi Fu is considered one of the most influential calligraphers of the Song dynasty, along with Su Shi, Huang Tingjian, and Cai Xiang. His major works include ''Zhang Jiming Tie'' (張季明帖), ''Li Taishi Tie'' (李太師帖), ''Zijin Yan Tie'' (紫金研帖), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cao Wei
Wei () was one of the major Dynasties in Chinese history, dynastic states in China during the Three Kingdoms period. The state was established in 220 by Cao Pi based upon the foundations laid by his father Cao Cao during the end of the Han dynasty. Its capital was initially located at Xuchang, and was later moved to Luoyang. The name ''Wei'' first became associated with Cao Cao when he was named the Duke of Wei by the Eastern Han government in 213, and became the name of the state when Cao Pi proclaimed himself emperor in 220. Historians often add the prefix "Cao" to distinguish it from other Chinese states known as ''Wei (other), Wei''. The authority of the ruling Cao family dramatically weakened following the deposition and execution of Cao Shuang, a regent for the dynasty's third emperor Cao Fang. Beginning in 249, another regent in Sima Yi gradually consolidated state authority for himself and his relatives, with the last Wei emperors largely being puppet ruler, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stroke (CJK Character)
Strokes ( zh, t=筆畫, s=笔画, p=bǐhuà) are the smallest structural units making up written Chinese characters. In the act of writing, a stroke is defined as a movement of a writing instrument on a writing material surface, or the trace left on the surface from a discrete application of the writing implement. The modern sense of discretized strokes first came into being with the clerical script during the Han dynasty. In the regular script that emerged during the Tang dynasty—the most recent major style, highly studied for its aesthetics in East Asian calligraphy—individual strokes are discrete and highly regularized. By contrast, the ancient seal script has line terminals within characters that are often unclear, making them non-trivial to count. Study and classification of strokes is useful for understanding Chinese calligraphy, Chinese character calligraphy, ensuring character legibility, identifying fundamental components of Radical (Chinese characters), radicals, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sun Guoting
Sun Guoting () (646–691) or Sun Qianli (孫虔禮),It is not known whether Guoting was his name and Qianli his courtesy name, or the other way around. was a Chinese calligrapher of the early Tang dynasty, remembered for his cursive calligraphy and his Shu Pu (書譜, "A Narrative on Calligraphy" or "Treatise on Calligraphy" ()). The work was the first important theoretical work on Chinese calligraphy, and has remained important ever since, though only its preface survived. The preface is the only surviving calligraphic work of Sun, therefore it is responsible for both Sun's reputation as an artist and as a theorist. The original handscroll can be seen at the National Palace Museum, in Taipei, Taiwan, and on its web site. Notes References *''Two Chinese Treatises on Calligraphy: Treatise on Calligraphy (Shu pu) by Sun Qianli; Sequel to the "Treatise on Calligraphy" (Xu shu pu) by Jiang Kui''; Yale University Press, 1995; . * Zhu, Guantian"Sun Guoting" ''Encyclopedia of China ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sōgana
is an archaic Japanese syllabary, now used for aesthetic purposes only. It represents an intermediate cursive form between historic man'yōgana script and modern hiragana. Sōgana appears primarily in Heian era texts, most notably the and . Originating from cursive Cursive (also known as joined-up writing) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and m ... forms of the man'yōgana characters, commonly occurring sōgana were further adapted and by the early eleventh century had evolved into the forms of modern hiragana. The principal purpose of Sōgana—nowadays its only use—was for artistic effect. It was often used for the rendition of poetry, as in the work of Fujiwara Kozei, whose style is often cited to exemplify the use of sōgana. However, attribution of the few surviving sōgana works is disputed. Referen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man'yōgana
is an ancient writing system that uses Chinese characters to represent the Japanese language. It was the first known kana system to be developed as a means to represent the Japanese language phonetically. The date of the earliest usage of this type of kana is not clear, but it was in use since at least the mid-7th century. The name "man'yōgana" derives from the '' Man'yōshū'', a Japanese poetry anthology from the Nara period written with ''man'yōgana.'' Texts using the system also often use Chinese characters for their meaning, but ''man'yōgana'' refers to such characters only when they are used to represent a phonetic value. The values were derived from the contemporary Chinese pronunciation, but native Japanese readings of the character were also sometimes used. For example, (whose character means 'tree') could represent (based on Middle Chinese ), , or (meaning 'tree' in Old Japanese). Simplified versions of ''man'yōgana'' eventually gave rise to both the hira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiragana
is a Japanese language, Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' means "common" or "plain" kana (originally also "easy", as contrasted with kanji). Hiragana and katakana are both kana systems. With few exceptions, each mora (linguistics), mora in the Japanese language is represented by one character (or one digraph) in each system. This may be a vowel such as /a/ (hiragana wikt:あ, あ); a consonant followed by a vowel such as /ka/ (wikt:か, か); or /N/ (wikt:ん, ん), a nasal stop, nasal sonorant which, depending on the context and dialect, sounds either like English ''m'', ''n'' or ''ng'' () when syllable-final or like the nasal vowels of French language, French, Portuguese language, Portuguese or Polish language, Polish. Because the characters of the kana do not represent single consonants (except in the case of the aforementioned ん), the kana are r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simplified Chinese Characters
Simplified Chinese characters are one of two standardized Chinese characters, character sets widely used to write the Chinese language, with the other being traditional characters. Their mass standardization during the 20th century was part of an initiative by the People's Republic of China (PRC) to promote literacy, and their use in ordinary circumstances on the mainland has been encouraged by the Chinese government since the 1950s. They are the official forms used in mainland China, Malaysia, and Singapore, while traditional characters are officially used in Hong Kong, Macau, and Taiwan. Simplification of a component—either a character or a sub-component called a Radical (Chinese characters), radical—usually involves either a reduction in its total number of Chinese character strokes, strokes, or an apparent streamlining of which strokes are chosen in what places—for example, the radical used in the traditional character is simplified to to form the simplified charac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Dynasty
The Tang dynasty (, ; zh, c=唐朝), or the Tang Empire, was an Dynasties of China, imperial dynasty of China that ruled from 618 to 907, with an Wu Zhou, interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilisation, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivalled that of the Han dynasty. The House of Li, Li family founded the dynasty after taking advantage of a period of Sui decline and precipitating their final collapse, in turn inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The An Lushan rebellion (755 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
