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Sărmanul Dionis
''Poor Dionis'' or ''Poor Dionysus'' (, originally spelled ''Sermanul Dionisie''; Valentin Coșereanu"Jurnalul Junimii" in ''Caiete Critice'', Issue 6/2010, p. 23 also translated as ''Wretched Dionysus'' or ''The Sorrowful Dionis'') is an 1872 in literature, 1872 prose work by Romanian poet Mihai Eminescu, classified by scholars as either a novel, a novella or a modern fairy tale. It is a liberal interpretation of contemporary German philosophy and ancient motifs, discussing themes such as time travel and reincarnation through the lens of German idealism, post-Kantian idealism. Its eponymous central character, a daydreaming scholar, moves between selves over time and space, between his miserable home, his earlier existence as a monk in 15th-century Moldavia, and his higher-level existence as a celestial Zoroaster. ''Poor Dionis'' is one of the first, and most characteristic, works of Fantasy literature, fantasy in Romanian literature, and one of the poet's last Romanticism, Romanti ...
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Carl Spitzweg
Carl Spitzweg (February 5, 1808 – September 23, 1885) was a German romantic painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era. Life and career Spitzweg was born in Munich, Bavaria, the second of three sons of Franziska (née Schmutzer) and Simon Spitzweg. His mother belonged to Munich's upper middle class as the daughter of a wealthy fruit wholesaler. The family's property at Neuhausergasse (today: Neuhauser Straße) 14 was a stately property that later gave Carl Spitzweg financial independence through his inheritance. Carl's father came from the village of Unterpfaffenhofen near the town of Fürstenfeldbruck in today's Fürstenfeldbruck district (in Upper Bavaria), where his family had become wealthy. Until 1807, Spitzweg's father's business base was the trade in spices in Munich. His relatives controlled thriving fruit businesses. Simon Spitzweg was an educated businessman who gained respect and reputa ...
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Zoroaster
Zarathushtra Spitama, more commonly known as Zoroaster or Zarathustra, was an Iranian peoples, Iranian religious reformer who challenged the tenets of the contemporary Ancient Iranian religion, becoming the spiritual founder of Zoroastrianism. Variously described as a Sage (philosophy), sage or a wonderworker; in the oldest Zoroastrian scriptures, the Gatha (Zoroaster), Gathas, which he is believed to have authored, he is described as a preacher and a poet-prophet. He also had an impact on Heraclitus, Plato, Pythagoras, and the Abrahamic religions, including Judaism, Christianity, and Islam. He spoke an Eastern Iranian language, named Avestan by scholars after the Avesta, corpus of Zoroastrian religious texts written in that language. Based on this, it is tentative to place his homeland somewhere in the eastern regions of Greater Iran (perhaps in modern-day Afghanistan or Tajikistan), but his exact birthplace is uncertain. His life is traditionally dated to sometime around th ...
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Gnosticism
Gnosticism (from Ancient Greek language, Ancient Greek: , Romanization of Ancient Greek, romanized: ''gnōstikós'', Koine Greek: Help:IPA/Greek, [ɣnostiˈkos], 'having knowledge') is a collection of religious ideas and systems that coalesced in the late 1st century AD among Early Christianity, early Christian sects. These diverse groups emphasized personal spiritual knowledge (''gnosis'') above the Proto-orthodox Christianity, proto-orthodox teachings, traditions, and authority of religious institutions. Generally, in Gnosticism, the Monad (Gnosticism), Monad is the supreme God who emanates divine beings; one, Sophia (Gnosticism), Sophia, creates the flawed demiurge who makes the material world, trapping souls until they regain divine knowledge. Consequently, Gnostics considered material existence flawed or evil, and held the principal element of salvation to be direct knowledge of the hidden divinity, attained via mystical or esoteric insight. Many Gnostic texts deal not in co ...
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Vedanta
''Vedanta'' (; , ), also known as ''Uttara Mīmāṃsā'', is one of the six orthodox (Āstika and nāstika, ''āstika'') traditions of Hindu philosophy and textual exegesis. The word ''Vedanta'' means 'conclusion of the Vedas', and encompasses the ideas that emerged from, or aligned and reinterpreted, the speculations and enumerations contained in the Upanishads, focusing, with varying emphasis, on devotion, knowledge and liberation. Vedanta developed into many traditions, all of which give their specific interpretations of a common group of texts called the ''Prasthanatrayi, Prasthānatrayī'', translated as 'the three sources': the ''Upanishads'', the ''Brahma Sutras'', and the ''Bhagavad Gita''. All Vedanta traditions are exegetical in nature, but also contain extensive discussions on ontology, soteriology, and epistemology, even as there is much disagreement among the various traditions. Independently considered, they may seem completely disparate due to the pronounced ...
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Postmodern Literature
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, and intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s.Linda Hutcheon (1988) ''A Poetics of Postmodernism.'' London: Routledge, pp. 202-203. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to. Precursors to postmodern literature include Miguel de Cervantes' ''Don Quixote'' (1605–1615), Laurence Sterne's '' Tristram Sh ...
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Modernist Literature
Modernist literature originated in the late 19th and early 20th centuries, and is characterised by a self-conscious separation from traditional ways of writing in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new". This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of the time. The immense human costs of the First World War saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century. In ''Modernist Literature'', Mary Ann Gillies notes that these literary themes share the "centrality of a conscious break with the past", one that "emerges as a complex response across continents and disciplines to a changing world". Modernism, Romanticism, Philosophy and Symbol Literary mo ...
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Symbolist Movement In Romania
The Symbolist movement in Romania, active during the late 19th and early 20th centuries, marked the development of Culture of Romania, Romanian culture in both Literature of Romania, literature and Art of Romania, visual arts. Bringing the assimilation of France's Symbolism (arts), Symbolism, Decadent movement, Decadence and Parnassianism, it promoted a distinctly urban culture, characterized by cosmopolitanism, Francophilia and endorsement of Westernization, and was generally opposed to either rural themes or Patriotism, patriotic displays in art. Like its Western European counterparts, the movement stood for idealism, Sentimentalism (literature), sentimentalism or exoticism, alongside a noted interest in spirituality and Western esotericism, esotericism, covering on its own the ground between local Romanticism and the emerging modernism of the ''fin de siècle''. Despite such unifying traits, Romanian Symbolism was an Eclecticism, eclectic, factionalized and often self-contradicto ...
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Junimea
''Junimea'' was a Romanian literary society founded in Iași in 1863, through the initiative of several foreign-educated personalities led by Titu Maiorescu, Petre P. Carp, Vasile Pogor, Theodor Rosetti and Iacob Negruzzi. The foremost personality and mentor of the society was Maiorescu, who, through the means of scientific papers and essays, helped establish the basis of the modern Romanian culture. Junimea was the most influential intellectual and political association from Romania in the 19th century. Beginnings In 1863, four years after the unification of Moldavia and Wallachia (''see: United Principalities''), and after the moving of the capital to Bucharest, five enthusiastic young people who had just returned from their studies abroad created in Iaşi a society which wanted to stimulate the cultural life in the city. They chose the name "''Junimea''", a slightly antiquated Romanian word for "Youth". It is notable that four of the founders were part of the Romanian elite ...
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Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassian poets, Parnassianism, Symbolism (arts), Symbolism, Decadent movement, Decadence and Modernism. He was widely esteemed by writers as disparate as Honoré de Balzac, Balzac, Charles Baudelaire, Baudelaire, the Goncourt brothers, Gustave Flaubert, Flaubert, Ezra Pound, Pound, T. S. Eliot, Eliot, Henry James, James, Marcel Proust, Proust and Oscar Wilde, Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government ...
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19th-century French Literature
19th-century French literature concerns the developments in French literature during a dynamic period in French history that saw the rise of Democracy and the fitful end of Monarchy and Empire. The period covered spans the following political regimes: Napoleon Bonaparte's Consulate (1799–1804) and Empire (1804–1814), the Restoration under Louis XVIII and Charles X (1814–1830), the July Monarchy under Louis Philippe d'Orléans (1830–1848), the Second Republic (1848–1852), the Second Empire under Napoleon III (1852–1871), and the first decades of the Third Republic (1871–1940). Overview French literature enjoyed enormous international prestige and success in the 19th century. The first part of the century was dominated by Romanticism, until around the mid-century Realism emerged, at least partly as a reaction. In the last half of the century, " naturalism", " parnassian" poetry, and " symbolism", among other styles, were often competing tendencies at the same t ...
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Novalis
Georg Philipp Friedrich Freiherr von Hardenberg (2 May 1772 – 25 March 1801), pen name Novalis (; ), was a German nobility, German aristocrat and polymath, who was a poet, novelist, philosopher and Mysticism, mystic. He is regarded as an influential figure of Jena Romanticism. Novalis was born into a minor aristocratic family in Electoral Saxony. He was the second of eleven children; his early household observed a strict Pietism, Pietist faith. He studied law at the University of Jena, the University of Leipzig, and the University of Wittenberg. While at Jena, he published his first poem and befriended the playwright and fellow poet Friedrich Schiller. In Leipzig, he then met Friedrich Schlegel, becoming lifelong friends. Novalis completed his law degree in 1794 at the age of 22. He then worked as a legal assistant in Bad Tennstedt, Tennstedt immediately after graduating. There, he met Sophie von Kühn. The following year Novalis and Sophie became secretly engaged. Sophie bec ...
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German Romanticism
German Romanticism () was the dominant intellectual movement of German-speaking countries in the late 18th and early 19th centuries, influencing philosophy, aesthetics, literature, and criticism. Compared to English Romanticism, the German variety developed relatively early, and, in the opening years, coincided with Weimar Classicism (1772–1805). The early period, roughly 1797 to 1802, is referred to as ''Frühromantik'' or Jena Romanticism. The philosophers and writers central to the movement were Wilhelm Heinrich Wackenroder (1773–1798), Friedrich Wilhelm Joseph Schelling (1775–1854), Friedrich Schleiermacher (1768–1834), Karl Wilhelm Friedrich Schlegel (1772–1829), August Wilhelm Schlegel (1767–1845), Ludwig Tieck (1773–1853), and Friedrich von Hardenberg (Novalis) (1772–1801). The early German Romantics strove to create a new synthesis of art, philosophy, and science, by viewing the Middle Ages as a simpler period of integrated culture; however, the German ...
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