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São José Theater
The São José Theater (Portuguese language, Portuguese: ''Theatro São José'') was an important venue located in Largo São Gonçalo, now Doutor João Mendes Square, in the Brazilian city of São Paulo. Inaugurated on September 4, 1864, its first premises accommodated 1,200 people. In 1898, a fire destroyed the building and a new theater was erected next to the Viaduto do Chá. Designed by architect Carlos Ekman, the new venue had a capacity for 3,000 people and was inaugurated on December 28, 1909. The São José Theater, affected by the establishment of the Theatro Municipal (São Paulo), Municipal Theater of São Paulo in 1911, remained active until 1919. Later, it was acquired by São Paulo Tramway, Light and Power Company, Light São Paulo, which used its facilities until 1924, when it was demolished to house the Alexandre Mackenzie Building, inaugurated in 1929. History In 1854, the Provincial Legislative Assembly of São Paulo approved by law the establishment of a new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
São Paulo
São Paulo (; ; Portuguese for 'Paul the Apostle, Saint Paul') is the capital of the São Paulo (state), state of São Paulo, as well as the List of cities in Brazil by population, most populous city in Brazil, the List of largest cities in the Americas, Americas, and both the Western Hemisphere, Western and Southern Hemispheres. Listed by the Globalization and World Cities Research Network (GaWC) as an global city, alpha global city, it exerts substantial international influence in commerce, finance, arts, and entertainment. It is the List of largest cities#List, largest urban area by population outside Asia and the most populous Geographical distribution of Portuguese speakers, Portuguese-speaking city in the world. The city's name honors Paul the Apostle and people from the city are known as ''paulistanos''. The city's Latin motto is ''Non ducor, duco'', which translates as "I am not led, I lead." Founded in 1554 by Jesuit priests, the city was the center of the ''bandeirant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Da Silva Prado
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language–speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language, it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Gali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Jones (composer)
James Sidney Jones (17 June 1861 – 29 January 1946), usually credited as Sidney Jones, was an English conductor and composer, who was most famous for composing the musical scores for a series of Edwardian musical comedy, musical comedy hits in the late Victorian era, Victorian and Edwardian periods. Jones's most famous musical was ''The Geisha'', but several of his pieces were among the most popular shows of the era, enjoying long runs, international tours and revivals. In 1892, after nine years of conducting touring companies of British operettas for Alfred Cellier and George Edwardes, Edwardes engaged Jones to conduct several operettas and musical comedies in London. Jones had begun composing incidental music and supplemental songs for some of the shows he conducted and even wrote scores of his own in 1889 and 1892. In 1893, one of his songs, "Linger Longer, Loo", composed for the 1892 Victorian burlesque, burlesque ''Don Juan'' at the Gaiety Theatre, became popular througho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Owen Hall
Owen Hall (10 April 1853 – 9 April 1907) was the principal pen name of the Irish-born theatre writer, racing correspondent, theatre critic and solicitor, James Davis, when writing for the stage. After his successive careers in law and journalism, Hall wrote the librettos for a series of extraordinarily successful Edwardian musical comedy, musical comedies in the 1890s and the first decade of the 1900s, including ''A Gaiety Girl, An Artist's Model, The Geisha, A Greek Slave'' and ''Florodora''. Despite his achievements, Hall was constantly in financial distress because of his gambling and extravagant lifestyle; his pseudonym was a pun on "owing all". Life and career Born in a Jewish household, Hall was the eldest son of an English dentist who practised in Dublin and later became a portrait photographer in London, Hyman Davis (1824–1875), and his wife Isabella (1824–1900), whose maiden name was also Davis.Todd Endelman, Endelman, Todd M. "The Frankaus of London: A Study i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Geisha
''The Geisha, a story of a tea house'' is an Edwardian musical comedy in two acts. The score was composed by Sidney Jones to a libretto by Owen Hall, with lyrics by Harry Greenbank. Additional songs were written by Lionel Monckton and James Philp. ''The Geisha'' opened in 1896 at Daly's Theatre in London's West End, produced by George Edwardes. The original production had the second longest run of any musical up to that time. The cast starred Marie Tempest and C. Hayden Coffin, with dancer Letty Lind and comic Huntley Wright. The show was an immediate success abroad, with an 1896 production starring Dorothy Morton in New York and numerous tours and productions in Europe and beyond. It continued to be popular until World War II and even beyond to some degree. The most famous song from the show is "The Amorous Goldfish".Gänzl (1986), p. 589 Background and productions The success of ''An Artist's Model'' in 1895 had set the pattern for the Hall, Greenbank and Jones Ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Carlos Gomes
Antônio Carlos Gomes (; 11 July 1836 in Campinas – 16 September 1896 in Belém) was a Brazilian composer notable for being the first New World composer whose work was accepted by Europe. He was the only non-European who was successful as an opera composer in Italy, during the "golden age of opera", contemporary to Verdi and Puccini and the first composer of non-European lineage to be accepted into the Classic tradition of music. Younger than Verdi, yet older than Puccini, Carlos Gomes achieved his first major success in a time when the Italian audiences were eager for a new name to celebrate and Puccini had not yet officially started his career. After the successful premiere of '' Il Guarany'', Gomes was considered the most promising new composer. Verdi said his work was an expression of "true musical genius". Liszt said that “it displays dense technical maturity, full of harmonic and orchestral maturity.” Cernicchiaro, Vincenzo (1926) Storia della Musica nel Brasile ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Guarany
''Il Guarany'' (''The Guarany'') is an opera ballo composed by Antônio Carlos Gomes, based on the novel '' O Guarani'' by José de Alencar. Its libretto, in Italian rather than Gomes' native Portuguese, was written by and . The work is notable as the first Brazilian opera to gain acclaim outside Brazil.Volpe, Maria Alice, "Remaking the Brazilian Myth of National Foundation: ''Il Guarany''" (Autumn–Winter 2002). '' Latin American Music Review''/''Revista de Música Latinoamericana'', 23 (2): pp. 179–194. Maria Alice Volpe has analysed the historical subtext of the indianism movement behind ''Il Guarany''. The operatic version of the story takes place near Rio de Janeiro in 1560, and the plot centers around an interracial love story between Pery, a Guarani indian prince, and Cecilia, the daughter of a Portuguese nobleman. The work emphasizes the Romanticized concept of the "noble savage" in an exotic Brazilian tropical setting as well as the concept of racial miscegenation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian National Anthem
The "Brazilian National Anthem" () was composed by Francisco Manuel da Silva in 1831 and had been given at least two sets of unofficial lyrics before a 1922 decree by president Epitácio Pessoa gave the anthem its definitive, official lyrics, by Joaquim Osório Duque-Estrada, after several changes were made to his proposal, written in 1909. The lyrics have been described as Parnassian in style and Romantic in content. History The melody of the Brazilian national anthem was composed by Francisco Manuel da Silva, and was presented to the public for the first time in April 1831. On 7 April 1831, the first Brazilian Emperor, Pedro I, abdicated the Crown and days later left for Europe, leaving behind the then-five-year-old Emperor Pedro II. From the Brazilian proclamation of independence in 1822 until the 1831 abdication, an anthem that had been composed by Pedro I himself, celebrating the country's independence (and that now continues to be an official patriotic song, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Bento (abolitionist)
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language–speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language, it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castro Alves
Antônio Frederico de Castro Alves (14 March 1847 – 6 July 1871) was a Brazilian poet and playwright famous for his abolitionist and republican poems. One of the most famous poets of the Condorist movement, he wrote classics such as '' Espumas Flutuantes'' and ''Hinos do Equador'', which elevated him to the position of greatest among his contemporaries, as well as verses from poems such as "''Os Escravos''" and "''A Cachoeira de Paulo Afonso''", in addition to the play ''Gonzaga'', which earned him epithets such as "''O Poeta dos Escravos''" (The Poet of the Slaves) and "republican poet" by Machado de Assis, or descriptions of being "a national poet, if not more, nationalist, social, human and humanitarian poet", in the words of Joaquim Nabuco, of being "the greatest Brazilian poet, lyric and epic", in the words of Afrânio Peixoto, or even of being the "walking apostle of Condorism" and "a volcanic talent, the most enraptured of all Brazilian poets", in the words of José ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
