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Symphony No. 3 (Villa-Lobos)
Symphony No. 3 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1919. A performance lasts about 35 minutes. History In 1919, Villa-Lobos was commissioned to write a symphony to celebrate the Treaty of Versailles. In response, he composed his Third Symphony in Rio de Janeiro, beginning work in early May and finishing the score less than six weeks later, on 12 June 1919. The work is subtitled ''A Guerra'' (''War'') and the manuscript also designates it the "1a Sinfonia Simbólica" (First Symbolic Symphony). It is the first of a trilogy of programmatic symphonies based on arguments by , the others being subtitled '' A Vitória'' (Victory) and '' A Paz'' (Peace), as well as being the third in a cycle of five symphonies written in the style of Vincent d'Indy. The first two movements were presented on 31 July 1919 in the Theatro Municipal, Rio de Janeiro, by the Orchestra do Theatro Municipal conducted by the composer, as part of a concert dedicated to the Pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his '' Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra (opera)
''Elektra'', Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra'', the opera is highly modernist and expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Klytaemnestra, her mother and one of the murderers of her father Agamemnon; her sister, Chrysothemis; her brother, Orestes; and Klytae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic music, Romantic period. He was the first Russian composer Music of Pyotr Ilyich Tchaikovsky, whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his Piano Concerto No. 1 (Tchaikovsky), First Piano Concerto, Violin Concerto (Tchaikovsky), Violin Concerto, the ''Romeo and Juliet (Tchaikovsky), Romeo and Juliet'' Overture-Fantasy, several Symphonies by Pyotr Ilyich Tchaikovsky, symphonies, and the opera ''Eugene Onegin (opera), Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie (London: Macmillan, 1992). Form In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period). While it is typically used in the first movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The standard definition focuses on the thematic and harm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyclic Form
Cyclic form is a technique of musical construction, involving multiple sections or movements, in which a theme, melody, or thematic material occurs in more than one movement as a unifying device. Sometimes a theme may occur at the beginning and end (for example, in Mendelssohn's A minor String Quartet or Brahms's Symphony No. 3); other times a theme occurs in a different guise in every part (e.g. Berlioz's ''Symphonie fantastique'', and Saint-Saëns's "Organ" Symphony). The technique has a complex history, having fallen into disuse in the Baroque and Classical eras, but steadily increasing in use during the nineteenth century. The Renaissance cyclic mass, which incorporates a usually well-known portion of plainsong as a cantus firmus in each of its sections, is an early use of this principle of unity in a multiple-section form. Examples can also be found in late-sixteenth- and seventeenth-century instrumental music, for instance in the canzonas, sonatas, and suites by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Opus number, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play ''Salome (play), Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Edgar Speyer, Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its "Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic music, Romantic and early Modernism (music), modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmony, harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan (Strauss), Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatro Municipal (Rio De Janeiro)
The Theatro Municipal ("Municipal Theater") is an opera house in the Centro district of Rio de Janeiro, Brazil. Built in the early twentieth century, it is considered to be one of the most beautiful and important theaters in the country. The building is designed in an eclectic style, inspired by the Paris Opéra of Charles Garnier. The outside walls are inscribed with the names of classic European and Brazilian artists. It is located near the National Library and the National Fine Arts Museum, overlooking the spacious Cinelândia square. History In the second half of nineteenth century, theatrical activity was very intense in Rio de Janeiro, then capital of the country. Still, its two theaters, the Lyric and St. Peter, were criticized for their facilities, either by the public or by the companies that worked in them. After the Proclamation of the Republic (1889), in 1894 playwright Artur Azevedo launched a campaign for the building of a new theater to host a local com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Of Bavaria, Queen Of Belgium
Elisabeth of Bavaria (Elisabeth Gabriele Valérie Marie; 25 July 187623 November 1965) was Queen of the Belgians from 23 December 1909 to 17 February 1934 as the spouse of King Albert I of Belgium, Albert I, and a duchess in Bavaria by birth. She was the mother of King Leopold III of Belgium and of Queen Marie José of Belgium, Marie-José of Italy, and grandmother of Kings Baudouin of Belgium, Baudouin and Albert II of Belgium, and Grand Duchess Joséphine-Charlotte of Belgium, Joséphine-Charlotte of Luxembourg. Family Born in Possenhofen Castle, her father was Karl-Theodor, Duke in Bavaria, head of a cadet branch of the Bavarian royal family, and an ophthalmologist. She was named after her paternal aunt, Elisabeth of Bavaria, Empress Elisabeth of Austria, better known as Sisi. Her mother was Maria Josepha of Portugal, daughter of exiled Miguel I of Portugal. Charlotte, Grand Duchess of Luxembourg, Zita of Bourbon-Parma, Empress Zita, the last Empress of Austria and Queen of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert I Of Belgium
Albert I (8 April 1875 – 17 February 1934) was King of the Belgians from 23 December 1909 until his death in 1934. Born in Brussels as the fifth child and second son of Prince Philippe, Count of Flanders and Princess Marie of Hohenzollern-Sigmaringen, Albert succeeded his uncle, Leopold II, to the Belgian throne in 1909. He married Elisabeth of Bavaria, with whom he had three children. Albert ruled during an eventful period in the history of Belgium, which included the period of World War I (1914–1918), when most of Belgium was occupied by German forces. Other crucial events of his reign included the adoption of the Treaty of Versailles in June 1919, the ruling of the Belgian Congo as an overseas possession of Belgium along with the League of Nations mandate of Ruanda-Urundi, the reconstruction of Belgium following the war, and the first five years of the Great Depression (1929–1934). Albert died in a mountaineering accident in eastern Belgium in 1934, at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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