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Symphony No. 3 (Popov)
Gavriil Popov composed his Symphony No. 3 for string orchestra, subtitled Heroic Symphony but also known as the Spanish, between 1939 and 1946. At ca. 55 minutes it is Popov's longest symphony. It consists of five movements, four highly dynamic movements drawing on Spanish dances framing a twenty-minute-long memorial on the Spanish Civil War. * 1. ''Intrada. Andante maestoso e molto espressivo'' * 2. ''Allegro con fuoco, quasi presto'' * 3. ''Prestissimo'' * 4. ''Largo espressivo, molto cantabile e sempre con moto'' * 5. ''Presto impetuoso'' Following the ban of his Symphony No. 1 and the subsequent official condemnation of him being a formalist composer Popov focused on composing film music. In 1939 he arranged a suite from his soundtrack for Esfir Shub's documentary on the Spanish Civil War ''Spain'' and conceived in parallel ''a Concerto grosso for string orchestra (on the basis of the string episodes from Spain)'', as it can be read in the composer's diary on September 17. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavriil Popov (composer)
Gavriil Nikolayevich Popov (russian: Гаврии́л Никола́евич Попо́в; 12 September 1904, in Novocherkassk – 17 February 1972, in Repino) was a Soviet composer. Life and career Popov studied at the Leningrad Conservatory from 1922 until 1930 with Leonid Vladimirovich Nikolayev, Vladimir Shcherbachov, and Maximilian Steinberg. He was considered to have the raw talent of his contemporary Dmitri Shostakovich; his early works, in particular the Septet (or Chamber Symphony) for flute, trumpet, clarinet, bassoon, violin, cello and bass, and his Symphony No. 1 (Op. 7, banned immediately after its premiere in 1935 and not publicly heard again in his lifetime), are impressively powerful and forward-looking. Not surprisingly, he ran afoul of the authorities in 1936 and began writing in a more conservative idiom in order to avoid charges of formalism. Despite his alcoholism, Popov produced many works for orchestra, including six completed symphonies. Many of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, suc .... While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Civil War
The Spanish Civil War ( es, Guerra Civil Española)) or The Revolution ( es, La Revolución, link=no) among Nationalists, the Fourth Carlist War ( es, Cuarta Guerra Carlista, link=no) among Carlism, Carlists, and The Rebellion ( es, La Rebelión, link=no) or The Uprising ( es, La Sublevación, link=no) among Republicans. was a civil war in Spain fought from 1936 to 1939 between the Republican faction (Spanish Civil War), Republicans and the Nationalist faction (Spanish Civil War), Nationalists. Republicans were loyal to the left-leaning Popular Front (Spain), Popular Front government of the Second Spanish Republic, and consisted of various socialist, communist, separatist, anarchist, and Republicanism in Spain, republican parties, some of which had opposed the government in the pre-war period. The opposing Nationalists were an alliance of Falangism, Falangists, monarchists, conservatives, and Traditionalism (Spain), traditionalists led by a National Defense Junta, military junt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formalism (music)
In music theory and especially in the branch of study called the aesthetics of music, formalism is the concept that a Musical composition, composition's meaning is entirely determined by its Musical form, form. Aesthetic theory Leonard B. Meyer, in ''Emotion and Meaning in Music'' (1956), distinguished ''"formalists"'' from what he called ''"expressionists"'': "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same relationships are in some sense capable of exciting feelings and emotions in the listener" (Meyer 1956, p. 3). (The term Expressionism (music), "expressionism" is also used to define a ''musical genre'' typified by the early works of Arnold Schoenberg, Schoenberg. The two terms are not necessarily related.) Meyer applied the term formalist (p. 3) to Eduard H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esfir Shub
Esfir Ilyinichna Shub (Russian: Эсфи́рь Ильи́нична Шуб; 16 March 1894, Surazh, Russian Empire – 21 September 1959, Moscow, Soviet Union), also referred to as Esther Il'inichna Shub, was a pioneering Soviet filmmaker and editor in both the mainstream and documentary fields. She is best known for her trilogy of films, ''Fall of the Romanov Dynasty'' (1927), ''The Great Road'' (1927), and '' The Russia of Nicholas II and Leo Tolstoy'' (1928). Shub is credited as the creator of compilation film and is known for her revolutionary approaches to editing and assembling preserved and archived footage. Early life Shub was born, March 16, 1894, into a Jewish family of landowners in the town of Surazhe, a small town in the Chernigov region of the Ukraine, which is now the Brianskaya province of the southwest part of the Russian Federation. Her father, Ilya Roshal, was a pharmacist. Shub’s mother died when she was a young child and was also known to have one brother. Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the '' ripieno'', ''tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
USSR State Prize
The USSR State Prize (russian: links=no, Государственная премия СССР, Gosudarstvennaya premiya SSSR) was the Soviet Union's state honor. It was established on 9 September 1966. After the dissolution of the Soviet Union, the prize was followed up by the State Prize of the Russian Federation. The State Stalin Prize ( Государственная Сталинская премия, ''Gosudarstvennaya Stalinskaya premiya''), usually called the Stalin Prize, existed from 1941 to 1954, although some sources give a termination date of 1952. It essentially played the same role; therefore upon the establishment of the USSR State Prize, the diplomas and badges of the recipients of Stalin Prize were changed to that of USSR State Prize. In 1944 and 1945, the last two years of the Second World War, the award ceremonies for the Stalin Prize were not held. Instead, in 1946 the ceremony was held twice: in January for the works created in 1943–1944 and in June for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Shcherbachov
Vladimir Vladimirovich Shcherbachov (Shcherbachyov, Shcherbachev) (russian: Влади́мир Влади́мирович Щербачёв; 24 January 1889, in Warsaw – 5 March 1952, in Leningrad) was a Soviet composer. He studied with Maximilian Steinberg, Anatoly Lyadov, and Jāzeps Vītols (Joseph Wihtol) at the St. Petersburg Conservatory from 1908 to 1914. While there he also worked as a pianist for Sergey Diaghilev and taught theory. He served in World War I and then worked in Soviet government music positions. In 1918-1923 he worked as a lecturer and ran the musical department of the Narkompros. He later became a professor at the Leningrad Conservatory (1923-1931 and 1944-1948) and the Tbilisi Conservatory. He counted Boris Arapov, Vasily Velikanov, Evgeny Mravinsky, Valery Zhelobinsky, Gavriil Popov, Valerian Bogdanov-Berezovsky, Pyotr Ryazanov, and Mikhail Chulaki among his pupils, as well as various others. Works *''Anna Kolossova'', opera (1939, unfinished); ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Union Of Soviet Composers
The Union of Russian Composers (formerly the Union of Soviet Composers, Order of Lenin Union of Composers of USSR () (1932- ), and Union of Soviet Composers of the USSR) is a state-created organization for musicians and musicologists created in 1932 by Joseph Stalin in the last year of the Cultural Revolution and first Five-Year Plan. It became the official replacement for the various artistic associations which were present before like the Association for Contemporary Music and the Russian Association of Proletarian Musicians, two of the independently directed, music committees. According to Richard Taruskin, the Union had fully materialized into its full-form well before 1948 and in time for the delivery of Zhdanov's Doctrine. During the First Constituent Congress of post-Stalin Union of Soviet Composers, held in Moscow, in April 1960, the composer Dmitri Shostakovich was unanimously elected General Secretary. Priorities of the organization Their mission, as stated in 2021 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Petersburg Symphony Orchestra
The Saint Petersburg Philharmonic Orchestra (russian: Симфонический оркестр Санкт-Петербургской филармонии, ''Symphonic Orchestra of the Saint Petersburg Philharmonia'') is a Russian orchestra based in Saint Petersburg, at the Saint Petersburg Philharmonia. History The roots of the orchestra date back to 1802, with the founding of the Saint Petersburg Philharmonic Society that year. The orchestra was initially known as the Imperial Music Choir, and performed for the Court of Alexander III of Russia. By the 1900s, the Orchestra started to give public performances at the Philharmonia and elsewhere in Russia. After the Russian Revolution, the Orchestra was taken over by the members and the name was changed to the State Philharmonic Orchestra of Petrograd. In the 1920s, the orchestra began receiving support from the State, and began to be known internationally. Its guest conductors included Bruno Walter, Ernest Ansermet, and Hans Kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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