Symphonische Gesänge
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Symphonische Gesänge
''Symphonische Gesänge'', Op. 20 () is a set of songs for baritone (or alto) and orchestra composed in 1929 by Austrian composer Alexander von Zemlinsky. Composition Zemlinsky composed the songs in the early part of 1929 and orchestrated them in the summer of that year while holidaying in Juan-les-Pins. The composer used texts extracted from a Viennese anthology of poems from the Harlem Renaissance entitled '' Afrika Singt'' (), edited by Anna Nussbaum and published in early 1929. The set was dedicated to the memory of Zemlinsky's wife Ida who had died in January 1929. The text was edited by Wilhelm Grosz and translated by Jean Forman. Zemlinsky's direct experience of African societies and music was limited. However, he identified with the plight of black Americans as it reflected the post-World War I experience of many Jews in both Germany and Austria The work was premiered in a studio broadcast in Brno on 8 April 1935, conducted by Heinrich Jalowetz. It was not perfor ...
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Alexander Von Zemlinsky
Alexander Zemlinsky or Alexander von Zemlinsky (14 October 1871 – 15 March 1942) was an Austrian composer, conductor, and teacher. Biography Early life Zemlinsky was born in Vienna to a highly diverse family. Zemlinsky's grandfather, Anton Semlinski, emigrated from Žilina, Hungary (now in Slovakia) to Austria and married an Austrian woman. Both were from staunchly Roman Catholic families, and Alexander's father, , was raised as a Catholic. Alexander's mother, Clara Semo, was born in Sarajevo to a Sephardic Jewish father and a Bosniak mother. Alexander's entire family converted to the religion of his maternal grandfather, Judaism, and Zemlinsky was born and raised Jewish. His father added an aristocratic "von" to his name, though neither he nor his forebears were ennobled. He also began spelling his surname in Hungarian"Zemlinszky". He was also a freemason. Alexander studied the piano from a young age. He played the organ in his synagogue on holidays, and was admitted to the ...
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String Quartet No
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * '' Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * '' The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, music ...
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Clarinet
The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell. Clarinets comprise a Family (musical instruments), family of instruments of differing sizes and pitches. The clarinet family is the largest woodwind family, ranging from the contrabass clarinet, BB♭ contrabass to the A-flat clarinet, A♭ piccolo. The B soprano clarinet is the most common type, and is the instrument usually indicated by the word "clarinet". German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime around 1700 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and airtight pads were added to improve the tone and playability. Today the clarinet is a standard fixture of the orchestra and concert band and is used in classical music, military bands, klezmer, jazz, and other styles. Etymol ...
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Cor Anglais
The cor anglais (, or original ; plural: ''cors anglais''), or English horn (mainly North America), is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe, and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes, and so its sounding range stretches from E3 (written B) below middle C to C6 two octaves above middle C. Some versions being made today have a Low B key to extend the range down one more note to sounding E3. Description and timbre The pear-shaped bell (called Liebesfuß ...
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Oboe
The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, measures roughly long and has metal Key (instrument), keys, a conical Bore (wind instruments), bore and a flared bell. Sound is produced by blowing into the Reed (instrument), reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the soprano member rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in Orchestra, symphony orchestras, concert bands and chamber music, chamber ensembles. The oboe is especially used in classical music, film music, some ge ...
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Flute
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Paleolithic flutes with hand-bored holes are the earliest known identifiable musical instruments. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany, indicating a developed musical tradition from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia also has a long history with the instrument. A playable bone flute discovered in China is dated to about 9,000 years ago. The Americas also had an ancient flute culture, with instrumen ...
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Piccolo
The piccolo ( ; ) is a smaller version of the western concert flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" or piccolo flute, the modern piccolo has the same type of fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works i ...
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Rise And Fall Of The City Of Mahoganny
''Rise and Fall of the City of Mahagonny'' () is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the in Leipzig. Some interpreters have viewed the play as a critique of American society. Others have perceived it as a critique of the chaotic and immoral Weimar Republic, particularly Berlin of the 1920s with its rampant prostitution, unstable government, political corruption, and economic crises. Composition history Weill was asked by the 1927 Baden-Baden music festival committee to write a one-act chamber opera for the festival. He ended up writing '' Mahagonny-Songspiel'', sometimes known as ''Das kleine Mahagonny'', a concert work commissioned for voices and a small orchestra. The work was written in May 1927, and performed in June. It consisted of eleven numbers, including "Alabama Song" and "Benares Song". Weill then continued to rework the material into a full opera while Brecht worke ...
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Kurt Weill
Kurt Julian Weill (; ; March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill
Cjschuler.net. Retrieved on August 22, 2011.
'' Gebrauchsmusik''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen in 1943.


Family and childhood

W ...
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Jonny Spielt Auf
''Jonny spielt auf'' (''Jonny Strikes Up''), Opus number, Op. 45, is a German-language with words and music by Austrian composer Ernst Krenek about a jazz violinist. He dedicated the opera to his second wife, Berta Herrmann.Work details
Universal Edition
A performance lasts about two hours. The work typified the cultural freedom of the Golden Twenties, 'golden era' of the Weimar Republic.


Performance history

directed the premiere at the Neues Theater (Leipzig), the predecessor to the Leipzig Opera, on 10 February 1927. The work was quickly adopted by opera houses across Germany, where it was performed 421 times on various stages during its first season alone. It provided Krenek with the financial security to be able to devote all his time to composing. The aria, arietta from ...
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Ernst Krenek
Ernst Heinrich Krenek (, 23 August 1900 – 22 December 1991) was an Austrian, later American, composer. He explored atonality and other modern styles and wrote a number of books, including ''Music Here and Now'' (1939), a study of Johannes Ockeghem (1953), and ''Horizons Circled: Reflections on my Music'' (1974). Krenek wrote two pieces using the pseudonym Thornton Winsloe. Life Born Ernst Heinrich Křenek in Vienna (then in Austria-Hungary), he was the son of a Czech soldier in the Austro-Hungarian army. He studied there and in Berlin with Franz Schreker before working in a number of German opera houses as conductor. During World War I, Krenek was drafted into the Austrian army, but he was stationed in Vienna, allowing him to go on with his musical studies. In 1922 he met Alma Mahler, widow of Gustav Mahler, and her daughter, Anna, to whom he dedicated his Symphony No. 2, and whom he married in January 1924. That marriage ended in divorce before its first anniversary. At ...
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Alban Berg
Alban Maria Johannes Berg ( ; ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small ''oeuvre'', he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". Berg was born and lived in Vienna. He began to compose at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of ''developing variation'' and the twelve-tone technique. Berg's major works include the operas '' Wozzeck'' (1924) and ''Lulu'' (1935, finished posthumously), the chamber pieces '' Lyric Suite'' and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs ('' lieder''). He is said to have brought more "human values" to the twelve-tone system; hi ...
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