Symphonic Holocaust
''Symphonic Holocaust'' is the only studio album by Swedish four-piece progressive rock band Morte Macabre. It was released in October 1998 via Mellotronen. Recording sessions took place at Studio Largen in Sweden. Production was handled by the quartet themselves. Composed of eight tracks, the album consists of re-makes of instrumentals taken from the soundtracks of obscure, mostly European exploitation movies with the exception of two original compositions. Music journalism, Music critics and reviewers noted the band's focus on the mellotron, which was popular among progressive rock bands of the 60s and 70s. In 2004, American horrorcore musician Necro (rapper), Necro sampled the band's version of "Apoteosi del Mistero" for his song "The Dispensation of Life and Death" off of ''The Pre-Fix for Death''. Track listing ;Notes *Track 1 is a cover of the song of the same name composed by Fabio Frizzi for Lucio Fulci's 1980 supernatural horror film ''City of the Living Dead''. *Tra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Morte Macabre
Anekdoten is a Swedish progressive rock band, composed of guitarist/vocalist Nicklas Barker, cellist/keyboardist Anna Sofi Dahlberg, bassist/vocalist Jan Erik Liljeström and drummer Peter Nordins. They are notable for the use of the mellotron and their heavy sound dominated by a pounding bass guitar. Their music is associated with the tradition of 1970s progressive rock music, especially that of King Crimson. Since 2015 former The Church guitarist Marty Willson-Piper has been touring with the band. Discography Studio albums * ''Vemod'' (1993) * ''Nucleus'' (1995) * '' From Within'' (1999) * ''Gravity'' (2003) * '' A Time of Day'' (2007) * '' Until All the Ghosts Are Gone'' (2015) Compilations * ''Chapters'' (2009) Live albums * '' Live EP'' (1997) * '' Official Bootleg: Live in Japan'' (1998) * '' Waking the Dead, Live in Japan 2005'' (2005) Morte Macabre In 1998, Nicklas Barker and Peter Nordins of Anekdoten, along with Stefan Dimle (Landberk, Paatos) and Reine ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lucio Fulci
Lucio Fulci (; 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and Spaghetti Westerns, he garnered an international cult following for his giallo and horror films. His most notable films include the "Gates of Hell" trilogy—'' City of the Living Dead'' (1980), '' The Beyond'' (1981), and '' The House by the Cemetery'' (1981)—as well as '' Massacre Time'' (1966), '' One on Top of the Other'' (1969), '' Beatrice Cenci'' (1969), ''A Lizard in a Woman's Skin'' (1971), '' Don't Torture a Duckling'' (1972), ''White Fang'' (1973), '' Four of the Apocalypse'' (1975), '' Sette note in nero'' (1977), ''Zombi 2'' (1979), ''Contraband'' (1980), '' The New York Ripper'' (1982), ''Murder Rock'' (1984), and '' A Cat in the Brain'' (1990). Although a number of films over the years were said to have been "co-produced" by Fulci, he was just allow ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Theremin
The theremin (; originally known as the ætherphone/etherphone, thereminophone or termenvox/thereminvox) is an electronic musical instrument controlled without physical contact by the performer (who is known as a thereminist). It is named after its inventor, Leon Theremin, who patented the device in 1928. The instrument's controlling section usually consists of two metal antennas which sense the relative position of the thereminist's hands and control oscillators for frequency with one hand, and amplitude (volume) with the other. The electric signals from the theremin are amplified and sent to a loudspeaker. The sound of the instrument is often associated with eerie situations. The theremin has been used in movie soundtracks such as Miklós Rózsa's '' Spellbound'' and '' The Lost Weekend'', Bernard Herrmann's ''The Day the Earth Stood Still'', and Justin Hurwitz's '' First Man'' as well as in theme songs for television shows such as the ITV drama ''Midsomer Murders'' and the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sexploitation Film
A sexploitation film (or sex-exploitation film) is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s. Sexploitation films were generally exhibited in urban grindhouse theatres, the precursor to the adult movie theaters of the 1970s and 1980s that featured hardcore pornography content. The term soft-core is often used to designate non-explicit sexploitation films after the general legalisation of hardcore content. Nudist films are often considered to be subgenres of the sex-exploitation genre as well. "Nudie" films and "Nudie-cuties" are associated genres. History of sexploitation films in United States After a series of United States Supreme Court rulings in the late 1950s and 1960s, increasingly ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cannibal Holocaust
''Cannibal Holocaust'' is a 1980 Italian found footage cannibal horror film directed by Ruggero Deodato and written by Gianfranco Clerici. It stars Robert Kerman as Harold Monroe, an anthropologist from New York University who leads a rescue team into the Amazon rainforest to locate a crew of filmmakers. Played by Carl Gabriel Yorke, Francesca Ciardi, Perry Pirkanen, and Luca Barbareschi, the crew had gone missing while filming a documentary on local cannibal tribes. When the rescue team is only able to recover the crew's lost cans of film, an American television station wishes to broadcast the footage as a sensationalized television special. Upon viewing the reels, Monroe is appalled by the team's actions and objects to the station's intent to air the documentary. Produced as part of the contemporary cannibal trend of Italian exploitation cinema, ''Cannibal Holocaust'' was inspired by Italian media coverage of Red Brigades terrorism. The coverage included news reports t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cannibal Film
Cannibal films, alternatively known as the cannibal genre or the cannibal boom, are a subgenre of horror films made predominantly by Italian filmmakers during the 1970s and 1980s. This subgenre is a collection of graphically violent movies that usually depict cannibalism by primitive, Stone Age natives deep within the Asian or South American rainforests. While cannibalism is the uniting feature of these films, the general emphasis focuses on various forms of shocking, realistic and graphic violence, typically including torture, rape and genuine cruelty to animals. This subject matter was often used as the main advertising draw of cannibal films in combination with exaggerated or sensational claims regarding the films' reputations. The genre evolved in the early 1970s from a similar subgenre known as mondo films, exploitation documentaries which claimed to present genuine taboo behaviors from around the world. Umberto Lenzi is often cited as originating the cannibal genre with hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ruggero Deodato
Ruggero Deodato (born 7 May 1939) is an Italian film director, screenwriter, and sometime actor. His career has spanned a wide-range of genres including peplum, comedy, drama, poliziottesco and science fiction, yet he is perhaps best known for directing violent and gory horror films with strong elements of realism. His most notable film is ''Cannibal Holocaust'', considered one of the most controversial and brutal in the history of cinema, which was seized, banned or heavily censored in many countries, and which contained special effects so realistic that they led to Deodato being arrested on suspicion of murder. It is also cited as a precursor of found footage films such as ''The Blair Witch Project'' and '' The Last Broadcast''. The film strengthened Deodato's fame as an "extreme" director and earned him the nickname "Monsieur Cannibal" in France. Deodato has been an influence on film directors like Oliver Stone, Quentin Tarantino and Eli Roth. Biography Early life an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Beyond The Darkness (film)
''Beyond the Darkness'' ( it, Buio Omega, lit=Dark Omega) is a 1979 Italian exploitation horror film directed by Joe D'Amato. It follows Francesco (Kieran Canter), an orphaned taxidermist who inherits a house in the woods where he lives with his housekeeper Iris (Franca Stoppi), who is determined to become the new owner. After Iris kills his girlfriend Anna (Cinzia Monreale) with a voodoo curse, Francesco steals her corpse from the local cemetery. He then commits murders connected to his enduring passion for her. A local undertaker (Sam Modesto) investigates and meets Teodora (also Monreale), Anna's twin sister. Filmed in two weeks in South Tyrol and Rome, ''Beyond the Darkness'' is a remake of the 1966 film '' The Third Eye''. It was released in Italy to what Italian film historian Roberto Curti described as relatively poor box office, and was re-released in Italy in 1987 as ''In quella casa Buio omega'' to associate it with the ''La casa'' film series. Plot Anna Völkl, the f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joe D'Amato
Aristide Massaccesi (15 December 1936 – 23 January 1999), known professionally as Joe D'Amato, was an Italian film director, producer, cinematographer, and screenwriter who worked in many genres ( westerns, decamerotici, peplum, war films, swashbuckler, comedy, fantasy, postapocalyptic film, and erotic thriller) but is best known for his horror, erotic and adult films. D'Amato worked in the 1950s as electric and set photographer, in the 1960s as camera operator, and from 1969 onwards as cinematographer. Starting in 1972, he directed and co-directed around 200 films under numerous pseudonyms, regularly acting as cinematographer as well. Starting in the early 1980s, D'Amato produced many of his own and other directors' genre films through the companies he founded or co-founded, the best known being Filmirage. From 1979 to 1982 and from 1993 to 1999, D'Amato also produced and directed about 120 adult films. Among his best known erotic films are his five entries into the Black ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rosemary's Baby (film)
''Rosemary's Baby'' is a 1968 American psychological horror film written and directed by Roman Polanski, based on Ira Levin's 1967 novel of the same name. The film stars Mia Farrow as a young (soon pregnant) wife living in Manhattan Manhattan (), known regionally as the City, is the most densely populated and geographically smallest of the five Boroughs of New York City, boroughs of New York City. The borough is also coextensive with New York County, one of the List of co ... who comes to suspect that her elderly neighbors are members of a Satanism, Satanic cult and are grooming her in order to use her baby for their rituals. The film's supporting cast includes John Cassavetes, Ruth Gordon, Sidney Blackmer, Maurice Evans (actor), Maurice Evans, Ralph Bellamy, Patsy Kelly, Victoria Vetri, Angela Dorian, and, in his feature film debut, Charles Grodin. The film deals with themes related to paranoia, women's liberation, Christianity (Catholicism), and the occult. While it i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Psychological Horror
Psychological horror is a subgenre of horror and psychological fiction with a particular focus on mental, emotional, and psychological states to frighten, disturb, or unsettle its audience. The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, drama, action, and paranoia of the setting and plot and to provide an overall unpleasant, unsettling, or distressing atmosphere. Characteristics Psychological horror usually aims to create discomfort or dread by exposing common or universal psychological and emotional vulnerabilities/fears and revealing the darker parts of the human psyche that most people may repress or deny. This idea is referred to in analytical psychology as the archetypal shadow characteristics: suspicion, distrust, self-doubt, and paranoia of others, themselves, and the world. The genre sometimes se ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roman Polanski
Raymond Roman Thierry Polański , group=lower-alpha, name=note_a ( né Liebling; 18 August 1933) is a French-Polish film director, producer, screenwriter, and actor. He is the recipient of numerous accolades, including an Academy Award, two British Academy Film Awards, nine César Awards, two Golden Globe Awards, as well as the Golden Bear and a Palme d'Or. His Polish–Jewish parents moved the family from his birthplace in Paris back to Kraków in 1937.Paul Werner, ''Polański. Biografia'', Poznań: Rebis, 2013, p. 13. Two years later, the invasion of Poland by Nazi Germany started World War II, and the family found themselves trapped in the Kraków Ghetto. After his mother and father were taken in raids, Polanski spent his formative years in foster homes, surviving the Holocaust by adopting a false identity and concealing his Jewish heritage. Polanski's first feature-length film, '' Knife in the Water'' (1962), was made in Poland and was nominated for the United Stat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |