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Sylvia Gerrish
Sylvia Gerrish (born Lillian M. Rollins; May 1860 – December 8, 1906) was an American musical theatre performer who found success in New York and London in the 1880s and early 1890s. She was known as "The Girl with the Poetical Legs"."Poetical Legs Had This Beauty" ''The Paducah Daily Sun'', December 20, 1906, accessed October 2, 2012 Gerrish began her career in San Francisco theatres in 1880 and commenced a long tour with Willie Edouin’s company the following year in a piece called ''Dreams''. She continued touring until 1883, and in 1884 she began to play roles on |
Big Oak Flat, California
Groveland-Big Oak Flat is an unincorporated community and former census-designated place (CDP) in Tuolumne County, California, United States. The population was 3,388 at the 2000 census. This CDP included the communities of Groveland, Big Oak Flat and Pine Mountain Lake (PML). The CDP was abolished prior to the 2010 census, and Groveland and Pine Mountain Lake were made into separate CDPs. The town hosts an annual 49er Festival on the 3rd Saturday of September, hosted by the Yosemite Chamber of Commerce Groveland is the location of the Groveland Ranger District office of the Stanislaus National Forest. The Groveland Community Services District provides services, including fire protection, to the community . The Department of Forestry and Fire Protection, Tuolumne-Calaveras Ranger Unit, Battalion 16, has a Forest Fire Station west of Groveland on State Route 120. Geography and climate Groveland-Big Oak Flat is located at . Elevation is 867 m (2,846 ft). Accordin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DeGive's Opera House
DeGive's Opera House was the main venue for opera in the U.S. city of Atlanta from 1871 until 1893. History and location The Atlanta History Center describes how Belgian consul Laurent DeGive purchased an unfinished building at the corner of Marietta and Forsyth and hired architect and civil engineer Max Corput to design the opera house. The opera house opened on January 24, 1870, and was expanded in 1873–1874 to accommodate over 2,000 people. The opera house was later occupied by the Columbia Theater and later still by the Bijou Theater. The building was demolished in 1921 to make way for the construction of thPalmer Building which is in turn was replaced in 1976 by an office building at 41 Marietta Street. Earlier confusion about the location of the original DeGive's stems from two misunderstandings. First, the location was assumed to be the site of the Kimball opera house. However, this building was at the SW corner of Marietta and Forsyth; DeGive's was at the NE corn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Brigands
''Les brigands'' (''The Bandits'') is an opéra bouffe, or operetta, by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy. Meilhac and Halévy's libretto lampoons both serious drama (Schiller's play '' The Robbers'') and opéra comique ('' Fra Diavolo'' and '' Les diamants de la couronne'' by Auber). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society." The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation. ''Les brigands'' has a more substantial plot than many Offenbach operettas and integrates the songs more completely into the story. The forces of law and order are represented by the bumbling carabinieri, whose exaggerated attire delighted the Parisian audience during the premiere. In addition to police ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Yeoman Of The Guard
The King's Body Guard of the Yeomen of the Guard is a bodyguard of the British monarch. The oldest British military corps still in existence, it was created by King Henry VII in 1485 after the Battle of Bosworth Field. History The kings of England always had bodyguards surrounding them. The Anglo-Saxon kings had their house guards, and the Danish kings their housecarls. By the 13th century, the Anglo-Norman kings had three groups specifically ordered to protect them: (1) the royal household sergeants-at-arms; (2) the king's foot archers (also known as the Yeomen of the Crown); and (3) the esquires of the royal household. The actual number of archers varied over the course of the 14th-15th centuries. In 1318, a Household Ordinance (the King's Proclamation containing the yearly budget for his royal household) specified that the number of archers should be 24. Edward III had between 16 and 22 yeomen, Richard II recruited an additional 300 archers from Cheshire, Edward IV h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Chassaigne
Francis Chassaigne (also known as Francisque Chassaigne) (30 October 1847 – 21 December 1922) was a Belgian-born French composer of operettas, songs, and numerous pieces of dance music for piano. The English-language versions of his operettas, '' Le droit d'aînesse'' (1883) and '' Les noces improvisées'' (1886) became very popular in Britain and the United States. Chassaigne was married to the Swiss-born operetta singer Louise Roland. Biography Born Désiré-François Chassaigne in Brussels in 1847, Chassaigne studied music there before settling in Paris. His first compositions were popular songs for the operetta stars of the day such as "Jeanne la Sabotière" for Thérésa and "Peureuse" for Louise Théo. By the mid-1870s he had become a prolific composer of one-act '' opéras bouffes'' and ''saynètes'' (short musical plays) for the café-concerts of Paris, most of which premiered at the Eldorado. In 1882, he was given the chance to compose his first full-length operet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lecocq
Alexandre Charles Lecocq (3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madison Square Theatre
''The Madison Square Theatre'' was a Broadway theatre in Manhattan, on the south side of 24th Street between Sixth Avenue and Broadway (which intersects Fifth Avenue near that point.) It was built in 1863, operated as a theater from 1865 to 1908, and demolished in 1908 to make way for an office building. The Madison Square Theatre was the scene of important developments in stage technology, theatre design, and theatrical tour management. For about half its history it had other names including the Fifth Avenue Theatre, Daly’s Fifth Avenue Theatre, Hoyt’s Madison Square Theatre, and Hoyt’s Theatre. History Merchant and real estate magnate Amos R. Eno leased land next to his Fifth Avenue Hotel in 1862 to James Fisk Jr., who built an after-hours gold trading exchange during the U.S. Civil War. The “ regular stock exchange” found the competition disruptive and soon shut down the operation."Another Disaster.: Total Destruction of the Fifth-Avenue Theatre by Fire," ''The Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhattan Theatre
The Manhattan Theatre was located at 102 West 33rd Street in Midtown Manhattan, New York City, directly across from Greeley Square at Sixth Avenue and 33rd Street. The 1,100-seat theatre opened in 1875 as the Eagle Theatre, and was renamed the Standard Theatre in 1878. All but destroyed by a fire in 1883, it was rebuilt in a more modern style and re-opened in December 1884. In 1898, the Standard was refurbished by architect Howard Constable and renamed the Manhattan Theatre. The theatre was demolished in 1909 for the construction of a flagship Gimbels department store, now the Manhattan Mall. Early history During its first two decades of existence, the theatre played host to many of the finest plays and works of musical theatre of the times, including several of the authorized American premieres of the Gilbert and Sullivan operas in the 1880s, often starring Geraldine Ulmar, Fred Billington, George Thorne and Courtice Pounds. Other notable performers on its stage in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iolanthe
''Iolanthe; or, The Peer and the Peri'' () is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882. It is one of the Savoy operas and is the seventh of fourteen operatic collaborations by Gilbert and Sullivan. In the opera, the fairy Iolanthe has been banished from fairyland because she married a mortal; this is forbidden by fairy law. Her son, Strephon, is an Arcadian shepherd who wants to marry Phyllis, a Ward of Chancery. All the members of the House of Peers also want to marry Phyllis. When Phyllis sees Strephon hugging a young woman (not knowing that it is his mother – immortal fairies all appear young), she assumes the worst and sets off a climactic confrontation between the peers and the fairies. The opera satirises many aspects of British government, law and society. The confrontation between the fairies and the peers is a version of one of Gilbert's favourite themes: a tranquil civilisation of women is disrupted by a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Solomon
Edward Solomon (25 July 1855 – 22 January 1895) was an English composer, conductor, orchestrator and pianist. He died at age 39 by which time he had written dozens of works produced for the stage, including several for the D'Oyly Carte Opera Company, including '' The Nautch Girl'' (1891). Early in his career, he was a frequent collaborator of Henry Pottinger Stephens. He had a bigamous marriage with Lillian Russell in the 1880s. Life and career Edward ("Teddy") Solomon was born in Lambeth, London, to a Jewish family. He had ten siblings. His parents were Charles Solomon (1817–1890), a music hall pianist, conductor and composer, and his wife, Cesira "Sarah" Marinina, née Mirandoli (1834–1891). He picked up music by working with his father.Tomes, JasonEdward Solomon ''Oxford Dictionary of National Biography'', Oxford University Press, October 2007; accessed 16 July 2014. Aged 17 or 18, Solomon married 15-year-old Jane Isaacs in 1873, and the two had a daughter, Claire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Pottinger Stephens
Henry Pottinger Stephens, also known as Henry Beauchamp (1851 – 11 February 1903), was an English dramatist and journalist. After beginning his career writing for newspapers, Stephens began writing Victorian burlesques in the 1870s in collaboration with F. C. Burnand and the composer Edward Solomon. Stephens and Solomon wrote several comic operas together that briefly rivalled the Savoy Operas in popular esteem, including ''Billee Taylor'' (1880) and ''Claude Duval'' (1881). He also collaborated with Meyer Lutz at the Gaiety Theatre on burlesques including ''Little Jack Sheppard'' (1885). He worked again with Solomon on one of the first pieces considered a musical comedy, ''The Red Hussar'' (1889). He also wrote novels, plays and pantomimes, and acted in some of these. Life and career "Pot" Stephens was born in Barrow-on-Soar, Leicestershire. He started his career as a journalist, working for ''The Daily Telegraph'' and ''Tit-Bits'', among others, and was the first editor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijou Theatre (Boston)
__NOTOC__ The Bijou Theatre (1882–1943) in Boston, Massachusetts, occupied the second floor of 545 Washington Street near today's Theatre District. Architect George Wetherell designed the space, described by a contemporary reviewer as "dainty." Proprietors included Edward Hastings, George Tyler, and B.F. Keith. Around the 1900s, it featured a "staircase of heavy glass under which flowed an illuminated waterfall." The Bijou "closed 31 December 1943 and was razed in 1951." The building's facade still exists. It is currently a pending Boston Landmark by the Boston Landmarks Commission. Background The building was constructed in 1836 as The Lion Theatre, and in 1839 was renamed The Melodeon. In 1878, the name was changed to The Gaiety. It was also named The Mechanics Institute, Melodeon Varieties, and the New Melodeon. The Gaiety was purchased by George H. Tyler (who also ran The Park Theatre) and by Frederick Vokes, who had renovated the Gaiety, and wanted to rename it the Bijo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
