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Suzanne Sarroca
Suzanne Sarroca (born 21 April 1927) is a 20th-century French operatic soprano. Biography Born in Carcassonne, Sarroca studied singing at the (1946–1948). She began her career as a mezzo-soprano in the role of Charlotte in Massenet's ''Werther'' in Carcassonne, a role she revived the same year at the Capitole de Toulouse. In 1951 she sang Bizet's ''Carmen'' at la Monnaie of Brussels. She then addressed the great roles of lyrico-dramatic soprano: in 1952, she made a remarkable debut at the Paris Opera where she sang at both the Opéra Garnier and the Opéra-Comique: *Rezia in Weber's ''Oberon'' *Senta in Wagner's ''The Flying Dutchman'' *Santuzza in Mascagni's ''Cavalleria rusticana'' *the title role of Verdi's ''Aida'' *Musetta in Puccini's ''La Bohème'' *Elisabeth in Verdi's ''Don Carlos''. She created Henry Barraud's ''Numance'', interpreted the title role of Charpentier's '' Louise'', Blanche de la Force in Poulenc's ''Le Dialogue des Carmélites'', Tatiana in Tchai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Barraud (composer)
Henry Barraud (sometimes ''Henri'') (23 April 1900 – 28 December 1997) was a French composer. He was born in Bordeaux. He was a student of Louis Aubert at the Conservatoire de Paris, but in 1927 failed to graduate, apparently because of his refusal to follow orthodox methods. Along with Pierre-Octave Ferroud and Jean Rivier, he helped to form the society Triton for the wider distribution of contemporary music. After the Liberation of Paris in 1944, he was named the Director of Paris Radio, and later, in 1948, of what later became ORTF, a position he held until his retirement in 1965. Works As a composer, Barraud wrote opera music, ballet music, orchestral music, chamber music, choral music and other vocal music. Paul Paray and the Detroit Symphony Orchestra recorded Barraud's orchestral work '' Offrande à une ombre'' in 1957 for Mercury Records. This wartime memorial, commemorating the death during combat of Maurice Jaubert at the age of 40, was initially released on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 Cavalleria rusticana (short story), short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome. Since 1893 in music, 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
9th Arrondissement Of Paris
The 9th arrondissement of Paris (''IXe arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as the neuvième (; "ninth"). The arrondissement, called Opéra, is located on the right bank of the River Seine. It contains many places of cultural, historical, and architectural interest, including the Palais Garnier, home to the Paris Opera, Boulevard Haussmann, and its large department stores Galeries Lafayette and Printemps. The arrondissement has many theaters including Folies Bergères, Théatre Mogador and Théatre de Paris. Along with the 2nd and 8th arrondissements, it hosts one of the business centers of Paris, located around the Opéra. Geography The land area of this arrondissement is 2.179 km2 (0.841 sq. miles, or 538 acres). Main streets and squares * Place de l'Opéra * Boulevard des Capucines (partial) * Boulevard des Italiens (partial) * Rue des Martyrs (partial) * Boulevard Hau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra National Du Rhin
The Opéra national du Rhin is an opera company which performs in Alsace, eastern France. It includes the Opéras in Strasbourg, in Mulhouse, where the Ballet de l'Opéra national du Rhin, also known as the Ballet Du Rhin, is based, and in Colmar, with its Opéra Studio, a training centre for young singers. Thee organisation has held the status of "national opera" since 1997. The Orchestre philharmonique de Strasbourg and the Orchestre symphonique de Mulhouse are the usual orchestras of this institution. History The first opera house opened in Strasbourg in 1701 in a converted granary. After a fire and temporary locations, a new Théâtre municipal opened in the Place Broglie in 1821. This building was virtually gutted during the German bombardment of 1870, but it was rebuilt in identical style, re-opening in 1873.Pitt, C. "Strasbourg", ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997. During the German era up to 1919, several eminent conductors held ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Corelli
Franco Corelli (8 April 1921 – 29 October 2003) was an Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, passionate singing and remarkable performances. Dubbed the "prince of tenors", audiences were enchanted by his handsome features and charismatic stage presence. He had a long and fruitful partnership with the Metropolitan Opera in New York City between 1961 and 1975. He also appeared on the stages of most of the major opera houses in Europe and with opera companies throughout North America. Biography Early life and education: 1921–1950 Corelli was born Dario Franco Corelli in Ancona into a family some say had little or no musical background. While his parents were not particularly musical, his paternal grandfather Augusto had actually quit working at 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, '' La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed for a day for fear of disturbances. Despite indifferent reviews from the crit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a '' dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as '' opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Schwarzkopf
Dame Olga Maria Elisabeth Friederike Schwarzkopf, (9 December 19153 August 2006) was a German-born Austro-British soprano. She was among the foremost singers of lieder, and is renowned for her performances of Viennese operetta, as well as the operas of Mozart, Wagner and Richard Strauss. After retiring from the stage, she was a voice teacher internationally. She is considered one of the greatest sopranos of the 20th century. Early life Schwarzkopf was born on 9 December 1915 in Jarotschin in the Province of Posen in Prussia, Germany (now Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (). Schwarzkopf performed in her first opera in 1928, as Eurydice in a school production of Gluck's ''Orfeo ed Euridice'' in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik, where her singing tutor, Lula Mysz-Gmeiner, attempted to train her to be a mezzo-soprano. Schwarzkopf later trained under Maria Ivogün, and in 1938 joined the De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Régine Crespin
Régine Crespin (23 February 1927 – 5 July 2007) was a French singer who had a major international career in opera and on the concert stage between 1950 and 1989. She started her career singing roles in the dramatic soprano and spinto soprano repertoire, drawing particular acclaim singing Richard Wagner, Wagner and Richard Strauss, Strauss heroines. She went on to sing a wider repertoire that embraced Italian, French, German, and Russian opera from a variety of musical periods. In the early 1970s Crespin began experiencing vocal difficulties for the first time and ultimately began performing roles from the mezzo-soprano repertoire. Throughout her career she was widely admired for the elegance, warmth and subtlety of her singing, especially in the French and German operatic repertories. Crespin began her career in France, earning her first critical successes in the French provinces during the early 1950s and then becoming a fixture at the Opéra National de Paris in the mid-1950 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. There are several recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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