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Suspended Animation (John Petrucci Album)
''Suspended Animation'' is the first studio album by Dream Theater guitarist John Petrucci, released independent record label, independently in 2005 through Sound Mind Music. The songs "Jaws of Life", "Glasgow Kiss" and "Damage Control" have been played during the G3 (tour), G3 tour, and the latter two are featured as openers to the 2005 DVD and live album ''G3: Live in Tokyo''. Some releases of the album have "Curve" split into two separate tracks, with the majority of the song on track six and the latter portion on track seven. On these editions, "Lost Without You" and "Animate-Inanimate" form tracks eight and nine respectively. The correct track listing, without the aforementioned anomalies, is shown below. Critical reception Mark Sabbatini at All About Jazz gave ''Suspended Animation'' a mixed review, initially criticizing some songs as sounding like "what feels like a market-driven formula for success." He nonetheless noted "Animate-Inanimate" as a highlight, while praising ...
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John Petrucci
John Peter Petrucci (born July 12, 1967) is an American guitarist, best known as a founding member of the progressive metal band Dream Theater. He produced or co-produced (often with Mike Portnoy before Portnoy's absence from the band 2010-2023) all of Dream Theater's albums from ''Metropolis Pt. 2: Scenes from a Memory'' (1999), and has been the sole producer of the band's albums released since ''A Dramatic Turn of Events'' (2011). Petrucci has also released two solo albums: ''Suspended Animation (John Petrucci album), Suspended Animation'' (2005) and ''Terminal Velocity (album), Terminal Velocity'' (2020). Early life and influences John Peter Petrucci was born on July 12, 1967, in Kings Park, New York, to an Italian American family. He picked up the guitar at around the age of eight because his older sister was allowed to go to bed later to practice the organ. However, he decided to quit the guitar when his attempts to stay up late were unsuccessful. He picked up the guitar ag ...
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Record Producer
A record producer or music producer is a music creating project's overall supervisor whose responsibilities can involve a range of creative and technical leadership roles. Typically the job involves hands-on oversight of recording sessions; ensuring artists deliver acceptable and quality performances, supervising the technical engineering of the recording, and coordinating the production team and process. The producer's involvement in a musical project can vary in depth and scope. Sometimes in popular genres the producer may create the recording's entire sound and structure. However, in classical music recording, for example, the producer serves as more of a liaison between the conductor and the engineering team. The role is often likened to that of a film director, though there are important differences. It is distinct from the role of an executive producer, who is mostly involved in the recording project on an administrative level, and from the audio engineer who operates the re ...
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Mastering Engineer
Mastering is a form of audio post production which is the process of preparing and transferring recorded audio from a source containing the Audio mixing (recorded music), final mix to a data storage device called a master recording, the source from which all copies will be produced (via methods such as pressing, duplication or Replication (optical media), replication). In recent years, digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, their skills, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply Equalization (audio), equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standar ...
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Howie Weinberg
Howie Weinberg is an American audio mastering engineer. Over the course of his career, he has received over 2,257 mastering credits, three TEC Awards, 21 Grammy Awards, two Juno Awards, and one Mercury Prize. Career Weinberg mastered Herbie Hancock's 1983 album ''Future Shock''. Other mastering works include the Beastie Boys' '' Licensed to Ill'' and Nirvana's ''Nevermind''. Weinberg began working in the mail room at Masterdisk in 1977, delivering recording tapes in New York City. Mastering engineer Bob Ludwig acted as his mentor. In January 2011, he left Masterdisk to set up his own mastering company in Los Angeles, Howie Weinberg Mastering, which appeared in ''Voyage LA''s "Most Inspiring Stories" on February 11, 2021. In 1982, Weinberg worked on the Payolas' song " Eyes of a Stranger". In 1997, ''Polythene'' by Feeder was met with critical acclaim and made the UK Top 75. He appeared on a panel discussion at the 2009 SXSW music festival titled Producers "On Making Class ...
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Mixing Engineer
A mixing engineer (or simply mix engineer) is responsible for combining ("mixing") different sonic elements of an auditory piece into a complete rendition (also known as "final mix" or "mixdown"), whether in music, film, or any other content of auditory nature. The finished piece, recorded or live, must achieve a good balance of properties, such as volume, pan positioning, and other effects, while resolving any arising frequency conflicts from various sound sources. These sound sources can comprise the different musical instruments or vocals in a band or orchestra, dialogue or Foley in a film, and more. The best mixing professionals typically have many years of experience and training with audio equipment, which has enabled them to master their craft. A mixing engineer occupies a space between artist and scientist, whose skills are used to assess the harmonic structure of sound to enable them to fashion desired timbres. Their work is found in all modern music, though ease of ...
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Kevin Shirley
Kevin Shirley, also known as The Caveman, is a South African music producer, engineer, audio mixer, and musician. He has produced music for many artists, including Silverchair, Iron Maiden, Led Zeppelin, The Hoodoo Gurus, The Angels, and Cold Chisel. As of 2023 he is a musician in Jimmy Barnes' supergroup, releasing a self-titled album in 2023. Early life and education Kevin John Shirley was born in Johannesburg, South Africa. Career Shirley spent his early years producing and engineering records for South African artists including Robin Auld, Juluka, Jonathan Butler, Lesley Rae Dowling, Steve Louw, and Sweatband, as well as performing and recording with his own band The Council, whose singer was Brian Davidson (from Freedoms Children). He moved to Australia in 1986, where he continued working with Australian artists, such as The Hoodoo Gurus, The Angels, Cold Chisel, Girl Monstar, Tina Arena, The Screaming Jets, Baby Animals. After producing Silverchair's ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer…" Sound engineering is increasingly viewed as a creative profession and art form, where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and designs, deve ...
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Tim Lefebvre
Tim Lefebvre (born February 4, 1968) is an American bass guitarist. Both as a session musician and band member, he has worked with a wide range of musicians, including David Bowie, The Black Crowes, Elvis Costello, Sting, Empire of the Sun, The Sleepy Jackson, Wayne Krantz, Patti Austin, John Mayer, Jovanotti, Chuck Loeb, Mark Guiliana, Jamie Cullum, Chris Botti, and Knower. A member of the Tedeschi Trucks Band until 2018, he also performed on film and television soundtracks, including ''Ocean's Twelve'', ''The Departed'', ''Analyze That'', ''The Sopranos'', and ''30 Rock''. Called a "musical linguist" by ''Bass Musician'' magazine, Lefebvre is proficient in various genres, including Rock music, rock, jazz, Jazz rock, jazz rock, electronica, and Rhythm and blues, R&B. Lefebvre played bass on David Bowie's final studio album, ''Blackstar (album), Blackstar'', which was released two days before Bowie's death in 2016. Equipment Lefebvre's equipment as published in ''Bass Playe ...
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Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, and classical music, for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popu ...
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Dave LaRue
Dave LaRue is an American bassist who performed with the Dixie Dregs from 1988 to 2017 and with guitarist Steve Morse's Band since 1989. He also has worked with Dream Theater's John Petrucci, Mike Portnoy, Derek Sherinian and Jordan Rudess. He plays Music Man bass guitars, among them the "Sterling" and "StingRay 5 five-string" but has mainly switched to their "Bongo" line (which he was instrumental in helping develop) including four- and five-string fretted and fretless models. From March 2006 to September 2006, he toured with Joe Satriani on the Super Colossal tour. Most recently, LaRue became a member of the supergroup Flying Colors alongside long-time bandmate Steve Morse. Discography Solo albums *''Hub City Kid'' (1992) with Dixie Dregs *''Bring 'Em Back Alive'' (1992) *'' Full Circle'' (1994) *''California Screamin' ''(2000) with Steve Morse *''Southern Steel'' (1991) *'' Coast to Coast'' (1992) *'' Structural Damage'' (1995) *'' StressFest'' (1996) *''Major Impacts' ...
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Remix
A remix, also sometimes called reorchestration or rework, is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing (recorded music), audio mixing in music and song recordings. Songs may be remixed for a variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereophonic sound, stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original audio mastering, master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different ...
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Drum Kit
A drum kit or drum set (also known as a trap set, or simply drums in popular music and jazz contexts) is a collection of drums, cymbals, and sometimes other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching Drum stick, drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals. A standard kit usually consists of: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by one or more foot-operated pedals * One or more Tom drum, tom-toms, including Rack tom, rack toms or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be played with a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music ...
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