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Super Jam (album)
''Super Jam'' is a live studio recording featuring jazz, pop and traditional standards, many of them film scores, included in the German TV series, ''Villa Fantastica''. The album featured the series' musical director Brian Auger on piano,Biography: Brian Auger
. Retrieved 10 September 2013. on drums, on tenor saxophone, Roy Williams on trombone, Harvey Weston on bass guitar, plus the singers

Brian Auger
Brian Albert Gordon Auger (born 18 July 1939) is an English jazz rock and rock keyboardist who specialises in the Hammond organ. Auger has worked with Rod Stewart, Tony Williams, Jimi Hendrix, John McLaughlin, Sonny Boy Williamson, Eric Burdon, and CAB. He has incorporated jazz, early British pop, R&B, soul music, and rock into his sound. He has been nominated for a Grammy Award. Career In 1965, Auger played on " For Your Love" by The Yardbirds as a session musician. He was brought in to play the Hammond organ, but settled for the only available keyboard, the harpsichord. That same year, Auger formed the group The Steampacket with Long John Baldry, Julie Driscoll, Vic Briggs, and Rod Stewart. Due to contractual problems there were no official recordings made by the band; nevertheless, nine tracks were laid down for promotional use in late 1965 and released as an LP in 1970 in France on the BYG label. They were released on a CD by Repertoire Records in 1990 (licensed ...
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Bart Howard
Bart Howard (born Howard Joseph Gustafson, June 1, 1915 – February 21, 2004) was an American composer and songwriter, most notably of the jazz standard "Fly Me to the Moon", which has been performed by Kaye Ballard, Judy Garland, Frank Sinatra, Tony Bennett, Ella Fitzgerald, Nancy Wilson, Della Reese, Bobby Womack, Diana Krall, Paul Anka, June Christy, Brenda Lee, Astrud Gilberto, Nat King Cole, Peggy Lee, Sia and RAYE and Super Tough among others. It is played frequently by jazz and popular musicians around the world. It was also used as the outro for the popular anime series Neon Genesis Evangelion. Howard wrote the song for his partner of 58 years, Thomas Fowler. Biography Howard was born in Burlington, Iowa. He began his career as an accompanist at the age of 16 and played for Mabel Mercer, Johnny Mathis and Eartha Kitt, among others. "Fly Me to the Moon" was first sung in 1954 by Felicia Sanders at the Blue Angel nightclub in Manhattan, where the composer became M.C ...
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Hoagy Carmichael
Hoagland Howard "Hoagy" Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor, author and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s and 1940s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as old-time radio broadcasts, television, microphones, and sound recordings (musical records). Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing four of the most-recorded American songs of all time: " Stardust" (1927), with lyrics by Mitchell Parish, "Georgia on My Mind" (1930), with lyrics by Stuart Gorrell, " The Nearness of You" (1937), with lyrics by Ned Washington, and " Heart and Soul" (1938), with lyrics by Frank Loesser. He also collaborated with famed lyricist-songwriter Johnny Mercer (1909-1976), on " Lazybones" (1933), and later " Skylark" ( ...
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Rockin' Chair (1929 Song)
"Rockin' Chair is a 1929 popular song with lyrics and music composed by Hoagy Carmichael. Musically it is unconventional, as after the B section when most popular songs return to A, this song has an A-B-C-A1 structure. Carmichael recorded the song in 1929, 1930, and 1956. Mildred Bailey made it famous by using it as her theme song. Like other 1920s standards, "Rockin' Chair" relied on the stereotypes of minstrelsy, citing "Aunt Harriet" from the anti-Uncle Tom song "Aunt Harriet Becha Stowe" (1853). The song was first recorded on February 19, 1929, by Hoagy Carmichael as a test for Victor Records, but not released at the time. This recording was later released on the Historical label as HLA-37. This version is sung by only one vocalist. Hoagy Carmichael and his Orchestra recorded a new version on May 21, 1930, featuring Bix Beiderbecke on cornet. This second version is with two vocalists (Carmichael and Irving Brodsky) and was released on Victor Records as V-38139B. Louis Armstrong ...
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Al Dubin
Alexander Dubin (June 10, 1891 – February 11, 1945) was an American lyricist. He is best known for his collaborations with the composer Harry Warren. Life Al Dubin came from a Russian Jewish family that immigrated to the United States from Switzerland when he was two years old. Born in Zürich, Switzerland, he grew up in Philadelphia. Between ages of thirteen and sixteen, Dubin played hookey from school in order to travel into New York City to see Broadway musical shows. At age 14 he began writing special material for a vaudeville entertainer on 28th Street between 5th and Broadway in New York City, otherwise known as Tin Pan Alley. Dubin was accepted and enrolled at Perkiomen Seminary in September 1909, but was expelled in 1911, after writing their Alma Mater. After leaving Perkiomen, Dubin got himself a job as a singing waiter at a Philadelphia restaurant. He continued to write lyrics and tried selling them to area publishing firms. During this time, Dubin met composer J ...
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Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", " You'll Never Know" and " On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", " You Must Have Been a Beautiful Baby", " Jeepers Creepers", " The Gold Diggers' Song (We're in the Money)", " That's Amore", " There Will Never Be Another You", " The More I See You", " At Last" and " Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of Ameri ...
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Lullaby Of Broadway (song)
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn." The song was introduced by Wini Shaw in the musical film ''Gold Diggers of 1935'', and, in an unusual move, it was used as background music in a sequence in the Bette Davis film ''Special Agent'' that same year. Furthermore, again that year, it was sung by Jeane Cowan in a night club scene in the James Cagney film ''G Men''. In three Warner Bros. films, it won the 1935 Academy Award for Best Original Song. Lyrics Unlike the song "Manhattan" and many others, "Lullaby of Broadway" does not name-check any Broadway locations. The line, "The daffydils who entertain / At Angelo's and Maxie's" references a fictitious place (or places). "Daffydils" — often sung as "daffodils" — was a slang term for chorus girls (or indeed boys, depending on the venue). Since the son ...
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Herman Hupfeld
Herman Hupfeld (February 1, 1894June 8, 1951) was an American songwriter, whose most notable composition was the lyrics and music of " As Time Goes By". Life and career Hupfeld was born in Montclair, New Jersey, the son of Fredericka (Rader), a church organist, and Charles Ludwig Hupfeld. He was sent to study violin in Germany at age nine.Roger D. Kinkle, ''The Complete Encyclopedia of Popular Music and Jazz 1900–1950'' (Arlington House, 1974), Returning to the United States, he graduated from Montclair High School in 1915 and enlisted in the Navy during World War I. Following the war, he commenced a songwriting career. He entertained camps and hospitals during World War II. Hupfeld never wrote a whole Broadway score, but became known as someone who could write a song to fit a specific scene within a show. Besides '' As Time Goes By'', his best-known songs include ''Sing Something Simple'', '' Let's Put Out the Lights (and Go to Sleep)'', ''When Yuba Plays the Rumba on the T ...
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As Time Goes By (song)
"As Time Goes By" is a jazz song written by Herman Hupfeld in 1931. It became famous when it was featured in the 1942 film ''Casablanca'', performed by Dooley Wilson as Sam. The song was voted No. 2 on the AFI's 100 Years...100 Songs special, commemorating the best songs in film (surpassed only by " Over the Rainbow" sung by Judy Garland). The song was covered among others by Rudy Vallee, Billie Holiday, Jimmy Durante, Louis Armstrong, Frank Sinatra, Nancy Sinatra, Natalie Cole, Harry Nilsson, Carly Simon, Vera Lynn, Bob Dylan and Bryan Ferry. It was also the title and theme song of the 1990s British romantic comedy series '' As Time Goes By''. National Public Radio (NPR) included it in its "NPR 100", a 1999 list of the most important American musical works of the 20th century as compiled by NPR's music editors. The song is a popular reflection of nostalgia and often used in films and series reflecting this feeling. Since 1999, an instrumental version of the song's clo ...
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Fred Rose (songwriter)
Knowles Fred Rose (August 24, 1898 – December 1, 1954) was an American musician, Hall of Fame songwriter, and music publishing executive. Biography Born in Evansville, Indiana, United States, Rose started playing piano and singing as a small boy. In his teens, he moved to Chicago, Illinois where he worked in bars busking for tips, and finally vaudeville. He became successful as a songwriter, penning his first hit for entertainer Sophie Tucker. Rose lived in Nashville, Tennessee, but his radio show there did not last long and he went New York City's Tin Pan Alley to be a songwriter. He wrote songs with Ray Whitley, an RKO B-Western film star and author of " Back in the Saddle Again", a collaboration that introduced Rose to country music. He lived for a time with Ray and Kay Whitley in an apartment in Hollywood, co-writing many tunes for Ray's movies. In 1942, Rose returned to Nashville and teamed with Grand Ole Opry star Roy Acuff to create the first Nashville-based music ...
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Hy Heath
Walter Henry "Hy" Heath (July 9, 1890 – April 3, 1965) was an American entertainer, songwriter, composer and writer. Born in Oakville, Tennessee, he received his education in public schools and then became a comedian in musical comedy, vaudeville, minstrel and burlesque shows. Hy performed with fellow Vaudevillian and longtime family friend Dan White (actor) during the late 1920s into the early 1930s. His chief musical collaborators included Johnny Lange and Fred Rose (songwriter), Fred Rose. His most successful composition was "Mule Train" which earned him an Academy Awards, Academy Award nomination (it was featured in the 1950 film ''Singing Guns''). Another of his many popular songs which he composed was "The Hills of Utah" which was sung by Ken Curtis in the Hollywood western ''Stallion Canyon'' starring Ken Curtis and Carolina Cotton. Death Walter died on April 3, 1965 in Los Angeles, CA at the age of 74. He was laid to rest in Forest Lawn Memorial Park, Glendale, Los An ...
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Take These Chains From My Heart
"Take These Chains from My Heart" is a song by Hank Williams. It was written by Fred Rose and Hy Heath and was recorded at Williams' final recording session on September 23, 1952, in Nashville. The song has been widely praised; Williams' biographer Colin Escott deems it "perhaps the best song oseever presented to Hank...It was one of the very few songs that sounded somewhat similar to a Hank Williams song." Williams is backed by Tommy Jackson (fiddle), Don Helms (steel guitar), Chet Atkins (lead guitar), Jack Shook (rhythm guitar), and Floyd "Lightnin'" Chance (bass). In the wake of Williams' death on New Year's Day, 1953, the song shot to No. 1, his final chart-topping hit for MGM Records. Like " Your Cheatin' Heart," the song's theme of despair, so vividly articulated by Williams' typically impassioned singing, reinforced the image of Hank as a tortured, mythic figure. Cover versions * Tommy Edwards recorded the song for MGM in 1953. * Jack Scott recorded this so ...
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