Stórsveit Nix Noltes
Stórsveit Nix Noltes are an Icelandic post-rock and Balkan folk band formed in 2004 and composed mostly of members of other Icelandic bands such as múm and Benni Hemm Hemm. Their first album, ''Orkideur Hawai'' was nominated as indie album of the year in the Icelandic Music Awards. Discography * ''Orkideur Hawai'' (March 21, 2006, Bubblecore) * ''Royal Family - Divorce'' (May 5, 2009, FatCat Records FatCat Records is an English independent record label based in Brighton. The label's output reaches into many styles including experimental rock, electronica, psychedelic folk, contemporary classical, noise and post-punk. Notable artists that .../ Rough Trade) References External links Official MySpace Musical groups established in 2004 Icelandic post-rock groups FatCat Records artists Musical groups from Reykjavík {{Iceland-band-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Of Iceland
The music of Iceland includes folk and pop traditions, as well as an active classical and contemporary music scene. Well-known artists from Iceland include medieval music group Voces Thules, alternative pop band The Sugarcubes, singers Björk, Laufey, Daði Freyr, Hafdís Huld and Emiliana Torrini, post-rock band Sigur Rós and Múm, post-metal band Sólstafir, indie folk/indie pop band Of Monsters and Men, blues/rock band Kaleo, metal band Skálmöld and techno-industrial band Hatari. Iceland's traditional music is related to Nordic music forms. Although Iceland has a very small population, it is home to many famous and praised bands and musicians. Folk music ''Rímur'' are epic tales sung as alliterative, rhyming ballads, usually a cappella. ''Rímur'' can be traced back to the Viking Age Eddic poetry of the skalds and employs complex metaphors and cryptic rhymes and forms. Some of the most famous ''rímur'' were written between the 18th and early 20th centuries, by poe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Icelandic Post-rock Groups
Icelandic refers to anything of, from, or related to Iceland and may refer to: *Icelandic people *Icelandic language *Icelandic orthography *Icelandic cuisine See also * Icelander (other) * Icelandic Airlines, a predecessor of Icelandair * Icelandic horse, a breed of domestic horse * Icelandic sheep, a breed of domestic sheep * Icelandic Sheepdog, a breed of domestic dog * Icelandic cattle Icelandic cattle ( ) are a breed of cattle native to Iceland. Cattle were first brought to the island during the Settlement of Iceland a thousand years ago. Icelandic cows are an especially colorful breed with a wide variety of colours and marki ..., a breed of cattle * Icelandic chicken, a breed of chicken {{disambig Language and nationality disambiguation pages ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musical Groups Established In 2004
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * '' Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giov ... * Musicality, the ability to perceive music or to create music * {{Music disambiguation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rough Trade Records
Rough Trade Records is an independent record label based in London, England. It was formed in 1976 by Geoff Travis, who had opened a record store off Ladbroke Grove. It is currently run by co-managing directors Travis and Jeannette Lee and is affiliated with Beggars Group. Having successfully promoted and sold records by punk rock and early post-punk and indie pop bands such as the Normal and Desperate Bicycles, Travis began to manage acts and distribute bands such as Scritti Politti and began the label, which was informed by left-wing politics and structured as a co-operative. Label activities began in 1978. Soon after, Rough Trade also set up a distribution arm that serviced independent retail outlets across Britain, a network that became known as the Cartel. In 1983, Rough Trade signed the Smiths. Interest and investment of major labels in the UK indie scene in the late 1980s, as well as overtrading on behalf of Rough Trade's distribution wing, led to cash ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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FatCat Records
FatCat Records is an English independent record label based in Brighton. The label's output reaches into many styles including experimental rock, electronica, psychedelic folk, contemporary classical, noise and post-punk. Notable artists that have released music on the label include Sigur Rós, Múm, Animal Collective, Frightened Rabbit, Shopping, The Twilight Sad, Vashti Bunyan and We Were Promised Jetpacks. History 1989–2001 FatCat originally began in 1989 as a record store in Crawley, West Sussex, formed by Alex Knight, Dave Cawley and Andy Martin. It moved to central London in 1990, and originally specialised in Detroit and Chicago-based techno and house music. The store closed down in 1997, and the record label was born in its place, initially releasing dance and electronic 12"s. The label moved to Brighton in 2001. 2000s As well as Sigur Rós, another Icelandic band, Múm, were signed and proved successful for the label. The same year also saw the establishment of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Balkan Folk
Balkan folk music is the traditional folk music within Balkan region. In South Slavic languages, it is known as narodna muzika () or folk muzika () in Bulgarian, Macedonian, and Serbo-Croatian, and alternatively narodna glazba in standard Croatian, and narodna glasba in Slovene. In Albanian it is known as muzikë popullore. For more information regarding individual nations' folk music see: * Albanian folk music * Bosnian folk music *Bulgarian folk music *Croatian folk music * Macedonian folk music * Montenegrin folk music *Serbian folk music Serbian may refer to: * Pertaining to Serbia in Southeast Europe; in particular ** Serbs, a South Slavic ethnic group native to the Balkans ** Serbian language Serbian (, ) is the standard language, standardized Variety (linguistics)#Standard ... * Slovenian folk music External linksNarodna Muzika {{commonscat, Narodna muzika Music of Yugoslavia Balkan music + ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Post-rock
Post-rock is a subgenre of experimental rock that emphasizes Texture (music), texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with Electronic musical instrument, electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in Indie music scene, indie and underground music scenes, but deviated. The term ''post-rock'' was coined by music journalist Simon Reynolds, being popularized in a review of Bark Psychosis' 1994 album ''Hex (Bark Psychosis album), Hex'', and he later expanded the concept as music "using rock instrumentation for non-rock purposes". The term has since developed to refer to bands oriented around dramatic and suspense-driven instrumental rock, making the t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guðmundur Steinn Gunnarsson
Guðmundur Steinn Gunnarsson (born 1982) is an Icelandic composer, performer and a founding member of S.L.Á.T.U.R., an experimental arts organization in Reykjavík. In his compositions he has developed a rhythmic language devoid of regular beat or metre, and he has created a new musical notation to represent his music. Biography Guðmundur Steinn was born in Reykjavík, Iceland in 1982. He studied at the Iceland Academy of the Arts, graduating in 2005, and then at Mills College in Oakland, California, where he gained an M.A. degree with a thesis entitled "An Approach to Rhythm". His teachers have included Atli Ingólfsson, Úlfar Haraldsson, Hilmar ór Arson and Hilmar Jensson in Iceland, and Alvin Curran, Fred Frith and John Bischoff at Mills College. He also attended Karlheinz Stockhausen’s courses in Kürten in 2004, went to the Darmstädter Ferienkurse in 2008 and has had masterclasses with Helmut Lachenmann, Tristan Murail, Pauline Oliveros and Clarence Barlow. He has ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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12 Tónar
12 Tónar (, 'twelve tones') is a record shop in Reykjavík, Iceland, and also a record label for Icelandic artists. It is located on Skólavörðustígur 15, in downtown Reykjavík. Founded in 1998 in Reykjavík, 12 Tónar has been well received by music lovers from the start. The store quickly became a meeting point for musicians such as Björk, Sigur Rós, múm, and the core of classical composers and performers. 12 Tónar is also an independent record label with nearly 80 releases in its catalogue. Many of the best musicians in Iceland have released their albums on the label, for example artists and bands such as Mugison, Trabant and Singapore Sling, Apparat Organ Quartet, Pétur Ben, Eivör Pálsdóttir, Ragnheiður Gröndal, Jóhann Jóhannsson, Hildur Guðnadóttir, Skúli Sverrisson, Ólöf Arnalds, Pink Street Boys, Samaris, and Jakobínarína. In May 2006 12 Tónar opened a record store in Copenhagen, Denmark selling music from their own catalogue of artists as well a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hildur Guðnadóttir
Hildur Ingveldardóttir Guðnadóttir (born 4 September 1982) is an Icelandic musician and composer. A classically trained cellist, she has played and recorded with the bands Pan Sonic, Throbbing Gristle, Múm, and Stórsveit Nix Noltes, and has toured with Animal Collective and Sunn O))). She has received various accolades, including an Academy Award, two Grammy Awards, and a Primetime Emmy Award. Hildur has gained international recognition for her film and television scores, including '' Journey's End'' (2017), ''Mary Magdalene'' (2018), '' Sicario: Day of the Soldado'' (2018), Todd Field's '' Tár'' and Sarah Polley's '' Women Talking'' (both 2022). For her score for Todd Phillips' psychological thriller film '' Joker'' (2019), she won the Academy Award for Best Original Score, the BAFTA Award for Best Original Music, and the Golden Globe Award for Best Original Score, making her the first solo female composer to win in all three. She is also known for her work on the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kristín Anna Valtýsdóttir
Kristín Anna Valtýsdóttir (born 5 January 1982), also known as Kría Brekkan, is an Icelandic vocalist and classically trained multi-instrumentalist. She is best known as a former frontwoman of múm, and later on for collaborating with former husband David Portner as Avey Tare & Kría Brekkan. Biography Kristín Anna was a member of the band múm from 1998 until 2006. During that time the band released three full-length albums, '' Yesterday Was Dramatic – Today Is OK'', ''Finally We Are No One'', and ''Summer Make Good'' She was accordion player in a Balkan folk and post-rock band Stórsveit Nix Noltes in 2003–2010. Those years she also appeared on recordings and performed live with the bands Mice Parade and Slowblow. In 2005 she recorded the album '' Feels'' with Animal Collective. She is credited as "Doctess" on the album. While in the studio, Eyvind Kang heard her piano playing and asked if she'd perform solo at The Stone in New York City. On April 16, 2006 s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |