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Ständchen, D 920 (Schubert)
"Ständchen", D. 920, D 920/921 (also known as "Notturno") is a part song for alto (voice), alto solo, chorus, and piano by Franz Schubert. He composed it in Vienna in July 1827, setting words by Franz Grillparzer ("Zögernd leise, in des Dunkels nächt'ger Hülle"). Schubert wrote two versions, for male and female chorus, originally catalogued as: * D 920, for alto solo, TTBB chorus & piano * D 921, for alto solo, SSAA (choir), SSAA chorus & piano, Op. 135(p) The latest update of Deutsch's catalogue places both versions under D 920, and D 921 is no longer used. History The poem which Schubert set was specially commissioned from Franz Grillparzer by Anna Fröhlich, a singing teacher in Vienna, to celebrate the birthday (or name-day) of her pupil Louise Gosmar. Fröhlich showed Grillparzer's poem to Schubert and asked him to set it to music, who obliged within a few days with the version for mezzo-soprano and men's voices (D. 920 in Otto Deutsch's chronological catalogue). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ständchen (Schubert)
Franz Schubert composed a number of works known as Ständchen, meaning serenade. Lieder Lieder named "Ständchen" or "Abendständchen" (evening serenade): *"Abendständchen an Lina" ("Sei sanft wie ihre Seele"), D. 265, D 265, for voice and piano, words by Gabriele von Baumberg *Ständchen, D 889 (Schubert), "Ständchen", D 889 ("Horch, horch! die Lerch im Ätherblau" / "Hark, hark, the lark"), after Shakespeare's ''Cymbeline''. *"Ständchen" ("Leise flehen meine Lieder"), No. 4 of ''Schwanengesang'' (''Swan Song''), D 957. Part songs Part songs known as "Ständchen" or "Nächtliches Ständchen" (serenade at night): *"Leise, leise laßt uns singen, schlummre sanft", D 635, also known as "Ruhe", or "Nächtliches Ständchen".This work is for SATB, TTBB, having the title "Quartetto" in the composer's autograph (manuscript MH 1864/c in Vienna City Library). This autograph contains the text of a single stanza, of which the text author is unknown. Eusebius Mandyczewski suggests Schubert m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; ; 31 January 179719 November 1828) was an Austrian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. Despite his short life, Schubert left behind a List of compositions by Franz Schubert, vast ''oeuvre'', including more than 600 ''Lieder'' (art songs in German) and other vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig", "Gretchen am Spinnrade", and "Ave Maria (Schubert), Ave Maria"; the Trout Quintet, ''Trout'' Quintet; the Symphony No. 8 (Schubert), Symphony No. 8 in B minor (''Unfinished''); the Symphony No. 9 (Schubert), Symphony No. 9 in C major (''Great''); the String Quartet No. 14 (Schubert), String Quartet No. 14 in D minor (''Death and the Maiden''); the String Quintet (Schubert), String Quintet in C major; the Impromptus (Schubert), Impromptus for solo piano; the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Part Song
A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non- liturgical sacred text, written or arranged for several vocal parts. Part songs are commonly sung by an SATB choir, but sometimes for an all-male or all-female ensemble. Part songs are intended to be sung a cappella, that is without accompaniment, unless an instrumental accompaniment is particularly specified. In Britain The part song was created in Great Britain, growing out of the madrigal tradition (though initially with more emphasis on homophonic harmony and less on polyphonic part writing) and the 18th century Glee. Paul Hillier describes the Glee as "a uniquely English creation...the convivial music of all-male musical societies". The classic Glee is "essentially a work for unaccompanied men's voices, in not less than three parts...simpler han the madrigalin texture, less sophisticated in design, and generally based on the simplest kind of diatonic harmony". One o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto (voice)
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or ''superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrote two c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
Vienna ( ; ; ) is the capital city, capital, List of largest cities in Austria, most populous city, and one of Federal states of Austria, nine federal states of Austria. It is Austria's primate city, with just over two million inhabitants. Its larger metropolitan area has a population of nearly 2.9 million, representing nearly one-third of the country's population. Vienna is the Culture of Austria, cultural, Economy of Austria, economic, and Politics of Austria, political center of the country, the List of cities in the European Union by population within city limits, fifth-largest city by population in the European Union, and the most-populous of the List of cities and towns on the river Danube, cities on the river Danube. The city lies on the eastern edge of the Vienna Woods (''Wienerwald''), the northeasternmost foothills of the Alps, that separate Vienna from the more western parts of Austria, at the transition to the Pannonian Basin. It sits on the Danube, and is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Grillparzer
Franz Seraphicus Grillparzer (15 January 1791 – 21 January 1872) was an Austrian writer who was considered to be the leading Austrian dramatist of the 19th century. His plays were and are frequently performed at the Burgtheater in Vienna. He also wrote the public speaking, oration for his longtime friend Ludwig van Beethoven's funeral, as well as the epitaph for his friend Franz Schubert. While writing during the period of Romanticism, Grillparzer's poetic language owes far more to the period of Classicism which reigned during his formative years. Committed to the classical ideals of aesthetic beauty and morality, his plots shy away from the realism (arts), realism which developed during his time, preferring instead to use the theater to address spiritual values, which in the words of the dying queen of his Libuše, Libussa, would only come after the period of Materialism had passed. Due to the identity-creating use of his works, especially after World War II, he was named as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
TTBB
In choral musical notation, TTBB denotes a four-part lower-voice choir. Composed of tenors and basses, Its configuration is Tenor 1, Tenor 2 (or lead), Bass 1 (or Baritone), and Bass 2. Typically (but not always) one of the Tenor parts is the melody, with the other parts as harmony(s). In music for barbershop quartet A barbershop quartet is a group of four singers who sing music in the barbershop style, characterized by four-part harmony without instrumental accompaniment (a cappella). The four voices are: the lead, the vocal part which typically carries t ...s, which predominantly use the TTBB arrangement, the 2nd Tenor is almost always the melody. In musical notation, these four voices are represented across two staves (a "close score") with the orientation of the stems indicating which voice should sing those notes. Tenor 1 and Tenor 2 are notated in the top stave, with Tenor 1 with an upwards stem, and Tenor 2 (the lead melody) with a downward stem. Likewise, Bass 1 an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SSAA (choir)
In music, SSAA is an initialism referring to a choir composed of two distinct Soprano (S) sections and two distinct Alto (A) sections. In an SSAA choir, First Sopranos sing the highest musical line, followed by Second Sopranos, First Altos, and Second Altos on the lowest line. First sopranos typically have the melody, with second sopranos and altos in harmonies. Women's choirs frequently sing a mixture of SSA and SSAA songs, and in order to create optimal balance, voices may be divided differently in an SSAA arrangement. Some mezzo-sopranos will sing the First Alto line. SSA is the more common arrangement by volume of music available. See also *Choir **Boys' choir ** Girls' choir ** Women's choir *SATB In music, SATB is a scoring of compositions for choirs or consorts of instruments consisting of four voice types: soprano, alto, tenor and bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classic ... References Choirs { ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Name-day
In Christianity, a name day is a tradition in many countries of Europe and the Americas, as well as Christian communities elsewhere. It consists of celebrating a day of the year that is associated with one's baptismal name, which is normatively that of a biblical character or other saint. Where they are popular, individuals celebrate both their name day and their birthday in a given year. The custom originated with the Christian calendar of saints: believers named after a saint would celebrate that saint's feast day. Within Christianity, name days have greater resonance in areas where the Christian denominations of Catholicism, Lutheranism and Orthodoxy predominate. In some countries, however, name-day celebrations do not have a connection to explicitly Christian traditions. History The celebration of name days has been a tradition in Catholic and Eastern Orthodox countries since the Middle Ages, and has also continued in some measure in countries, such as the Scandinavian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miriam (bible)
Miriam (, lit. ‘rebellion’) is described in the Hebrew Bible as the daughter of Amram and Jochebed, and the older sister of Moses and Aaron. She was a prophetess and first appears in the Book of Exodus. The Torah refers to her as "Miriam the Prophetess" and the Talmud names her as one of the seven major female prophets of Israel. Scripture describes her alongside of Moses and Aaron as delivering the Jews from exile in Egypt: "For I brought you up out of the land of Egypt and redeemed you from the house of slavery, and I sent before you Moses, Aaron, and Miriam". According to the Midrash, just as Moses led the men out of Egypt and taught them Torah, so too Miriam led the women and taught them Torah. Biblical narrative Miriam was the daughter of Amram and Jochebed and the sister of Aaron and Moses, the leader of the Israelites in ancient Egypt. The narrative of Moses's infancy in the Torah describes an unnamed sister of Moses observing him being placed in the Nile; she is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Diabelli
Anton (or Antonio) Diabelli (5 September 17818 April 1858) was an Austrian music publisher, editor and composer. Best known in his time as a publisher, he is most familiar today as the composer of the waltz on which Ludwig van Beethoven wrote his set of thirty-three '' Diabelli Variations''. Early life Diabelli was born in Mattsee in Austria, then in the Archbishopric of Salzburg. A musical child, he sang in the boys' choir at Salzburg Cathedral where he is believed to have taken music lessons with Michael Haydn. By the age of 19 Diabelli had already composed several important compositions including six masses. Diabelli was trained to enter the priesthood and in 1800 joined the monastery at Raitenhaslach, Bavaria. He remained there until 1803, when Bavaria closed all its monasteries. Career In 1803 Diabelli moved to Vienna and began teaching piano and guitar and found work as a proofreader for a music publisher. During this period he learned the music publishing business ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
