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String Quartets, Op. 20 (Haydn)
The six string quartets Op. 20 by Joseph Haydn are among the works that earned Haydn the sobriquet "the father of the string quartet". The quartets are considered a milestone in the history of composition; in them, Haydn develops compositional techniques that were to define the medium for the next 200 years. Ron Drummond"An Essay Inspired by the Quartet for Strings in F Minor, Opus 20, No. 5" ClassicalNet (1999)Tovey, in Cobbett (1929), p. 533Pohl, in ''Grove's'' (1946), p. 583.Solomon (1980), p. 116. The quartets were composed in 1772 at a time of tensions in Haydn's life, and also when Haydn was influenced by new philosophical and political ideas sweeping Europe. Some analysts see the impact of these emotions and ideas on the quartets. The quartets The set of quartets, along with their incipits are shown below in order of Haydn's own catalog No. 1 in E major No. 2 in C major No. 3 in G minor No. 4 in D major No. 5 in F minor No. 6 in A major Composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Wolfgang Von Goethe
Johann Wolfgang (von) Goethe (28 August 1749 – 22 March 1832) was a German polymath who is widely regarded as the most influential writer in the German language. His work has had a wide-ranging influence on Western literature, literary, Political philosophy#European Enlightenment, political, and Western philosophy, philosophical thought in the Western world from the late 18th century to the present.. A poet, playwright, novelist, scientist, statesman, theatre-director, and critic, Johann Wolfgang von Goethe bibliography, his works include plays, poetry and aesthetic criticism, as well as treatises on botany, anatomy, and colour. Goethe took up residence in Weimar in 1775 following the success of his first novel, ''The Sorrows of Young Werther'' (1774), and joined a thriving intellectual and cultural environment under the patronage of Duchess Anna Amalia of Brunswick-Wolfenbüttel, Duchess Anna Amalia that formed the basis of Weimar Classicism. He was ennobled by Karl August, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartets, Op
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * Strings (1991 film), ''Strings'' (1991 film), a Canadian animated short * Strings (2004 film), ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * Strings (2011 film), ''Strings'' (2011 film), an American dramatic thriller film * Strings (2012 film), ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Eulenburg (musical Editions)
Ernst Eulenburg the music publisher was established by Ernst Eulenburg in Leipzig in 1874. The firm started by publishing a series of studies by a Dresden piano teacher, and then expanded into light music and works for men's chorus, at first all non-copyright works. Origins of the miniature scores In 1891, Eulenburg acquired the company of Payne who had recently started to publish miniature scores of chamber works, thus effectively establishing the basis for the famous miniature scores which are what Eulenburg is famous for today. The catalogue was further expanded in 1908 by the acquisition of the catalogue of Donajowski, who published miniature scores of orchestral works in England. Later history of the company In 1905, Ernst's son Kurt began to work in the firm, a connection maintained until his retirement at age 90 in 1968. After Ernst died in 1926, Kurt took over and began to introduce important revisions of scores by leading musicologists such as Alfred Einstein (who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urtext Edition
An urtext edition (from German prefix wikt:ur-, ur- ''original'') of a work of classical music is a printed version intended to reproduce the original intention of the composer as exactly as possible, without any added or changed material. Other kinds of editions distinct from urtext are ''facsimile'' and ''interpretive'' editions, discussed below. Preparing urtext editions Sources The sources for an urtext edition include the autograph (that is, the manuscript produced in the composer's hand), hand copies made by the composer's students and assistants, the first published edition, and other early editions. When the editor relies on a first edition, it is sometimes best to rely not on the earliest printed copies, but on later printings. This is because publishers sometimes kept the plates from the earliest printing, reusing them for later printings with corrections from the composer. A particularly valuable source for urtext editions is a copy of the first edition that was ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artaria
Artaria & Co. () was one of the most important music publishing firms of the late 18th and 19th century. Founded in the 18th century in Vienna, the company is associated with many leading names of the classical era. History Artaria & Co. was founded as a publishing house for art and maps by Carlo Artaria (1747–1808) in 1770 in Vienna, then the capital of the Habsburg monarchy. The company expanded its business to include music in 1778. Its most important early collaboration was with the Austrian composer Joseph Haydn, who published more than 300 works through Artaria, including many of the composer's string quartets (such as the Opus 33), which were a popular seller. The value of Haydn's works helped push Artaria to the top of the music publishing world in the late 18th century. This important relationship helped Artaria secure the rights to the works of other important classical composers such as Luigi Boccherini and, most notably, Wolfgang Amadeus Mozart. During his lifetim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis-Balthazar De La Chevardière
Louis-Balthazar de La Chevardière (February 1730 in Volx – 8 April 1812 in Verrières-le-Buisson) was a French music publisher in the second half of the 18th century. Biography The publishing activities of the Chevardière were announced in several periodicals in October 1758. He first took over the company that Jean-Pantaléon Le Clerc had passed to his daughter, Madame Vernadé. And indeed, in December 1758. The Chevardière designated himself as "successor to Mr. Le Clerc." He briefly associated with Huberty (1722-1791), whose name appeared jointly on some 1759 scores: ''Paris, de La Chevardière et Huberti, successeurs de M. Leclerc''. But until 1780, La Chevardière worked alone. In February 1780, he entrusted the management of the shop to his daughter, Elisabeth Éléonore and his step-son Jean-Pierre Deroullède for three years. On 1 December 1784, he sold the company to Pierre Leduc (1755–1818) – the brother of composer Simon Le Duc – and retired in Verrières- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of String Quartets By Joseph Haydn
Joseph Haydn wrote sixty-eight string quartets. (The number was previously thought to be eighty-three, but this includes some arrangements and spurious works.) They are usually referred to by their opus numbers, not Anthony van Hoboken's catalogue numbers or their publication order in the First Haydn Edition (FHE). Opus 1 (1755–57) Source: *Quartet No. 1 in B major ("La Chasse"), Op. 1, No. 1, FHE No. 52, Hoboken No. III:1 *Quartet No. 2 in E major, Op. 1, No. 2, FHE No. 53, Hoboken No. III:2 *Quartet No. 3 in D major, Op. 1, No. 3, FHE No. 54, Hoboken No. III:3 *Quartet No. 4 in G major, Op. 1, No. 4, FHE No. 55, Hoboken No. III:4 *Quartet No. 5 in E major, Op. 1, No. 0, Hoboken No. II:6 (also referred to as Opus 0) *Quartet in B major, Op. 1, No. 5, FHE No. 56, Hoboken No. III:5 (later found to be the Symphony A, Hob. I/107) *Quartet No. 6 in C major, Op. 1, No. 6, FHE No. 57, Hoboken No. III:6 Opus 2 (1757–59) Source: The two quartets numbered 3 and 5 are spurious a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford University Press, 2006). ) is a Counterpoint, contrapuntal, Polyphony, polyphonic Musical composition, compositional technique in two or more voice (music), voices, built on a Subject (music), subject (a musical theme) that is introduced at the beginning in imitation (music), imitation (repetition at different pitches), which recurs frequently throughout the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to Music history of the United States, early American (i.e. shape note or "Sacred Harp") music and West gallery music, West Gallery music. A fugue usually has three main sections: an exposition (music), exposition, a development (music), development, and a final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galante Music
In music, galant refers to the style which was fashionable in the upper-class societies of Western Europe from the 1720s to the 1770s. On the other hand, the term found a narrowing in musicology in the 19th and 20th centuries: the focus is on compositions that can be seen as moving away from the Baroque in its more rhetorical formal language, but which at the same time only display qualities that can be attributed to the pre-classical period to a limited extent. At this point, the galant style can be seen as a step towards the formally freer, sensitive style, '' Empfindsamkeit,'' that prepared the early classical period. Music styles This movement featured a return to simplicity and immediacy of appeal after the complexity of the late Baroque era. This meant simpler, more song-like melodies, decreased use of polyphony, short, periodic phrases, a reduced harmonic vocabulary emphasizing tonic and dominant, and a clear distinction between soloist and accompaniment. C. P. E. Bach a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
