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Strange Days (The Doors Album)
''Strange Days'' is the second studio album by the American rock music, rock band the Doors, released on September 25, 1967 by Elektra Records, arriving eight months after their The Doors (album), self-titled debut album. After the latter's successful release, the band started experimenting with both new and old material in early 1967 for their second record. Upon release, ''Strange Days'' reached number three on the Billboard 200, US ''Billboard'' 200, and eventually earned a RIAA certification, platinum certification from the Recording Industry Association of America (RIAA). It contains two Top 30 hit singles, "People Are Strange" and "Love Me Two Times". Despite the album's failure to match the success of its predecessor, it was "arguably the one the band itself most appreciated musically and creatively", according to author David V. Moskowitz. Music journalist Stephen Davis (music journalist), Stephen Davis considers ''Strange Days'' the best Doors album and "one of the great ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Doors
The Doors were an American rock band formed in Los Angeles in 1965, comprising vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger and drummer John Densmore. They were among the most influential and controversial rock acts of the 1960s, primarily due to Morrison's lyrics and voice, along with his erratic stage persona and legal issues. The group is widely regarded as an important figure of the counterculture of the 1960s, era's counterculture. The band took its name from the title of the English writer Aldous Huxley's book ''The Doors of Perception'', itself a reference to a quote by the English poet William Blake. After signing with Elektra Records in 1966, the Doors with Morrison recorded and released six studio albums in five years, some of which are generally considered among the greatest of all time, including their debut ''The Doors (album), The Doors'' (1967), ''Strange Days (The Doors album), Strange Days'' (1967), and ''L.A. Woman'' (1971). Dubbed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as Dmt, DMT, Lysergic acid diethylamide, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and Altered state of consciousness, altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk music, folk and rock music, rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal music, heavy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization (the bending of time), and dynamization (when fixed, ordinary objects dissolve into moving, dancing structures), all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereogum
''Stereogum'' is a daily Internet publication that focuses on music news, reviews, interviews, and commentary. The site was created in January 2002 by Scott Lapatine. ''Stereogum'' was one of the first MP3 blogs and has received several awards and citations, including the PLUG Award for Music Blog of the Year, '' Blender''s Powergeek 25, and '' Entertainment Weekly''s Best Music Websites. The site was named an Official Honoree of the Webby Awards in the music category and won the OMMA Award for Web Site Excellence in the Entertainment/Music category. In 2011, ''Stereogum'' won '' The Village Voice''s Music Blog of the Year. History The site was named after a lyric from the song "Radio #1" by the French electronic duo Air. In late 2006, ''Stereogum'' received an investment from Bob Pittman's private investment entity The Pilot Group. In November 2007, it was purchased by SpinMedia (formerly known as Buzz Media). April 2008 saw the launch of '' Videogum'', a sister site f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Echoes (radio Program)
''Echoes'' is a daily two-hour music radio program hosted by John Diliberto featuring a soundscape of ambient, space, electronica, and new-age music. The program features in-depth artist interviews and intimate "living room" performances. Interview subjects have included Brian Eno, Peter Gabriel, Laurie Anderson, and Philip Glass. Live performers have included Yo-Yo Ma, Pat Metheny, Loreena McKennitt, Steve Roach, Air and many others. ''Echoes'' has produced sixteen CD collections from these and other in-studio performances. Distributed by Public Radio Exchange, Echoes is currently heard on about 80 radio stations. ''Echoes'' can also be heard on the web, with 24/7 streaming and on-demand audio available. ''Echoes'' was created in 1989 by Kimberly Haas and John Diliberto, a music journalist whose works have appeared in ''Billboard'', ''Pulse'', '' Jazziz'', ''Down Beat'', ''Musician'', and '' Amazon.com''. He has also produced Peabody Award-winning documentaries for Nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Lubahn
Douglas Lubahn (December 20, 1947 – November 20, 2019) was an American psychedelic rock and jazz rock bassist who played with internationally famous bands. His work is featured on three albums recorded by The Doors. Brief history In 1965, Lubahn was working in a ski resort in Aspen, Colorado, United States, as a ski instructor, when he ran across Cass Elliot, who was with a group called The Candy Store. As Lubahn and Elliot got to know each other, she encouraged Lubahn to travel to Los Angeles, California, to try to find a band there, because at the time many bands were in need of bassists. Musical career Clear Light In Los Angeles, 1966, Lubahn was a founding member of the band Clear Light. ''Clear Light (album), Clear Light'' was the only album the band created before they split up. Their top song, "Mr. Blue", has been referred to as "long and a bit overbaked, but it does have an odd appeal". A review by Matthew Greenwald stated that they "combined folk, rock, psychedelia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Morrison
James Douglas Morrison (December 8, 1943 – July 3, 1971) was an American singer, songwriter, and poet who was the lead vocalist and primary lyricist of the rock band the Doors. Due to his charismatic persona, poetic lyrics, distinctive voice, and unpredictable performances, along with the dramatic circumstances surrounding his life and early death, Morrison is regarded by music critics and fans as one of the most influential frontmen in rock history. Since his death, his fame has endured as one of popular culture's top rebellious and oft-displayed icons, representing the generation gap and youth counterculture. Together with keyboardist Ray Manzarek, Morrison founded the Doors in 1965 in Venice, California. The group spent two years in obscurity until shooting to prominence with its number-one hit single in the United States " Light My Fire", which was taken from the band’s self-titled debut album. Morrison recorded a total of six studio albums with the Doors, all of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Beaver
Paul Henry Beaver Jr. (August 14, 1925 – January 16, 1975) was an American musician who was a pioneer in popular electronic music, using the Moog synthesizer. From 1967, Beaver collaborated with Bernie Krause as the recording duo Beaver & Krause. Early life and career Born in Columbiana, Ohio, Paul Beaver studied classical music and learned the organ, before acquiring technical knowledge of electronics while serving in the US Navy in World War II. After the war, he played the organ at the Angelus Temple in Los Angeles, made music and special effects for movies such as ''The Magnetic Monster'' (1953), and became a technical consultant to the Hammond Organ Company. He also became a successful session musician, had his own recording studio, and rented out musical instruments from his collection. Work with Bernie Krause Beaver was the electronic half of a 1967 experimental free-form album for Dunhill Records with studio drummer Hal Blaine called ''Psychedelic Percussion''. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moog Synthesizer
The Moog synthesizer ( ) is a modular synthesizer invented by the American engineer Robert Moog in 1964. Moog's company, R. A. Moog Co., produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer and established the analog synthesizer concept. The Moog synthesizer consists of separate modules which create and shape sounds, which are connected via patch cords. Modules include voltage-controlled oscillators, amplifiers, filters, envelope generators, noise generators, ring modulators, triggers and mixers. The synthesizer can be played using controllers including keyboards, joysticks, pedals and ribbon controllers, or controlled with sequencers. Its oscillators produce waveforms, which can be modulated and filtered to shape their sounds ( subtractive synthesis) or used to control other modules ( low-frequency oscillation). Moog developed the synthesizer in response to demand for more practical and affordable electronic music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marimba
The marimba ( ) is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the marimba has a lower range. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass band, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu languages, Bantu origin, deriving from the prefix meaning 'many' and meaning 'xylophone'. The term is akin to kongo languages, Kikongo and Swahili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
