|
Stop-time
In tap dance, tap dancing, jazz, and blues, stop-time is an accompaniment pattern interrupting, or stopping, the meter (music), normal time and featuring regular accent (music), accented attacks on the first beat (music), beat of each or every other bar (music), measure, alternating with rest (music), silence or instrumental solo (music), solos. Stop-time occasionally appears in ragtime music. The characteristics of stop-time are heavy accents, frequent rests, and a stereotyped cadence (music), cadential pattern. Stop-timing may create the impression that the tempo has changed, though it has not, as the soloist continues without accompaniment. Stop-time is common in African-American popular music including R&B, soul music, and led to the development of the break (music), break in Hip hop music, hip hop.Ramsey, Guthrie Jr.Stop-Time! (Fall 1998), ''Colum.edu''. Stop-time is, according to Samuel A. Floyd Jr., "a musical device in which the forward flow of the music stops, or seem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ragtime Dance
"The Ragtime Dance" is a piece of ragtime music by Scott Joplin, first published in 1902. Publication history Although the piece was performed in Sedalia, Missouri on November 24, 1899, it wasn't published until 1902. John Stillwell Stark had planned publishing it in September 1899, but had doubts about the marketability of the piece and delayed publication. When he eventually published it in 1902, at the urging of his daughter, it was a commercial failure. The 1902 arrangement was a short ragtime folk ballet suitable for stage performance, complete with narration and choreography. The narrator recounts a "dark town" ball that took place at 9 p.m. on a Thursday night and included a cakewalk. The choreography is for four couples. Four years later, Stark republished the piece in a piano rag arrangement, stripped of its narration and choreography and substantially shortened. The copyright for this arrangement was registered December 21, 1906. The cover art for the 1906 sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Porter Stomp
"King Porter Stomp" is a jazz standard by pianist Jelly Roll Morton, first recorded in 1923. The composition is considered to be important in the development of jazz.Magee, Jeffrey. "'King Porter Stomp' and the Jazz Tradition", p.46, ''Current Musicology'', 71-73 (Spring 2001-Spring 2002), p. 22-53 It became a hit during the swing era, when it was recorded by Benny Goodman. History According to Jelly Roll Morton, the tune was composed in 1906 and was the first " stomp" in the history of jazz. Morton first recorded the number in 1923 as a piano solo, but did not file a copyright on the tune until 1924. That year, Morton recorded a duet version with Joe "King" Oliver on cornet. Morton said that he had actually written the tune almost 20 years earlier, and that it was named after his friend and fellow pianist Porter King. According to S. Brun Campbell, Morton was having difficulty finishing the piece and sent it to Scott Joplin who was living in St. Louis for help. On July 1, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tap Dance
Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. Tap dancing can also be performed with no musical accompaniment; the sound of the taps is its own music. It is an American artform that evolved alongside the advent of jazz music. Tap is a type of step dance that began with the combination of Southern American and Irish dance traditions, such as Irish soft-shoe and hard-shoe step dances, and a variety of both slave and freeman step dances. The fusion of African rhythms and performance styles with European techniques of footwork led to the creation of tap dance. This fusion began in the mid-17th century but did not become popular until the mid-19th century. There are two major versions of tap dance: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Break (music)
In popular music, a break is an instrumental or percussion instrument, percussion section during a song derived from or related to stop-time – being a "break" from the main section (music), parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-rhythm
In music, a cross-beat or cross-rhythm is a specific form of polyrhythm. The term ''cross rhythm '' was introduced in 1934 by the Musicology, musicologist Arthur Morris Jones (1889–1980). It refers to a situation where the rhythmic conflict found in polyrhythms is the basis of an entire musical piece. Etymology The term "cross rhythm" was introduced in 1934 by the Musicology, musicologist Arthur Morris Jones (1889–1980), who, with Klaus Wachsmann, took-up extended residence in Zambia and Uganda, respectively, as missionaries, educators, musicologists, and museologists. African music One main system African cross-rhythm is most prevalent within the greater Niger-Congo linguistic group, which dominates the continent south of the Sahara Desert. (Kubik, p. 58) Cross-rhythm was first identified as the basis of sub-Saharan rhythm by A.M. Jones. Later, the concept was more fully explained in the lectures of Ewe drumming, Ewe master drummer and scholar C.K. Ladzekpo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for meter (music), temporal organization in Brazilian and Afro-Cuban music, Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, Cuban rumba, rumba, conga (music), conga, son (music), son, mambo (music), mambo, Salsa music, salsa, songo music, songo, timba and Afro-Cuban jazz. The five-drum stroke, stroke clave pattern represents the structural core of many Cuban rhythms. The study of rhythmic methodology, especially in the context of Afro-Cuban jazz, Afro-Cuban music, and how it influences the Music and emotion, mood of a piece is known as clave theory. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop Time Aunt Dinah's Wedding Dance Break Down B
Stop may refer to: Places *Stop, Kentucky, an unincorporated community in the United States * Stop (Rogatica), a village in Rogatica, Republika Srpska, Bosnia and Herzegovina Facilities * Bus stop * Truck stop, a type of rest stop for truck drivers * ''Rail stop'', colloquialism for a railway station Film * ''Stop'', a 1970 American film by Bill Gunn with Marlene Clark, Anna Aries, Edward Michael Bell * ''Stop'', a 1972 French-Canadian film by Jean Beaudin * ''Stop!'', a 2004 Hindi romantic film starring Dia Mirza * ''Stop'' (2015 film) South Korean-Japanese co-production directed by Kim Ki-duk Music * Double stop, the act of playing two notes simultaneously * Organ stop, a component of a pipe organ * Stop (Stockhausen), a composition for orchestra by Karlheinz Stockhausen Albums * ''Stop'' (Don Lanphere album), and the title song, 1983 * ''Stop'' (Eric Burdon Band album), and the title song, 1975 * ''Stop'' (Franco De Vita album), 2004 * ''Stop'' (Plain White ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe ( Lemott, later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American blues and jazz pianist, bandleader, and composer of Louisiana Creole descent. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition " Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote " King Porter Stomp", " Wolverine Blues", " Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth ... Morton's accomplishments as an early innovator are so vast that he did not really n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop Time Aunt Dinah's Wedding Dance Break Down A
Stop may refer to: Places *Stop, Kentucky, an unincorporated community in the United States * Stop (Rogatica), a village in Rogatica, Republika Srpska, Bosnia and Herzegovina Facilities * Bus stop * Truck stop, a type of rest stop for truck drivers * ''Rail stop'', colloquialism for a railway station Film * ''Stop'', a 1970 American film by Bill Gunn with Marlene Clark, Anna Aries, Edward Michael Bell * ''Stop'', a 1972 French-Canadian film by Jean Beaudin * ''Stop!'', a 2004 Hindi romantic film starring Dia Mirza * ''Stop'' (2015 film) South Korean-Japanese co-production directed by Kim Ki-duk Music * Double stop, the act of playing two notes simultaneously * Organ stop, a component of a pipe organ * Stop (Stockhausen), a composition for orchestra by Karlheinz Stockhausen Albums * ''Stop'' (Don Lanphere album), and the title song, 1983 * ''Stop'' (Eric Burdon Band album), and the title song, 1975 * ''Stop'' (Franco De Vita album), 2004 * ''Stop'' (Plain White ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Joplin
Scott Joplin (November 24, 1868 – April 1, 1917) was an American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons. Joplin grew up in a musical family of railway laborers in Texarkana, Texas. During the late 1880s, he traveled the American South as a musician. He went to Chicago for the World's Fair of 1893, which helped make ragtime a national craze by 1897. Joplin moved to Sedalia, Missouri, in 1894 and worked as a piano teacher. He began publishing music in 1895, and his "Maple Leaf Rag" in 1899 brought him fame and a steady income. In 1901, Jopl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
