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Stella (album)
''Stella'' is the fourth studio album by the Swiss electronic band Yello, first released in Germany, Switzerland and Austria on 29 January 1985, and in the UK and US in March 1985. It was the first album made by the band without founder member Carlos Perón, and with his departure the remaining duo of Boris Blank and Dieter Meier began to move away from experimental electronic sounds towards a more commercial synthpop and cinematic soundtrack style. As well as becoming the first album ever by a Swiss group to top the Swiss album chart, it was the band's breakthrough album internationally, helped by the success of the song " Oh Yeah", which gained the band worldwide attention the following year after it was prominently featured in the 1986 film '' Ferris Bueller's Day Off'' and then a year later in '' The Secret of My Success''. Recording Recording took place from mid-1983 to mid-1984 at the band's Yello Studio on the shore of Lake Zurich. Blank had purchased two new synthesizers ...
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Yello
Yello is a Swiss electronic music band, which formed in Zürich in 1979. For most of the band's history, Yello has been a duo consisting of Dieter Meier and Boris Blank; founding member Carlos Perón left in 1983. Their sound is often characterised by unusual music samples and a reliance on rhythm, with Meier as vocalist and lyricist, and Blank providing the music. Among their best known singles are " Oh Yeah" (1985), which has appeared in many films and television shows, including '' Ferris Bueller's Day Off'', '' The Secret of My Success'', '' Uncle Buck'' and ''The Simpsons''; and " The Race" (1988), which peaked at number 7 on the UK Singles Chart. The band has released 14 studio albums since 1980. History The band was formed by Boris Blank (keyboards, sampling, percussion, backing vocals) and Carlos Perón (tapes) in the late 1970s. Dieter Meier (vocals, lyrics), a millionaire investor and gambler, was brought in when the two founders realized that they needed a sin ...
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Lake Zurich
Lake Zurich (, ; ) is a lake in Switzerland, extending southeast of the city of Zurich. Depending on the context, Lake Zurich or can be used to describe the lake as a whole, or just that part of the lake downstream of the Hurden peninsula and Seedamm causeway (between Pfäffikon and Rapperswil). In the latter case, the upstream part of the lake is called '' Obersee'' (), while the lower part is sometimes also referred to as the Lower Lake (), respectively. Geography Lake Zurich is a glacial lake that was formed by the . Its main tributary is the River Linth, which rises in the glaciers of the Glarus Alps. The Linth originally flew directly into Lake Zurich, but was later diverted by the Escher canal (completed in 1811) into Lake Walen () from where its waters are now carried to the east end of Lake Zurich (near Schmerikon) by means of the straightened Linth canal (completed in 1816). Until the early 16th century, there was another lake upstream of ''Obersee'', Lake Tug ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a ...
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Framus
Framus is a German string instrument manufacturing company, that existed from 1946 until 1975. The Framus brand was revived in 1995 as part of Warwick GmbH & Co Music Equipment KG, in Markneukirchen, Germany. The company has offices located in Markneukirchen, Shanghai and Nashville. Timeline * 1946: The foundation of Fränkische Musikinstrumentenerzeugung ("Franconian Musical Instruments Fabrication") by Fred A. Wilfer KG in Erlangen, Germany, to help resettle luthiers displaced from Luby in the Sudetenland). * 1954: A larger factory was built in Bubenreuth, Germany, to house the 300-strong workforce. * 1967: Further expansion saw the building of a second facility in Pretzfeld, Germany. * 1975: The rapidly changing market forced the company to close. * 1995: Framus musical instruments resumed production under Warwick GmbH & Co Music Equipment KG. History Early years Framus originated in the town of Luby (now in the Czech Republic), until 1946 known as Schönbach, whic ...
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Reverberation
In acoustics, reverberation (commonly shortened to reverb) is a persistence of sound after it is produced. It is often created when a sound is reflection (physics), reflected on surfaces, causing multiple reflections that build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 millisecond, ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. ...
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Lexicon (company)
Lexicon is an American company that engineers, manufactures, and markets audio equipment as a brand of Harman International Industries. The company was founded in 1971 with headquarters in Waltham, Massachusetts, and offices in Salt Lake City, Utah. It was acquired by Harman in 1993. Lexicon traces its history to the 1969 founding of American Data Sciences by MIT professor Dr. Francis F. Lee and engineer Chuck Bagnaschi, developers of digital audio devices for medical heart monitoring. History In 1971, Francis F. Lee founded the Lexicon company, based in Waltham, Massachusetts. The company was purchased by Harman in 1993. The company is widely known for the design and development of the multi-speaker audio system for the Rolls-Royce Phantom, as well as the Hyundai Equus and the Kia K900. Professional audio equipment Digital delay systems Lexicon is sometimes credited as the inventor of commercial digital delay products. The first product to market was the popular Gotham D ...
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Vocoder
A vocoder (, a portmanteau of ''vo''ice and en''coder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument ...
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Roland VP-330
The Roland VP-330 is a paraphonic ten-band vocoder and string machine manufactured by Roland Corporation from 1979 to 1980. While there are several string machines and vocoders, a single device combining the two is rare, despite the advantage of paraphonic vocoding, and the VP-330's synthetic choir sounds are unique. Despite the VP-330's electronic string and choir sounds being less realistic than those of the tape-based Mellotron, touring musicians used it as a lighter and more robust alternative. The Roland SVC-350 is a similar vocoder in rack-mount form designed to accept external inputs. Architecture In addition to vocoding and generating string sounds, the VP-330 can also play four different choir sounds, each of which uses four bandpass filters, shared from the same pool of seven total. Like Roland's other string machines of the era, such as the RS-202, it features a BBD-based ensemble effect that thickens the strings, and optionally the choirs and vocoder. Not ...
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Oberheim DMX
The DMX is a programmable Digital data, digital drum machine manufactured by Oberheim Electronics, Oberheim. It was introduced in 1980 at a list price of and remained in the company's product line until the mid-1980s. The Oberheim DMX was the second digital drum machine ever to be sold as a commercial product, following the Linn LM-1, Linn LM-1 Drum Computer in 1980. Its popularity among musicians of the era contributed to the sound and evolution of 1980s New wave music, new wave, synth-pop and Hip hop music, hip hop music. Background Immediately following the success of the Linn LM-1, other manufacturers began to develop and release drum machines intended to compete with the LM-1's ease of programmability and realistic sound quality. The DMX featured sampled sounds of real drums, as well as individual tuning controls for each drum voice and a swing function. In addition, it boasted several humanizing elements such as rolls, flams, and timing variations that were meant to mimic ...
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Linn LM-1
The Linn LM-1 Drum Computer is a drum machine manufactured by Linn Electronics and released in 1980. It was the first drum machine to use samples of acoustic drums, and one of the first programmable drum machines. Its designer, the American engineer Roger Linn, wanted a machine that would produce more realistic drum sounds and offer more than preset patterns. The LM-1 became a staple of 1980s pop music and helped establish drum machines as credible tools. It appeared on records by artists including the Human League, Gary Numan, Mecano, Icehouse, Michael Jackson, Queen, Tears For Fears and particularly Prince. The LM-1 was also used by Mike O'Donnell and Junior Campbell in the original theme song for Thomas & Friends. The LM-1 was succeeded in 1982 by the LinnDrum. Development The LM-1 was designed by the American engineer and guitarist Roger Linn in the late 1970s. Linn was dissatisfied with drum machines available at the time, such as the Roland CR-78, and wanted a mac ...
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ARP Odyssey
The ARP Odyssey is an analog circuit, analog synthesizer introduced by ARP Instruments in 1972. History ARP developed the Odyssey as a direct competitor to the Minimoog, Moog Minimoog and an answer to the demand for more affordable, portable, and less complicated "performance" synthesizers. ARP produced several versions of the Odyssey from 1972 to 1980. In early 2015, Korg reissued the Odyssey in cooperation with the original designer and ARP co-founder, David Friend. Design The Odyssey is a two-oscillator analog synthesizer, and one of the first with Polyphony and monophony in instruments#Duophonic, duophonic capabilities (the ability to play two notes at the same time). All parameters, including a resonant low-pass filter, a non-resonant high-pass filter, ADSR envelope, ADSR and AR envelopes, a sine and square wave LFO, and a sample-and-hold function are controllable with sliders and switches on the front panel. Features *Switchable between sawtooth, square, and pulse wave ...
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Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest electronic music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History : 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, '' Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, ...
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