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StarDance (Czech Season 2)
The second season of '' StarDance (Czech Republic)'' debuted on Česká televize on November 3, 2007. Eight celebrities were paired with eight professional ballroom dancers. Marek Eben and Tereza Kostková were the hosts for this season. Couples The ten professionals and celebrities that competed were: Scoring Chart : indicate the lowest score for each week. : indicate the highest score for each week. : indicates the winning couple. : indicates the runner-up couple. : this couple withdrew from the competition Average score chart This table only counts for dances scored on a 40-point scale. Highest and lowest scoring performances The best and worst performances in each dance according to the judges' 40-point scale are as follows: Couples' highest and lowest scoring dances Scores are based upon a potential 40-point maximum. Dance chart The celebrities and dance partners danced one of these routines for each corresponding week: * Week 1: Cha-cha-cha or waltz * Week 2: Rum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleš Valenta
AleÅ¡ Valenta () (born 6 February 1973 in Å umperk, Czechoslovakia) is a former Czech freestyle skier who participated in aerials. On February 19, 2002, he won the Winter Olympics gold medal in the freestyle aerials competition where he succeeded to perform the first triple back flip with five twists in the world. He operates the freestyle skiing centre in the town of Å tÃty. In December 2007 Valenta won the second The second (symbol: s) is a unit of time derived from the division of the day first into 24 hours, then to 60 minutes, and finally to 60 seconds each (24 × 60 × 60 = 86400). The current and formal definition in the International System of U ... season of StarDance with his professional partner Iva Langerová. References External links * OfficiaWeb site* OfficiaWeb siteon Ales Valenta Acrobat Park *Profile on Czech Olympic Committee's Web site 1973 births Freestyle skiers at the 1998 Winter Olympics Freestyle skiers at the 2002 Winter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quickstep (dance)
The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing. History The quickstep evolved in the 1920s from a combination of the foxtrot, Charleston, shag, peabody, and one-step. The dance is English in origin and was standardized in 1927. While it evolved from the foxtrot, the quickstep now is quite separate. Unlike the modern foxtrot, the leader often closes his feet, and syncopated steps are regular occurrences (as was the case in early foxtrot). Three characteristic dance figures of the quickstep are the chassés, where the feet are brought together, the quarter turns, and the lock step.Silvester, Victor 1982. ''Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba (ballroom Dance)
The international ballroom version of samba is a lively, rhythmical dance. It differs considerably from the original samba styles of Brazil; in particular, it differs from Samba de Gafieira, a partner type of Samba in that country. Technique The ballroom samba is a partner dance file:Tanzturnier 28.JPG, Ballroom dancers performing the tango. file:dance-At-Bougival.jpg, upPartner dance, ''Dance at Bougival'' by Pierre-Auguste Renoir, 1883 Partner dances are dances whose basic choreography involves coordinated dancing of t .... The ballroom samba is danced to music in or time. For dance competitions and examinations, the recommended tempo is 48-56 bars per minute. It uses several different rhythmic patterns in its figures, with cross-rhythms being a common feature. Thus, for three-step patterns, common step values (in beats) are: When danced certain rhythms from the above, the dance features a bouncing action, with body elevation occurring at the last 1/4beat of the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paso Doble
Pasodoble (Spanish language, Spanish: ''double step'') is a fast-paced Spanish military march used by infantry troops. Its speed allowed troops to give 120 steps per minute (double the average of a regular unit, hence its name). This often was accompanied by a marching band, and as a result of that, the military march gave rise to a modern Spanish musical genre and partner dance form. Both voice and instruments, as well as the dance then began to develop and be practiced independently of marches, and also gained association with bullfighting due to the genre being popular as an instrumental music performed during Bullfighting, bullfights. Both the dance and the non-martial compositions are also called pasodoble. Structure All pasodobles have binary rhythm. Its musical structure consists of an introduction based on the dominant chord of the piece, followed by a first fragment based on the main tone and a second part, called "the trÃo", based on the sub-dominant note, based ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slowfox
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tango (dance)
Tango is a partner dance and social dance that originated in the 1880s along the RÃo de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world. On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. History Tango is a dance that has influences from African and European culture. Dances from the Candombe ceremonies of former African enslaved people helped shape the modern day tango. The dance originated in working-class districts of Buenos Aires and Montevideo. Tango music deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jive (dance)
The jive is a dance style that originated in the United States from African Americans in the early 1930s. The name of the dance comes from the name of a form of African-American vernacular slang, popularized in the 1930s by the publication of a dictionary by Cab Calloway, the famous jazz bandleader and singer. In competition ballroom dancing, the jive is often (mistakenly) grouped with the Latin-inspired ballroom dances, though its roots are based more on swing dancing than Latin dancing. History To the players of swing music in the 1930s and 1940s, jive was an expression denoting glib or foolish talk. American soldiers brought Lindy Hop The Lindy Hop is an American dance which was born in the African-American communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of .../ jitterbug to Europe around 1940, where this dance swiftly found a following among the yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and ballroom dance, dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga (music), conga and Cuban rumba, rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music (genre), Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor Talking Machine Company, Victor, be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz (dance)
The waltz ( , meaning "to roll or revolve") is a ballroom and folk dance, in triple ( time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. History There are many references to a sliding or gliding dance, including ''volte'', that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Česká Televize
Czech Television ( ; abbreviation: ČT) is a public television broadcaster in the Czech Republic, broadcasting six channels. Established after breakup of Czechoslovakia in 1992, it is the successor to Czechoslovak Television founded in 1953. History 1953–1992: Czechoslovak Television Founded on 1 May 1953, Czechoslovak Television (ČST) was the state television broadcaster of Czechoslovakia used as a state propaganda medium of the then socialist state. It was known by three names over its lifetime: , (until 1990), and (from 1990 until 1992). ČST originally consisted of a single channel and limited experimental broadcasting in 1953. Regular broadcasts began on 25 February 1954 and on 10 May 1970, a second channel was launched. The broadcast language of ČST was predominantly Czech in the first channel, Slovak for selected programming, and both for news. The second channel was split into two, broadcasting various "national" language programming in the two parts of the cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha) is a dance of Cuban origin. It is danced to cha-cha-cha music introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance. In the early 1950s, Enrique JorrÃn worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. JorrÃn noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, JorrÃn began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopated. When Orquesta América performed these new compositions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatiana Vilhelmová
Tatiana (or Tatianna, also romanized as Tatyana, Tatjana, Tatijana, etc.) is a female name of Sabine-Roman origin that became widespread in Eastern Europe. Origin Tatiana is a feminine, diminutive derivative of the Sabine—and later Latin—name Tatius. King Titus Tatius was the name of a legendary ruler of the Sabines, an Italic tribe living near Rome around the 8th century BC. After the Romans absorbed the Sabines, the name Tatius remained in use in the Roman world, into the first centuries of Christianity, as well as the masculine diminutive Tatianus and its feminine counterpart, Tatiana. While the name later disappeared from Western Europe including Italy, it remained prevalent in the Hellenic world of the Eastern Roman Empire, and later spread to the Byzantine-influenced Orthodox world, including Russia. In that context, it originally honoured the church Saint Tatiana, who was tortured and martyred in the persecutions of the Roman Emperor Alexander Severus, c. 23 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
