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Staatsoper Hamburg
The Hamburg State Opera (in German: ) is a German opera company based in Hamburg. Its theatre is near the square of Gänsemarkt. Since 2015, the current ''Intendant'' of the company is Georges Delnon, and the current ''Generalmusikdirektor'' of the company is Kent Nagano. History Opera in Hamburg dates to 2 January 1678 in music, 1678 when the Oper am Gänsemarkt was inaugurated with a performance of a biblical Singspiel by Johann Theile. It was not a court theatre but the first public opera house in Germany established by the art-loving citizens of Hamburg, a prosperous member of the Hanseatic League. The Hamburg ''Bürgeroper'' resisted the dominance of the Italianate style and rapidly became the leading musical center of the German Baroque. In 1703, George Friedrich Handel was engaged as violinist and harpsichordist and performances of his operas were not long in appearing. In 1705, Hamburg gave the world première of his opera ''Handel's lost Hamburg operas, Nero''. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg
Hamburg (, ; ), officially the Free and Hanseatic City of Hamburg,. is the List of cities in Germany by population, second-largest city in Germany after Berlin and List of cities in the European Union by population within city limits, 7th-largest in the European Union with a population of over 1.9 million. The Hamburg Metropolitan Region has a population of over 5.1 million and is the List of EU metropolitan areas by GDP, eighth-largest metropolitan region by GDP in the European Union. At the southern tip of the Jutland Peninsula, Hamburg stands on the branching River Elbe at the head of a estuary to the North Sea, on the mouth of the Alster and Bille (Elbe), Bille. Hamburg is one of Germany's three city-states alongside Berlin and Bremen (state), Bremen, and is surrounded by Schleswig-Holstein to the north and Lower Saxony to the south. The Port of Hamburg is Germany's largest and Europe's List of busiest ports in Europe, third-largest, after Port of Rotterdam, Rotterda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; ; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire at the time, he gained prominence at the House of Habsburg, Habsburg court in Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them ''Orfeo ed Euridice'' and ''Alceste (Gluck), Alceste'', he broke the stranglehold that Metastasio, Metastasian ''opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions of Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sancta Susanna
''Sancta Susanna'' is an early opera by Paul Hindemith in one act, with a German libretto by August Stramm. Composed over a two-week period in January/February 1921, its premiere was on 26 March 1922, at the Oper Frankfurt. The work is his third and final in a triptych of expressionist-influenced one-act operas – the previous two being op. 12 (1921), and op. 20 (1921) – and much like the previous works, scandalised Frankfurt's concert-going public, affording the young composer heightened critical attention and notoriety. Background ''Sancta Susanna'' examines the relationship between celibacy and lust in Christianity, depicting the descent of a nunnery into sexual frenzy. Hindemith around this time in his career has often been regarded as "a twenty-four-year-old dabbling in the realm of German expressionism", and although it cannot be described as a fully fledged work of expressionism, the opera undoubtedly shows a significant reflexivity on the composer's part to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hindemith
Paul Hindemith ( ; ; 16 November 189528 December 1963) was a German and American composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (New Objectivity) style of music in the 1920s, with compositions such as ''Kammermusik (Hindemith), Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), Das Unaufhörliche (1931), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler (opera), Mathis der Maler'' (1938), the ''Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd (Hindemith), When Lilacs Last in the Dooryard Bloom'd'' (1946), a requiem based on When Lilacs Last in the Dooryard Bloom'd, Walt Whitman's poem. Hindem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic music, Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the Modernism (music), modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi Germany, Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Kingdom of Bohemia, Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the University of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Von Bülow
Freiherr Hans Guido von Bülow (; 8 January 1830 – 12 February 1894) was a German conductor, pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States. Life and career Bülow was born in Dresden into the old and prominent House of Bülow. He was the son of novelist (1803–1853) and his wife, Franziska Eli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), whereby he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like Aria, arias and Recitative, recitatives. He described this vision in a List of prose works by Richard Wagner, series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the . The composer termed the cycle a "" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * '' Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * ''Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them without having watched the previous parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard Pollini
Bernhard Pollini, real name Baruch Pohl, (16 December 1838 – 26 November 1897) was a German operatic tenor, and opera director. Life Born in Cologne, Pollini came from a strictly Jewish family living in very modest circumstances and was actually called Baruch Pohl. He attended grammar school and then worked for a merchant before he made his debut in 1857 in his native town as ''Lord Arturo Talbo'' in the opera ''I puritani'' by Bellini. He changed to baritone and in the autumn of 1865, he joined an Italian opera company of which he became impresario. This was the beginning of his career as one of the most important opera directors of his time. He sang at the Anhaltisches Theater and in the years 1860 and 1861 at the Latvian National Opera. In 1864, he became director of the Lviv Theatre of Opera and Ballet and then went to St Petersburg and Moscow for a few years, where he was chief impresario of the Italian Opera. In 1874, he became director of the Hamburg State Opera and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gründerzeit
The (; ) was a period of Economic history of Europe (1000 AD–present), European economic history in mid- and late-19th century German Empire, Germany and Austria-Hungary between Industrialization in Germany, industrialization and the great Panic of 1873, stock market crash of 1873. Its name is derived from the many Incorporation (business), incorporations of companies that occurred in the years between the Franco-Prussian War and the panic of 1873. The term also refers to a cultural and architectural era which began in the mid-19th century and lasted until 1914. ''Gründerzeit'' architecture is closely associated with Historicism (art), historicism, and occupies a prominent place in many Central European cities due to 19th-century urbanization. Periodization Social and Economic History The years constituting the economic ''Gründerzeit'' are not universally agreed-upon. In the most narrow sense, the term refers to the two years following the founding of the German Empi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egmont (play)
''Egmont'' is a play by Johann Wolfgang von Goethe, which he completed in 1788. Its dramaturgical structure, like that of his earlier play ''Götz von Berlichingen'' (1773), is heavily influenced by Shakespearean tragedy. In contrast to the earlier work, the portrait in ''Egmont'' of the downfall of a man who trusts in the goodness of those around him appears to mark a shift away from themes. The play was set to music by Beethoven in 1810. Publication The first edition was published in Leipzig, by Georg Joachim Göschen in 1788. Further editions were published in Leipzig in 1788, 1789, 1790, 1803 and at regular intervals thereafter. The play was translated into French in 1822, and into English by Anna Swanwick in 1850, published in Bohn's Standard Library. Plot In ''Egmont'', Goethe relates the fight of Count Egmont (1522–1568) in the Eighty Years' War against the despotic Duke of Alba. Egmont is a famous Dutch warrior and the Duke of Alba represents the Spanish invade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
