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Sri Tyagaraja
Sri Tyagaraja is a rāgam in Carnatic music(musical scale of South Indian classical music) created by music composer who has created many ragas, Which is named after saint Tyagaraja of Tiruvaiyaru. It is the Janya raga of 59th ''Melakarta'' rāgam Dharmavati in the 72 ''melakarta'' rāgam system of Carnatic classical music. Mahesh Mahadev introduced this raga to Indian classical music by composing Carnatic kritis & viruttams. Sri Tyagaraja raga is an asymmetrical and does not contain dhaivatham in both ascending and descending of the scale, The gamakas of this raga emotes bhakti and karuna rasa. Mahesh Mahadev has also introduced this new rāgam to Hindustani music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' .... Structure and Lakshana Sri Tyagaraja is an asymmetric r� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyagaraja
Sadguru Tyagaraja Swami ( Telugu: సద్గురు త్యాగరాజ స్వామి; 4 May 1767 – 6 January 1847), also known as Tyagayya, and in full as Kakarla Tyagabrahmam ( Telugu: కాకర్ల త్యాగబ్రహ్మం), was a Hindu saint and composer of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Tyagaraja composed hundreds of devotional compositions, most in Telugu and in praise of Rama, many of which remain popular today. Of special mention are five of his compositions called the '' Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour. Tyagaraja composed ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals and Divya Nama Sankeertanas ( Divine name compositions) which are sung as a part of concerts and in daily life. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiruvaiyaru
Thiruvaiyaru (also spelled as Tiruvaiyaru or Tiruvayyaru) is a Municipality in Thanjavur District in the Indian state of Tamil Nadu. Etymology Thiruvaiyaru means ''Five Rivers around the city''. The Five Rivers are Vadavaar, Vennaar, Vettaar, Kudamurutti and Kaveri. On the highway from Thanjavur, you pass five bridges over the Vadavar, Vettar, Vennar, Kudamurutti and Kaveri, the five rivers from which Thiruvaiyaru gets its name (thiru = sacred; ai(ndhu) = five; aaru = river) History The vast temple in this town, known as "Dakshina Kailasam" (Southern abode of Siva), built in an area of approximately 60,000 square meters, has five ''prakaram'' (outer precincts used for religious purposes) and many 'mandapams' (great halls). Several inscriptions in the temple affiliates the temple to the Cholas, Pandyas, and other rulers. Karikala Chola, Rajaraja the Great, Jatavarman Sundara Pandyan, and Krishna Devarayar are associated with Thiruvaiyaru. The temple has two distinct di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be derived. A ''melakarta'' raga is sometimes referred as ''mela'', ''karta'' or ''sampurna'' as well, though the latter usage is inaccurate, as a ''sampurna'' raga need not be a ''melakarta'' (take the raga ''Bhairavi,'' for example). In Hindustani music the '' thaat'' is the rough equivalent of ''Melakartā''. There are 10 ''thaats'' in Hindustani music, though the commonly accepted ''melakarta'' scheme has 72 ragas. Rules for ''Mēḷakarta'' ragas Ragas must contain the following characteristics to be considered ''Melakarta'': *They are '' sampurna ragas'' – they contain all seven '' swaras'' (notes) of the octave in both ascending and descending scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''A practical course i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmavati
Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ''Dhaamavati'' in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Madhuvanti'' is the nearest Hindustani music scale to ''Dharmavati''. Raga Dharmavati was introduced in Hindustani music in vocal style for the first time by late Pandit Samaresh Chawdhury ( disciple of Pandit Ravi Shankar) Structure and Lakshana It is the 5th rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Ma''. The mnemonic phrase is ''sa ri gi mi pa dhi nu''. Its structure (ascending and descending scale) is as follows (see ''Swara#Svaras in Carnatic music, swaras in Carnatic music'' for details on below notation and terms): *Arohana, : *Avarohana, : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmavati Scale
Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ''Dhaamavati'' in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Madhuvanti'' is the nearest Hindustani music scale to ''Dharmavati''. Raga Dharmavati was introduced in Hindustani music in vocal style for the first time by late Pandit Samaresh Chawdhury ( disciple of Pandit Ravi Shankar) Structure and Lakshana It is the 5th rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Ma''. The mnemonic phrase is ''sa ri gi mi pa dhi nu''. Its structure (ascending and descending scale) is as follows (see ''Swara#Svaras in Carnatic music, swaras in Carnatic music'' for details on below notation and terms): *Arohana, : *Avarohana, : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arohana
Arohana, Arohanam, Aroh or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we go up from Shadja (Sa) to the Taar Shadja (Sa), possibly in a crooked (vakra) manner. Scale In Hindustani classical music, the ascending scale's notes are S R G M P D and N. Lower forms of notes are written in lower case, like r g m d n (S and P are fixed notes), while the first scale given above is that of higher form of the notes. The English notes C D E F G A and B correspond to S R G M P D and N, when C is taken as the tonal note (S is sung at C). In Carnatic music, the ascending scale's notes for the variant notes R G M D and N have a subscript number indicating the specific variant (see examples below). Examples In Multani, the aroha is 'N S g M P N S' (lowercase notes are the lower forms, while uppercase notes are the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avarohana
An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch from the upper tonic (taar shadja or Sa) down to the lower tonic, possibly in a crooked (vakra) manner. Examples In raga Darbari, an Asavari-thaat raga with vadi-samvadi The samavadi or samvadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the ''Vadi (Hindustani classical music), vadi''; the vadi and samavadi are i ... R-P, the avroha is R' n S' d~ n P, m P g~ m R S, with andolan on the dhaivat and gandhar. In Malahari, which is '' janya'' raga of 15th '' melakarta'' Mayamalavagowla, the avarohana is ''S D1 P M1 G2 R1 S''. See swaras in Carnatic music for description of this notation. In Sahana, a ''janya'' raga of 28th ''melakar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priyadarshini (singer)
Priyadarshini Ram, also known as Priyadharshi Ram or mononymously as Priyadarshini, is a Singaporean-Indian playback singer who has performed in more than 180 movies in the Tamil, Kannada, Telugu and Hindi cinema industries. She has also sung more than 800 songs for devotional and private albums in 10 languages. She began her career as a playback singer by performing a duet song with Hariharan for the Tamil film '' Kadhal Dot Com'', released in 2004. She made her debut in Kannada Films through the movie Ajju for Rajesh Ramanath music. She also sang in Telugu Cinema for D Imman and sang background vocals in the Hindi film ''Garam Masala'' starring Akshay Kumar. Later she sung a duet with S. P. Balasubrahmanyam in the Kannada movie ''Rocky in 2008''. She has worked with music directors such as Bharadwaj, D. Imman, Hamsalekha, Mano Murthy, Gurukiran, R. P. Patnaik, Rajesh Ramnath, K. Kalyan, and S. A. Rajkumar, Mahesh Mahadev, M. N. Krupakar, Ravish and has also r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jyotsna Srikanth
Jyotsna Srikanth is an Indian-British violinist and composer, performing Carnatic music and Western classical music. Early life Srikanth was born into an Andhra musical family in Bangalore, India. Her mother, Ratna Srikantaiah, is a Carnatic musician and teacher. Musical life Training Srikanth's music training began with Carnatic vocals at age five under her mother. It was a rigorous programme of coaching, with practice for six hours daily, and the attendance of concerts during the festival periods. At the age of six, she attended a violin performance by the virtuoso Kunnakudi Vaidyanathan, which sparked her own interest in the instrument. She began training under R. R. Keshavamurthy, a doyen of classical Indian violin. Her first solo concert was at the age of nine. Srikanth recognised the necessity of learning the western classical style of violin, and began her training in this genre at the Bangalore School of Music. For more advanced training, she went to Chennai to stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
