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Spunky (Monty Alexander Album)
''Spunky'' is a studio album released by Monty Alexander in 1965 on Pacific Jazz LP record ST-20094 (stereo) and PJ-10094 (mono). Track listing Personnel * Monty Alexander: piano (all tracks) * Victor Gaskin: bass (all but 4, 6) * Paul Humphrey: drums (all but 4, 6) * Bob Cranshaw Melbourne Robert Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long associa ...: bass (tracks 4, 6) * Bruno Carr: drums (tracks 4, 6) * Gene Bertoncini: guitar (tracks 4, 6) * Scott Turner: guitar (track 9) References {{Authority control 1965 albums Monty Alexander albums Pacific Jazz Records albums ...
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Monty Alexander
Montgomery Bernard "Monty" Alexander (born 6 June 1944) is a Jamaican jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies. He was influenced by Louis Armstrong, Duke Ellington, Erroll Garner, Nat King Cole, Oscar Peterson, Ahmad Jamal, Les McCann, and Frank Sinatra. Alexander also sings and plays the melodica. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes. Monty's recording career has covered many of the well-known American songbook standards, jazz standards, pop hits, and Jamaican songs from his original homeland. Alexander has resided in New York City for many years and performs frequently throughout the world at jazz festivals and clubs. Biography Alexander was born on 6 June 1944 in Kingston, Jamaica. He discovered the piano when he was four years old and seemed to have a knack for picking melodies out by ear. His ...
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Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/ hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including " Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackso ...
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1965 Albums
Events January–February * January 14 – The Prime Minister of Northern Ireland and the Taoiseach of the Republic of Ireland meet for the first time in 43 years. * January 20 ** Lyndon B. Johnson is sworn in for a full term as President of the United States. ** Indonesian President Sukarno announces the withdrawal of the Indonesian government from the United Nations. * January 30 – The state funeral of Sir Winston Churchill takes place in London with the largest assembly of dignitaries in the world until the 2005 funeral of Pope John Paul II. * February 4 – Trofim Lysenko is removed from his post as director of the Institute of Genetics at the Academy of Sciences in the Soviet Union. Lysenkoist theories are now treated as pseudoscience. * February 12 ** The African and Malagasy Common Organization ('; OCAM) is formed as successor to the Afro-Malagasy Union for Economic Cooperation ('; UAMCE), formerly the African and Malagasy Union ('; UAM). * Febr ...
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Gene Bertoncini
Gene J. Bertoncini (born 6 April 1937) is an American jazz guitarist. Biography Bertoncini was born in New York City, where he was raised in a musical family. His father, Mario Bertoncini (1901–1978), played guitar and harmonica. Gene began playing guitar at age seven and by age sixteen was appearing on television. He graduated from high school and attended the University of Notre Dame, where, in 1959, he earned a Bachelor of Science degree in Architectural Engineering.Summerfield, Maurice. 1998. ''The Jazz Guitar: Its Evolution, Players and Personalities Since 1900''. United Kingdom: Ashley Mark Publishing Early in life, Bertoncini had lessons with Bob Scilingo and Johnny Smith. After college Bertoncini moved to Chicago where he became immersed in the jazz scene, working with Carmen McRae. He returned to New York and played with vibraphonist Mike Mainieri and then played in one of Buddy Rich's ensembles. Bertoncini's career has included playing with Benny Goodman, Wayne Sh ...
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Bob Cranshaw
Melbourne Robert Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album ''The Bridge''. Cranshaw died at the age of 83 on November 2, 2016, in Manhattan, New York, from Stage IV cancer. Discography As sideman With Pepper Adams *'' Pepper Adams Plays the Compositions of Charlie Mingus'' (Workshop Jazz, 1964) With Nat Adderley *'' Little Big Horn!'' ( Riverside, 1963) *'' Sayin' Somethin''' (Atlantic, 1966) With Eric Alexander *''Second Impression'' (HighNote, 2016) With Mose Allison *''Hello There, Universe'' (Atlantic, 1970) With Gene Ammons *''Gene Ammons and Friends at Montreux'' ( Prestige ...
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Paul Humphrey
Paul Nelson Humphrey (October 12, 1935 – January 31, 2014) was an American jazz and R&B drummer. Biography Humphrey was born in Detroit and began playing drums at age 8, taking private lessons in Detroit. In high school he played baritone horn, trombone and drums in the school band. Upon graduation he entered the U.S. Navy and studied under Kenneth J. Abendschein, touring the world and playing with many jazz figures of 1950s.Paul Humphrey Sextet liner notes After discharge from the service, he worked as a session drummer in New York for Wes Montgomery, John Coltrane, Les McCann, Kai Winding, Jimmy Smith, Charles Mingus, Joe Williams, Lee Konitz, Blue Mitchell, Gene Ammons and the Harry James Band (replacing Buddy Rich). He later moved to Los Angeles and joined the Harry "Sweets" Edison group with Tommy Flanagan and Frank Delarossa. He recorded with Larry Williams and Johnny "Guitar" Watson and toured and recorded with Marvin Gaye, The Four Tops, The Supremes, Tony Orla ...
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Victor Gaskin
Roderick Victor Gaskin (November 23, 1934 – July 14, 2012) was an American jazz bassist. Gaskin was born in The Bronx, New York and moved to Los Angeles in 1962. He started playing with Paul Horn and Red Mitchell and went on to become one of many bass players for the Jazz Crusaders. He also recorded with Curtis Amy and Dupree Bolton, before becoming a part of the West Coast jazz scene, accompanying Buddy Collette, Shelly Manne, and Bud Shank. Between 1966 and 1970, he was a member of Cannonball Adderley's groups, and in 1970 recorded with Duke Ellington's octet, quintet, quartet and trio. He started playing with the Billy Taylor Trio in the late 1970s, continuing until 1993, as well as with Johnny Hartman and Hank Jones. Between 1994 and 2001 Victor Gaskin was in Singapore and performed regularly at The Four Seasons Hotel with Boni de Souza & Friends for the iconic Sunday Jazz Brunch. They were pioneers of the Sunday Jazz Brunch scene in Singapore, setting the trend fo ...
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Scott Turner (songwriter)
Scott Turner (born Graham Morrison Turnbull; August 23, 1931 – February 9, 2009) was a Canadian composer, producer, musician and publisher, who had an illustrious career in the music industry spanning over 50 years composing songs with Buddy Holly, Audie Murphy, Herb Alpert, John Marascalco and many others. Life and career Early life Turner was born in Sydney, Nova Scotia, Canada, to Allison and Evelyn ( Peters) Turnbull. At the age of 19, he qualified for the All Canadian Track Team, and would continue to compete for Canada from 1950–1956, winning two Canadian long jump championships and representing Canada in the long jump at the 1954 British Empire Games in Vancouver. In 1952, at the age of 21, he moved to the U.S. and enrolled in the University of Dubuque, Iowa. He received a Bachelor of Arts and Science degree from the University of Dubuque in 1955. While recuperating from a serious sporting injury, Turner taught himself to play guitar—a skill that would soon change t ...
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including "Moon River", " Days of Wine and Roses", " Autumn Leaves", and " Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream.
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I'm An Old Cowhand (From The Rio Grande)
"I'm an Old Cowhand (From the Rio Grande)" is a comic song written by Johnny Mercer for the Paramount Pictures release '' Rhythm on the Range'' and sung by its star, Bing Crosby. The Crosby commercial recording was made on July 17, 1936, with Jimmy Dorsey & his Orchestra for Decca Records. It was a huge hit in 1936, reaching the No. 2 spot in the charts of the day, and it greatly furthered Mercer's career. Crosby recorded the song again in 1954 for his album '' Bing: A Musical Autobiography''. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. Background Mercer and his wife were driving across the US en route to his hometown, Savannah, Georgia, after having apparently failed to succeed in Hollywood. Mercer was amused by the sight of cowboys, with spurs and ten-gallon hats, driving cars and trucks instead of riding horses. Singing cowboys were popular in films and on the radio then, and within 15 minutes, writing on the back of an ...
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Whisper Not (song)
"Whisper Not" is a composition by Benny Golson. It is in a minor key and contains a shout chorus (a special chorus between the final solo and the closing head). Golson's account of writing the piece is that "I wrote it in Boston at George Wein's Storyville club when I was with Dizzy Gillespie's big band. I wrote that tune in 20 minutes." Some sources indicate that the first recording was by Gillespie, while others indicate that trumpeter Lee Morgan was first. It quickly became popular with other musicians: Thad Jones and Morgan recorded their own versions before its composer had the chance to record it with his own group.Gioia, Ted (2012) ''The Jazz Standards: A Guide to the Repertoire'', p. 459. Oxford University Press. Golson's early version was on his 1957 album ''Benny Golson's New York Scene''. By 1960, John S. Wilson, critic at ''The New York Times'', had labelled the song, together with another Golson composition, " I Remember Clifford", "an established part of the jazz re ...
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Hard Bop
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing. David H. Rosenthal contends in his book ''Hard Bop'' that the genre is, to a large degree, the natural creation of a generation of African-American musicians who grew up at a time when bop and rhythm and blues were the dominant forms of black American music. Prominent hard bop musicians included Horace Silver, Clifford Brown, Charles Mingus, Art Blakey, Cannonball Adderley, Miles Davis, John Coltrane, Hank Mobley, Thelonious Monk and Lee Morgan. Musical style Hard bop is sometimes referred to as "funky hard bop". The "funky" label refers to the rollicking, rhythmic feeling associated with the style. The descriptor is also used to describe soul jazz, which is common ...
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