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Split Edit
A split edit, is a transition from one shot to another in film or video, where transition of the audio and video happen at different times. This is often done to enhance the aesthetics or flow of the film, allowing the audience to see context—either before or after—of speaking rather than simply the speaking itself. Without split edit, a conversation between two people can feel like a tennis match. Split edits are also used to hide transitions between scenes. They can be very effective in editing dialogue scenes shot with a single camera using multiple takes. The ability to cut the picture/video separately from the sound/audio allows the sound from the various takes to flow smoothly, even though the picture cuts are at different places. In longer shots, this allows the editor to use the picture from one take with the sound from another take if the dialogue reading is better. Traditionally, split edits have been described as ''overlapping the sound'', not to be confused with ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film togeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-linear Editing System
Non-linear editing is a form of offline editing for audio, video, and image editing. In offline editing, the original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video and audio, or a directed acyclic graph for still images, is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited. A non-linear editing system (NLE) is a video editing (NLVE) program or application, or an audio editing (NLAE) digital audio workstation (DAW) system. These perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L Cut
An L cut is a variant of a split edit film editing technique in which the audio from preceding scene overlaps the picture from the following scene, so that the audio cuts after the picture, and continues playing over the beginning of the next scene. The name of the cut refers to the shape of audio and video pieces of the second of two scenes cut together when it was done on analog film and this technique has been applied since sound film first appeared. See also * J cut * Jump cut * Match cut * Split edit A split edit, is a transition from one shot to another in film or video, where transition of the audio and video happen at different times. This is often done to enhance the aesthetics or flow of the film, allowing the audience to see context—e ... References Cinematography Cinematic techniques Film editing {{filmmaking-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J Cut
A J cut is a variant of a split edit film editing technique in which the audio from a following scene overlaps the picture from the preceding scene, so that the audio portion of the later scene starts playing before its picture as a lead-in to the visual cut. Also called an ''audio lead'' or ''audio advance''. The name of the cut refers to the shape of audio and video pieces of the second of two scenes cut together when it was done on analog film. This technique has been applied since sound film first appeared. See also * Film transition * Jump cut * L cut * Match cut * Split edit * Prelap Prelap is a screenwriting term that means the dialogue Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an ... References Cinematography Cinematic techniques Film editing {{filmmaking-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Salt
Barry Salt (born 15 December 1933 in Melbourne, Australia) is an Australian film historian. Biography Salt was a ballet dancer and member of the Ballet Guild Company of Melbourne in 1955 and 1956, the Western Theatre Ballet of London in 1957, and the Ballet Minerva of London in 1966. Salt holds a PhD in theoretical physics and taught the subject at Sir John Cass College in London in the late 1960s. Throughout the 1970s, he taught filmmaking at the Royal College of Art, Goldsmiths College, and the Slade School. Salt became a course director at the London Film School in 1988, a position he still holds. Salt worked throughout the late 1960s and 1970s as a freelance lighting cameraman The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the ch ... and has directed six documentaries, but is mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Match Cut
In film, a match cut is a cut from one shot to another where the composition of the two shots are matched by the action or subject and subject matter. For example, in a duel a shot can go from a long shot on both contestants via a cut to a medium closeup shot of one of the duellists. The cut matches the two shots and is consistent with the logic of the action. This is a standard practice in film-making, to produce a seamless reality-effect. Wider context Match cuts form the basis for continuity editing, such as the ubiquitous use of match on action. Continuity editing smooths over the inherent discontinuity of shot changes to establish a logical coherence between shots. Even within continuity editing, though, the match cut is a contrast both with cross-cutting between actions in two different locations that are occurring simultaneously, and with parallel editing, which draws parallels or contrasts between two different time-space locations. A graphic match (as opposed to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump Cut
A jump cut is a cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subject in the remaining pieces of footage of the sequence should vary only slightly in order to achieve the effect. It is a manipulation of temporal space using the duration of a single shot, and fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's ''Breathless'', which made extensive use of jump cuts and popularized the technique during the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes nonetheless used for creative purposes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of Film, motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens (optics), lens to focus reflected light from objects into a real image that is transferred to some image sensor or film, light-sensitive material inside a movie camera. These Exposure (photography), exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an Charge-coupled device, electrical charge for each pixel in the image, which is Video processing, electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically "Photographic developer, developed" into a Positive (photography), visibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematic Techniques
This article contains a list of cinematic techniques that are divided into categories and briefly described. Basic definitions of terms ; 180-degree rule :A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. ;Airborne shot :A shot taken from an aerial device, generally while moving. This technique has gained popularity in recent years due to the popularity and growing availability of drones. ;Arc :A dolly shot where the camera moves in an arc along a circular or elliptical radius in relation to the subject ("arc left" or "arc right") ; Backlighting (lighting design) :The main source of light is behind the subject, silhouetting it, and directed toward the camera. ;Bridging shot :A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
