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Spirito L'Hoste Da Reggio
Hoste da Reggio (also L'Hoste, L'Osto, Oste, and Bartolomeo Torresano) (c. 1520–1569) was an Italian composer of the Renaissance, active in Milan and elsewhere in northern Italy. He was well known for his madrigals, which were published in several collections in Venice. Life He was from Reggio nell'Emilia, the son of an innkeeper. Little is known about him prior to 1540, but he received a good musical education. In 1540 he was in Milan, and during the 1540s he made the acquaintance of the nobility and the ecclesiastical powers there. The governor of Milan, Ferrante Gonzaga, hired him in the 1540s; the exact post is not known but may have involved overseeing the music at the church of Santa Maria della Scala. He stayed in the good graces of the Gonzaga family, but when the governor was deposed by the Duke of Alba in 1554 during the Italian War of 1551–1559 he lost his job.Daolmi, Haar, Grove online In 1555 he acquired a prebend at S. Calimero, also in Milan, and three yea ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ...
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Franco-Flemish School
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Franco-Flemish Sch ...
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Italian Male Classical Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian ...
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1569 Deaths
Year 1569 ( MDLXIX) was a common year starting on Saturday of the Julian calendar. Events January–March * January 11 — The first recorded lottery in England begins and continues, nonstop, at the west door of St Paul's Cathedral for almost five months. Each share costs ten shillings, and proceeds are used to repair harbours, and for other public works. * February 26 — Pope Pius V issues a papal bull expelling all Jews from Italian and French territories. * March 13 – Battle of Jarnac: Royalist troops under Marshal Gaspard de Tavannes surprise and defeat the Huguenots under the Prince of Condé, who is captured and murdered. A substantial proportion of the Huguenot army manages to escape, under Gaspard de Coligny. April–June * April 15 – Burmese–Siamese War: In what is now Thailand, Mahinthrathirat reclaims the throne of the Ayutthaya Kingdom upon the death of King Maha Chakkraphat. * May 6 – England's St. Paul Cathedral lottery ends with the selection ...
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1520s Births
Fifteen or 15 may refer to: *15 (number) *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * 15 (Buckcherry album), ''15'' (Buckcherry album), 2005 * 15 (Ani Lorak album), ''15'' (Ani Lorak album), 2007 * 15 (Phatfish album), ''15'' (Phatfish album), 2008 * 15 (Tuki album), ''15'' (Tuki album), 2025 * 15 (mixtape), ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * Fifteen (Green River Ordinance album), ''Fifteen'' (Green River Ordinance album), 2016 * Fifteen (The Wailin' Jennys album), ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs *Fifteen (song), "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album ''Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' Other media *15 (film), ''15'' (film), a 2003 Singaporean film *Fifteen (T ...
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Gustave Reese
Gustave Reese ( ; November 29, 1899 – September 7, 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on November 29, 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Rena ...
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James Haar
James Haar (July 4, 1929 – September 15, 2018) was an American musicologist and W.R. Kenan Jr. Professor Emeritus of Music at the University of North Carolina at Chapel Hill. A specialist in Renaissance music, he was the Editor-in-chief of the ''Journal of the American Musicological Society'' from 1966 to 1969 and served as the president of American Musicological Society from 1976 to 1978. He was elected a member of the American Academy of Arts and Sciences in 1987.Slonimsky, Nicolas and Kuhn, Laura (2001)"Haar, James" '' Baker's Biographical Dictionary of Musicians''. Schirmer Books. . Online version retrieved February 9, 2016 . Haar was born in St. Louis, Missouri. He received his BA from Harvard in 1950 and his MA from the University of North Carolina at Chapel Hill in 1954. He returned to Harvard to complete his PhD under John Ward and Nino Pirrotta, graduating in 1961. His doctoral dissertation, ''Musica mundana: Variations on a Pythagorean Theme'', explored the ancient ...
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ...
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Magnificat
The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This most popular of all canticles is used within the liturgies of the Catholic Church, the Eastern Orthodox Church, the Lutheran Church and the Anglican Communion. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. Some ancient authorities have Elizabeth, rather than Mary, speaking the Magnificat. The Magnificat is one of the eight most ancient Christian hymns and perhap ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ...
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Ground Bass
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the ''Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), The Verve's "Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repet ...
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