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Sparvöga
"Sparvöga" (''"Sparrow-Eye"'') is an alternative pop song recorded by Swedish singer-songwriter Marie Fredriksson, known internationally as the lead vocalist of the pop music duo Roxette. The track was written solely by Fredriksson, who also produced the song alongside Anders Herrlin and Per "Pelle" Andersson. It originally appeared as the theme music of the Swedish miniseries ''Sparvöga'' (1989), and was subsequently released on 7″ vinyl as a non-album single on 22 February 1989. The song was an immediate success in her native country, peaking at number six on the Swedish Singles Chart as well as number three on the Swedish Airplay Chart. It was later certified gold by the Swedish Recording Industry Association for shipments in excess of 25,000 units. The track also received positive reviews, with several publications referring to it as one of the most beautiful pop songs ever released by a Swedish artist. Composition and style The track was written as the theme music for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Fredriksson
Gun-Marie Fredriksson (; 30 May 1958 – 9 December 2019) was a Swedish singer, songwriter, pianist, and lead vocalist of pop-rock duo Roxette, which she formed in 1986 with Per Gessle. The duo achieved international success in the late 1980s and early 1990s with their albums ''Look Sharp! (Roxette album), Look Sharp!'' (1988) and ''Joyride (Roxette album), Joyride'' (1991), and had multiple hits on the Billboard Hot 100, ''Billboard'' Hot 100, including four number ones. Fredriksson had a successful career in her native country prior to forming Roxette. She was a member of punk rock, punk group Strul, a band which created their own music festival in 1979. Strul's dissolution led to the creation of her next project, the short-lived MaMas Barn, after which she began releasing solo work. Her first album, ''Het vind'', was issued in 1984, followed by ''Den sjunde vågen'' in 1986 and ''Efter stormen, ... Efter stormen'' in 1987. Roxette's international breakthrough coincided wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann-Charlotte Alverfors
Ann-Charlotte Alverfors (23 January 1947 – 20 March 2018) was a Swedish writer. She was best known for her autobiographical trilogy, which became the basis for a six-episode miniseries, titled ''Sparvöga'' (lit. '' Sparrow-eye''), in 1989. The daughter of Tor Alverfors and Margaret Andersson, she was born in Eksjö and was educated at a folk high school. In 1972, she published a collection of poetry ''Paternosterhissar''; she published a second collection, ''Jönköping 6'' in 1975. Alverfos authored a trilogy of autobiographical novels: ''Sparvöga'' (1975), ''Hjärteblodet'' (1976) and ''Snabelros'' (1977); the novels formed the basis for a television series. She lived in Uppsala. Alverfos was married to professor Arnulf Merker, who died in 2010. Selected works * ''Aldrig'', novel (1993), received the Swedish Trade Union Confederation The Swedish Trade Union Confederation ( ; literally "The National Organisation in Sweden"), commonly referred to as LO (), is a nationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Efter Stormen (song)
"Efter stormen" ("After the Storm") is a pop rock song written by Swedish singer-songwriter Marie Fredriksson and Record producer Lars-Göran "Lasse" Lindbom, released as the first and only commercial single from Fredriksson's third studio album, '' ... Efter stormen'' (1987). The song was issued on 7" vinyl exclusively in Sweden on 21 September 1987, with "Varmt och djupt" ("Warm and Deep") as its b-side, which would otherwise remain unreleased until the album was reissued on CD in 2002. A 12" vinyl edition of the single – limited to 330 copies and containing the same tracks as the 7" release – was also issued. The song was commercially successful in her native country upon release, peaking at number seven and spending six weeks on the Swedish Singles Chart. Additionally, the song spent eighteen weeks on the Swedish Airplay Chart, peaking at number two for 5 consecutive weeks; it was held off the top spot every week by Gemini's " Mio min mio". The song also peaked at number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Västerviks-Tidningen
''Västerviks-Tidningen'' is a Swedish daily newspaper based in Västervik. History and profile ''Västerviks-Tidningen'' was established in 1834. Its chief editor is Charly Nilsson. The paper is a part of the Norrköping Tidningar Media AB which also owns ''Norrköpings Tidningar ''Norrköpings Tidningar'' (English language, English: ''Norrköping Times''), also known as ''NT'', is a Swedish language daily newspaper with its main distribution in northern and eastern Östergötland, Sweden. History and profile The newspap ...''. The publisher of ''Västerviks-Tidningen'' has been Pressgrannar AB since January 2012. ''Västerviks-Tidningen'' has its headquarters in Västervik. References External links Official Homepage(Swedish) 1834 establishments in Sweden Newspapers established in 1834 Daily newspapers published in Sweden Swedish-language newspapers Mass media in Kalmar County Västervik 19th-century establishments in Kalmar County {{Sweden-newspaper-stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B♭ (musical Note)
B (B-flat), or, in some European countries, B, is the eleventh step of the Western chromatic scale (starting from C (musical note), C). It lies a diatonic semitone above A (musical note), A and a chromatic semitone below B (musical note), B, thus being enharmonic to A♯ (musical note), A, even though in some musical tunings, B will have a different sounding pitch than A. B-flat is also enharmonic to C (C-double flat). When calculated in equal temperament with a reference of A (musical note), A above middle C as 440 hertz, Hz, the frequency of the B above middle C is approximately 466.164 Hz. See pitch (music), musical pitch for a discussion of historical variations in frequency. While orchestras tune to an A provided by the oboe, oboist, wind ensembles usually tune to a B-flat. In Germany, Russia, Poland, Scandinavia and Slovakia this pitch is designated B, with 'H' used to designate the B-Natural (music), natural. Since the 1990s, B-flat is often denoted Bb or "Bess" instead o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of D minor are: * Tonic – D minor * Supertonic – E diminished * Mediant – F major * Subdominant – G minor * Dominant – A minor * Submediant – B-flat major * Subtonic – C major Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. '' The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D mino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the Line (poetry)">line or lines that are repeated in poetry or in music">poetry.html" ;"title="Line (poetry)">line or lines that are repeated in poetry">Line (poetry)">line or lines that are repeated in poetry or in music—the "chorus" of a song. Poetry, Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the Verse (popular music), verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history Although repeats of refrains may use different words, refrains are made recognizable by reusing the same melody (whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse (music)
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use the same music for each verse or stanza of lyrics (as opposed to songs that are "through-composed"—an approach used in classical music art songs). Pop and traditional forms can be used even with songs that have structural differences in melodies. The most common format in modern popular music is introduction (intro), verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, and chorus, with an optional outro. In rock music styles, notably heavy metal music, there is usually one or more guitar solos in the song, often found after the middle chorus part. In pop music, there may be a guitar solo, or a solo performed with another instrument su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Music Publishing
EMI Music Publishing Ltd. is a British multinational music publishing company headquartered in London, owned by Sony Music Publishing. In May 2018, Sony Music Publishing agreed to increase its stake in EMI to 90%, pending regulatory approval. Sony has agreed to pay $2.3 billion to acquire EMI, as well as assume EMI's debt of $1.359 billion. In July 2018, Sony bought out the Michael Jackson estate's 10% stake in EMI for $287.5 million. With Sony and Jackson's share valued at $1.091 billion that gives EMI Music Publishing a valuation of $4.75 billion. On 26 October 2018, the European Commission approved of Sony's acquisition of EMI. In November 2018, Sony Music Publishing completed its acquisition of EMI, which was completely merged into Sony Music Publishing. Following these transactions, Sony owned 100% of EMI Music Publishing. EMI currently exists for the artists that it signed pre-2012, effectively becoming an in-name-only unit of Sony Music Publishing. EMI Music Publishi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats, or beating may refer to: Common uses * Assault, inflicting physical harm or unwanted physical contact * Battery (crime), a criminal offense involving unlawful physical contact * Battery (tort), a civil wrong in common law of intentional harmful or offensive contact * Corporal punishment, punishment intended to cause physical pain * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition * Beating (hunt), driving game out of areas of cover during a hunt Arts, entertainment and media Fictional characters * Beat, an anthro fox in the animated series " Motto! Majime ni Fumajime Kaiketsu Zorori" * Beat, in the video game '' Eternal Sonata'' * Beat, in the video game '' Jet Set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
