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Space Flight (album)
''Space Flight'' is an album recorded by organist Sam Lazar on June 1, 1960 for Argo Records.Edwards, D & Callahan, MArgo Album Discography, Part 2 (1961–1965): Pop/Blues/Folk Series accessed September 12, 2012 This was Lazar's debut recording, and the second recording by guitarist Grant Green. Reception Allmusic awarded the album 3 stars.Allmusic Album Entry accessed September 12, 2012 Track listing All compositions by Sam Lazar and E. Rodney Jones; except where noted. # "Dig A Little Deeper" – 3:46 # "We Don't Know" – 2:51 # "Caramu" – 3:41 # "Ruby" (, |
Sam Lazar
Sam Lazar (born 1933) was an American pianist and Hammond organist originally from St. Louis, Missouri, United States.Owsley, DennisCity of Gabriels: The History of Jazz in St. Louis, 1895-1973.St. Louis: Reedy Press, 2006. . ''Google Books''. Retrieved September 28, 2015. A mysterious figure who disappeared from the music scene in the early 1960s,"The Sam Lazar discography." ''Crownpeller.wordpress.com.'' Retrieved January 22, 2016. he is best known for fronting a group that included early work from guitarist .Green, Sharony Andrews [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", "I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1960 Debut Albums
Year 196 ( CXCVI) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the '' Jian'an era of the Chinese Han Dynasty. * Emperor Xian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Malo
Ronald Clements Malo (August 29, 1935 in Illinois – August 15, 1992 in Burbank, California) was an American engineer for Chicago's Chess Studios from 1959 until 1970. He was the engineer for the first sessions the Rolling Stones did in the US, in Chicago in June 1964, recording songs ("It's All Over Now", "I Can't Be Satisfied", "Look What You've Done", " Around and Around", " Down the Road a Piece" etc.) that wound up appearing on the albums ''12 X 5'', '' The Rolling Stones, Now!'' and '' December's Children (And Everybody's)''. He was also the engineer at Chess when they returned in November 1964 to do more sessions there, and when they came back a third time in May 1965 (resulting in '' Out of Our Heads'' songs such as "Mercy Mercy" and "That's How Strong My Love Is"). Malo worked with many of the blues and R&B musicians, such as Bo Diddley, Etta James, Sonny Boy Williamson, and Chuck Berry, as well as some jazz musicians including Cannonball Adderley. He went on to work wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gibson ES-330
The Gibson ES-330 (1959-1972) is a thinline hollow-body electric guitar model produced by the Gibson Guitar Corporation. It was first introduced in 1959 and the guitar had the same dimensions as the ES-335. History Sales of Gibson’s Electric Spanish guitars (ES-100 through ES-350) in the 1930s and 1940s encouraged the company to continue to produce more electric guitars. In 1955 Gibson released the ES-225T and the Gibson ES-350T ("T" is for thinline). In 1957 Gibson designed a new design which was the ES-335 double-cutaway and released it in 1958. The ES-330 was released by the Gibson Guitar Company in 1959. In 1959 when the 330 was released the retail price was $275. The 330s came in two different designs, a one P-90 guitar pickup model called the ES-330T and a two pickup model called the ES-330TD. Specifications The ES-335 was released in 1958 and it had the same dimensions as the ES-330. The 330s had a maple top, back and sides with two F Holes in the top. The body was long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Babe
"My Babe" is a Chicago blues song and a blues standard written by Willie Dixon for Little Walter. Released in 1955 on Checker Records, a subsidiary of Chess Records, the song was the only Dixon composition ever to become a number one R&B single and it was one of the biggest hits of either of their careers.Dirks, Scott; & Komara, Edward M. d. (2006). ''Encyclopedia of the Blues''. Routledge. p. 982. Background Dixon based "My Babe" on the traditional gospel song "This Train (Is Bound For Glory)", recorded by Sister Rosetta Tharpe as "This Train". He reworked the arrangement and lyrics from the sacred (the procession of saints into Heaven) into the secular (a story about a woman that won't stand for her man's cheating): "My baby, she don't stand no cheating, my babe, she don't stand none of that midnight creeping." Recording In his autobiography, Dixon recalled: Little Walter recorded the song on January 25, 1955. Accompanying his vocal and harmonica were Robert Lockwood, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinz Roemheld
Heinz Roemheld (May 1, 1901 – February 11, 1985) was an American composer. Early life and career Born Heinz Eric Roemheld in Milwaukee, Wisconsin, he was one of four children of German immigrant Heinrich Roemheld and his wife Fanny Rauterberg Roemheld. Heinrich was a pharmacist, but all the members of the family were musical. His brother Edgar Roemheld (1898-1964) became a conductor. His sister Irmgard Roemheld (1904-1995) became a well-known Milwaukee music teacher and radio broadcaster. Roemheld was a child prodigy who began playing the piano at four. He graduated from the Milwaukee College of Music at 19 and performed in theaters to earn money to study piano in Europe. In 1920, he went to Berlin, where he studied with Hugo Kaun, Ferruccio Busoni, and Egon Petri. While there, he appeared in concert with the Berlin Philharmonic. "Milwaukee-born Heinz Roemheld followed a circuitous route to a career as a film composer. At age four, he was identified as a piano prodigy; he later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the ''SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
