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Soup Kitchen In Arroios
''Soup Kitchen in Arroios'' (Portuguese: ''Sopa dos Pobres em Arroios'') is an etching by Domingos Sequeira, from 1813. Description The painting is an etching on paper with overall dimensions of 42 x 78 centimeters. It is in the collection of the Biblioteca Nacional de Portugal, in Lisbon Lisbon (; pt, Lisboa ) is the capital and largest city of Portugal, with an estimated population of 544,851 within its administrative limits in an area of 100.05 km2. Grande Lisboa, Lisbon's urban area extends beyond the city's administr .... Analysis The etching scene shows the retreat of refugees around Lisbon, and food distribution. References {{coord, 38.7511, N, 9.1525, W, source:wikidata, display=title Portuguese art 19th-century etchings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domingos Sequeira
Domingos António de Sequeira (Lisbon; 10 March 1768Rome; 8 March 1837) was a famous Portuguese painter at the Royal Court of King John VI of Portugal. Biography He was born in Belém, Lisbon, into a modest family. He later changed his family name from Espírito Santo to the more aristocratic Sequeira. He studied art first at the academy of Lisbon, before moving to Rome, where he was Antonio Cavallucci`s pupil. By the age of thirteen, he had evinced such marked talent that F. de Setubal employed him as an assistant in his work for the João Ferreiras Palace. Sequeira resided in Rome from 1788 to 1794, when he was made honorary member of the Academy of St Luke. After another two years and further study in Italy, he returned to his native country with such a great reputation that important commissions for churches and palaces were immediately entrusted to him: scriptural subjects, large historical compositions and cabinet pictures. In 1802, he was appointed first court painter and, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biblioteca Nacional De Portugal
The (Portuguese language, Portuguese for ''National Library of Portugal'') is the Portugal, Portuguese national library, fulfilling the function of Legal deposit, legal deposit and copyright. History The library was created by Decree of 29 February 1796, under the name of Royal Public Library of the Court ( pt, Real Biblioteca Pública da Corte). The library's objective was to allow the general public access to the court's collections, thus bucking the trend of the time only available to scholars and sages could access the treasures, manuscripts, paintings, and books of the royal court. In the dawn of the victory of the Liberals following the Portuguese Civil War and the abolition of the religious orders (1834), the institution was renamed the National Library of Lisbon and was officially entrusted with all or part of the libraries of numerous monasteries and convents. The arrival of these large collections made it absolutely necessary to move to larger premises, and the choic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lisbon
Lisbon (; pt, Lisboa ) is the capital and largest city of Portugal, with an estimated population of 544,851 within its administrative limits in an area of 100.05 km2. Lisbon's urban area extends beyond the city's administrative limits with a population of around 2.7 million people, being the 11th-most populous urban area in the European Union.Demographia: World Urban Areas - demographia.com, 06.2021 About 3 million people live in the Lisbon metropolitan area, making it the third largest metropolitan area in the , after |
Portuguese Art
Portuguese art includes many different styles from many different eras. Sculptures Portuguese sculptures can be best analysed by studying the many tombs of the 12th and 13th Centuries that are found throughout Portugal. In the late 1700s, the colony of Brazil was the main influence in Portuguese sculpture. This can be seen by the increase in Baroque wooden sculpture during this time. Joaquim Machado de Castro, a famous Portuguese artist who lived around thjais responsible for a lot of these works. Painting The Classical and Romantic styles of painting, brought to Portugal from Italy and France, had an influence on Portuguese artist Machado de Castro in the late 18th century and António Soares dos Reis in the 19th century. A school for amateur painters, led by Nuno Gonçalves, was popular in the 15th century. As a result, Flemish artists added to the native style by decorating palaces and convents using their own techniques. The result gave Portugal a rich heritage of religiou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
