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Soul Eyes
"Soul Eyes" is a composition, with lyrics, written by Mal Waldron.Ratliff, Ben (December 6, 2002"Mal Waldron, 77, Composer of the Jazz Ballad 'Soul Eyes'" ''The New York Times''. It is a 32-bar ballad that takes the song form ABAC, and is written in 4/4 time. It was first recorded on March 22, 1957, for the album ''Interplay for 2 Trumpets and 2 Tenors''.Gioia, Ted (2012) ''The Jazz Standards: A Guide to the Repertoire''. Oxford University Press. pp. 388–390. One of the tenor saxophonists on that recording was John Coltrane, who brought the song back to attention by recording it in 1962 for his album '' Coltrane'', when he had become more famous. This was only the second ever recording of the song, which has since become "part of the basic repertory of jazz performers" – a jazz standard. Waldron wrote the piece with Coltrane in mind: "I liked Coltrane's sound and I thought the melody would fit it." Since these early versions, the song has been recorded hundreds of times. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mal Waldron
Malcolm Earl "Mal" Waldron (August 16, 1925 – December 2, 2002) was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959. A breakdown caused by a drug overdose in 1963 left Waldron unable to play or remember any music; he regained his skills gradually, while redeveloping his speed of thought. He left the U.S. permanently in the mid-1960s, settled in Europe, and continued touring internatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interplay For 2 Trumpets And 2 Tenors
''Interplay for 2 Trumpets and 2 Tenors'' is a jazz album released in November 1957 by Prestige Records. It is credited to Idrees Sulieman, Webster Young, John Coltrane and Bobby Jaspar, with Mal Waldron, Kenny Burrell, Paul Chambers and Art Taylor. Overview ''Interplay for 2 Trumpets and 2 Tenors'' was released in November 1957 on Prestige Records as 7112. The record features the first recording of pianist Mal Waldron's composition, " Soul Eyes", which went on to become a jazz standard.Gioia, Ted (2012) ''The jazz standards: a guide to the repertoire''. Oxford University Press, pp. 388-390. Some CD reissues also include the bonus track "C.T.A." (Jimmy Heath), originally issued on ''Taylor's Wailers'', recorded the same day, with just Coltrane, Chambers, Taylor and pianist Red Garland."Interplay for 2 Trumpets and 2 TenorsAllMusic review./ref> The album would also be issued in 1964 as ''Jazz Interplay'', a 2-LP compilation credited to Coltrane alone, which features tracks from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prestige Records
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City which issued recordings in the mainstream, bop, and cool jazz idioms. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them on subsidiary labels. The company's began releasing jazz records in 78 and 45 RPM formats in 1950. The Prestige label includes the 13000 and 25000 cat# series. Prestige International was a sub-label of Prestige, active from 1960 to 1969, that mostly released folk music. In 1971, the company was sold to Fantasy Records, Fantasy, which was later absorbed by Concord Records, Concord. History The Prestige office was located at 446 West 50th Street, New York City. Its catalogue included Gene Ammons, John Coltrane, Miles Davis, Stan Getz, Wardell Gray, Thelonious Monk, and Sonny Rollins. Audio engineer Rudy Van Gelder was the recording engineer of many Prestige albums in the 1950s and early-to-mid-1960s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Weinstock
Bob Weinstock (October 2, 1928 – January 14, 2006) was an American record producer best known for his label Prestige Records, established in 1949, which was responsible for many significant jazz recordings during his more than two decades operating the firm. Early life Born to a Jewish family, Weinstock's interest in music began at the age of eight when bought "armfuls of records" by jazz artists at nine cents each, opening up "a new world of music" for him. As a teenager growing up in Manhattan, on the Upper West Side, Weinstock started a business selling jazz records through advertisements in the pages of ''Record Changer'' magazine from his family's apartment, with the support of his father and uncle. He couldn't play or read music, but he had an ear that enabled him to pick up the nuances of jazz. He later rented some space in the Jazz Record Center on 47th Street.Ratliff, Ben"Bob Weinstock, 77, Founder of the Jazz Label Prestige" ''The New York Times'', January 16, 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, after graduating from high school Coltrane moved to Philadelphia, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album ''A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a Pulitzer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coltrane (1962 Album)
''Coltrane'' is a studio album by the jazz saxophonist, bandleader, and composer John Coltrane. It was released in July 1962 through Impulse! Records. The recording was made in April and June 1962 at the Van Gelder Studio. At the time of release it was overlooked by the music press, but has since come to be regarded as a significant recording in Coltrane's discography. When reissued on CD, it featured a Coltrane composition dedicated to his musical influence "Big Nick" Nicholas that the saxophonist recorded for his Duke Ellington collaboration '' Duke Ellington & John Coltrane'' (1963). The composition "Tunji" was written by Coltrane in dedication to the Nigerian drummer Babatunde Olatunji. Release The album was released in July 1962 through Impulse! Records. According to ''All About Jazz'' writer Mark Werlin, ''Coltrane'' was initially overlooked in the music press, and later by music historians, because of the "hostility and incomprehension" that had met the saxophonist's c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive List of jazz standards (other), list of jazz standards, and the list of songs deemed to be standard (music), standards changes over time. Songs included in major fake book publications (lead sheet collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway theatre, Broadway show tunes or songs from Cinema of the United States, Hollywood musical film, musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of a minority ethnic group's music (such as gypsy music ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanessa Rubin
Vanessa Rubin (born March 14, 1957) is an American jazz vocalist. Biography Born in Cleveland, Ohio, to parents from Trinidad and Louisiana, Rubin grew up in a musical household. She received a Bachelor of Arts degree in journalism from Ohio State University. A standing ovation while she performed " God Bless the Child" at the Miss Black Central Ohio Contest convinced her to pursue a career as a singer. Rubin returned to Cleveland, where she began singing in clubs and hotels. She formed a band of organ, guitar, vibes and drums. After moving to New York City in 1982, she performed at Sweet Basil and at the Village Vanguard with the Pharoah Sanders Quartet. She then began to study with pianist Barry Harris at his Jazz Cultural Theatre. She has worked with Kenny Barron, Lionel Hampton, the Mercer Ellington Orchestra, Cecil Bridgewater, Etta Jones, Toots Thielemans, Steve Turre, Cedar Walton, and Grover Washington, Jr. More recently she has completed international tours with Herbi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeanne Lee
Jeanne Lee (January 29, 1939 – October 25, 2000) was an American jazz singer, poet and composer. Best known for a wide range of vocal styles she mastered, Lee collaborated with numerous distinguished composers and performers who included Gunter Hampel, Andrew Cyrille, Ran Blake, Carla Bley, Anthony Braxton, Marion Brown, Archie Shepp, Mal Waldron, Mark Whitecage and many others. Biography Jeanne Lee was born in New York City, New York, United States. Her father, S. Alonzo Lee, was a concert and church singer whose work influenced her at an early age. She was educated at the Walden School (a private school), and subsequently at Bard College, where she studied child psychology,Ben Ratliff, "Jeanne Lee, 61, Jazz Singer Who Embraced Avant-Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Carr
Ian Carr (21 April 1933 – 25 February 2009) was a Scottish jazz musician, composer, writer, and educator. Carr performed and recorded with the Rendell-Carr quintet and jazz-fusion band Nucleus (band), Nucleus, and was an associate professor at the Guildhall School of Music and Drama in London. He also wrote biographies of musicians Keith Jarrett and Miles Davis. Early years Ian Henry Randall Carr was born in Dumfries, Scotland, the elder brother of Mike Carr (musician), Mike Carr. From 1952 to 1956, Carr attended King's College, now Newcastle University, where he read English Literature, followed by a diploma in education. Musical career At the age of 17, Carr started to teach himself trumpet. After university he joined his brother in a Newcastle band, the EmCee Five, from 1960 to 1962, before moving to London, where he played in a quintet co-lead by Don Rendell, with pianist Michael Garrick, bassist Dave Green (musician), Dave Green, and drummer Trevor Tomkins. In its six ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digby Fairweather
Richard John Charles "Digby" Fairweather (born 25 April 1946) is a British jazz trumpeter, author and broadcaster. Biography Before becoming a professional musician, Fairweather was a librarian and has retained an interest in jazz bibliography and archiving. He led his first band, Dig's Half Dozen, in 1971 and recorded in 1973 with Alex Welsh. Four years later, he was a member of the band Velvet, with Ike Isaacs, Len Skeat, and Denny Wright, then a member of the Midnite Follies Orchestra and the Pizza Express All-Stars. In the early 1980s, he started a band that performed music by Nat Gonella. He worked as a sideman for George Chisholm, Alex Welsh, Tiny Winters, and Brian Priestley. In the 1980s and 1990s, he led the Jazz Superkings, the Great British Jazz Band, and the Half Dozen. During the 1990s, he was part of the ''Salute to Satchmo''. Fairweather and Stan Barker started the Jazz College charity to introduce improvisation in schools. He established the Association ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
