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Soubrette Sings Broadway Hit Songs
''Soubrette: Blossom Dearie Sings Broadway Hit Songs'' is a 1960 studio album by Blossom Dearie, with an orchestra arranged by Russell Garcia (composer), Russell Garcia. This was Dearie's first album recorded with full orchestral arrangements. Track listing #"Guys and Dolls (musical), Guys and Dolls" (Frank Loesser) – 2:52 #"Confession" (Howard Dietz, Arthur Schwartz) – 2:44 #"Inside U.S.A., Rhode Island Is Famous for You" (Dietz, Schwartz) – 2:14 #"To Keep My Love Alive" (Richard Rodgers, Lorenz Hart) – 3:26 #"On Your Toes, Too Good for the Average Man" (Rodgers, Hart) – 3:31 #"Allegro (musical), The Gentleman Is a Dope" (Oscar Hammerstein II, Rodgers) – 4:19 #"Always True to You in My Fashion" (Cole Porter) – 2:52 #"Hooray for What!, Napoleon" (Harold Arlen, Yip Harburg) – 4:19 #"Show Boat, Life Upon the Wicked Stage" (Hammerstein, Jerome Kern) – 2:42 #"Nymph Errant, The Physician" (Porter) – 2:15 #"A Tree Grows in Brooklyn (musical), Love Is the Reason" (Dor ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Inside U
Inside may refer to: * Insider, a member of any group of people of limited number and generally restricted access Film * ''Inside'' (1996 film), an American television film directed by Arthur Penn and starring Eric Stoltz * ''Inside'' (2002 film), a Canadian prison drama film * ''Inside'' (2006 film), an American thriller film starring Nicholas D'Agosto and Leighton Meester * ''Inside'' (2007 film), originally ''À l'intérieur'', a French horror film directed by Alexandre Bustillo and Julien Maury ** ''Inside'' (2016 film), a 2016 Spanish-American film remake of the 2007 film * ''Inside'' (2011 film), an American social film * ''Inside'' (2012 film), an American horror film * ''Inside'' (2013 film), a Turkish drama film * '' Bo Burnham: Inside'', a 2021 American comedy special * ''Inside'' (2023 film), an upcoming film starring Willem Dafoe Television * "Inside" (''American Horror Story''), an episode of the tenth season of ''American Horror Story'' Music Albums * ' ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", " Can't Help Lovin' Dat Man", " A Fine Romance", " Smoke Gets in Your Eyes", " The Song Is You", " All the Things You Are", " The Way You Look Tonight" and " Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, r ...
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Show Boat
''Show Boat'' is a musical theatre, musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 Show Boat (novel), novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the ''Cotton Blossom'', a Mississippi River showboat, show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe (Jerome Kern song), Make Believe", and "Can't Help Lovin' Dat Man". The musical was first produced in 1927 by Florenz Ziegfeld. The premiere of ''Show Boat'' on Broadway theatre, Broadway was an important event in the history of American musical theatre. It "was a radical departure in musical storytelling, marrying spectacle with seriousness", compared with the trivial and unrealistic operettas, light Edwardian musical comedy, musical comedies and "Follies"-type mus ...
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Yip Harburg
Edgar Yipsel Harburg (born Isidore Hochberg; April 8, 1896 – March 5, 1981) was an American popular song lyricist and librettist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?" (with Jay Gorney), " April in Paris", and " It's Only a Paper Moon", as well as all of the songs for the film ''The Wizard of Oz'', including " Over the Rainbow". He was known for the social commentary of his lyrics, as well as his leftist leanings. He championed racial and gender equality and union politics. He also was an ardent critic of religion. Early life and career Harburg, the youngest of four surviving children (out of ten), was born Isidore Hochberg on the Lower East Side of New York City on April 8, 1896.Yip Harburg: Biography from Answers.com
Retrieved January 2, 2 ...
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film ''The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ...
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Hooray For What!
''Hooray for What!'' is an anti-warConnema, Richar''Hooray for What!'' is a Hilarious Send-up of America Talkin' Broadway Regional News & reviews: San Francisco, undated but presumably November 2004 when 42nd Street Moon Productions performed the piece at San Francisco's Eureka Theatre. Accessed online 6 April 2008. musical with music by Harold Arlen, lyrics by E. Y. Harburg and a book by Howard Lindsay and Russel Crouse."New Plays in Manhattan"
– ''Time Magazine (Monday, Dec. 13, 1937)''(Retrieved on February 18, 2008)
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, '' Kiss Me, Ka ...
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Always True To You In My Fashion
"Always True to You in My Fashion" is a 1948 show tune by Cole Porter, written for the musical '' Kiss Me, Kate''. It is based on ''Non Sum Qualis Eram Bonae sub Regno Cynarae,'' a similarly ironic poem by the English Decadent poet Ernest Dowson (1867–1900), which has the refrain 'I have been faithful to thee, Cynara! in my fashion,' and which was probably inspired by Dowson's lifelong friend Adelaide Foltinowicz, who never returned his devotion. The phrase "faithful in my fashion" entered the language before the song was written, and was the title of a 1946 Hollywood film. The singer protests that she is always faithful to her main love in her own way, despite seeing, and accepting gifts from, wealthy men. The strong ironic innuendo is that she trades sexual favours for gifts. The song is full of wordplay, such as the spoonerism "If the Harris pat means a Paris hat ..." The song is sung in the second half of the show by Lois (Bianca) to her love interest, Bill (Lucentio), ...
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Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', ''South Pacific'', '' The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote '' Show Boat''), V ...
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Allegro (musical)
''Allegro'' is a musical by Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics), their third collaboration for the stage. Opening on Broadway on October 10, 1947, the musical centers on the life of Joseph Taylor Jr., who follows in the footsteps of his father as a doctor, but is tempted by fortune and fame at a big-city hospital. After the immense successes of the first two Rodgers and Hammerstein musicals, ''Oklahoma!'' and ''Carousel'', the pair sought a subject for their next play. Hammerstein had long contemplated a serious work which would deal with the problems of the ordinary man in the fast-moving modern world. He and Rodgers sought to create a work which would be as innovative as their first two stage musicals. To that end, they created a play with a large cast, including a Greek chorus. The production would have no sets; props and projections served to suggest locations. After a disastrous tryout in New Haven, Connecticut, the musical opened on Broadway ...
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On Your Toes
''On Your Toes'' (1936) is a musical with a book by Richard Rodgers, George Abbott, and Lorenz Hart, music by Rodgers, and lyrics by Hart. It was adapted into a film in 1939. While teaching music at Knickerbocker University, Phil "Junior" Dolan III tries to persuade Sergei Alexandrovich, the director of the Russian Ballet, to stage the jazz ballet ''Slaughter on Tenth Avenue''. After becoming involved with the company's prima ballerina Vera Barnova, Junior is forced to assume the male lead in ''Slaughter''. Trouble ensues when he becomes the target of two thugs hired by Vera's lover and dance partner to kill him. ''On Your Toes'' marked the first time a Broadway musical made dramatic use of classical dance and incorporated jazz into its score. Films about ballet Background ''On Your Toes'' originally was conceived as a film, and as a vehicle for Fred Astaire. His refusal of the part, because he thought that the role clashed with his debonair image developed in his contemporar ...
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