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Sorrows (album)
''Sorrows'' is the debut studio album by Scottish gothic doom band Cwfen. It was released on 30 May 2025, through New Heavy Sounds. Mastered by James Plotkin, it consists of ten tracks with a total runtime of approximately forty-three minutes. Seven tracks range between four and six minutes each, while the remaining three "Fragment" tracks are under a minute each. The album was produced by Kevin Hare and the band, composed of lead vocalist Agnes Alder, guitarist Guy DeNuit, drummer Rös Ranquinn, and bassist Mary Thomas Baker. The first single, "Reliks", was released on 1 November 2024. It was followed by "Wolfsbane", the second single, on 11 March 2025. Reception Liz Scarlett of ''Metal Hammer'' noted in her review of the album, "''Sorrows'' is charged with the same blackly brooding lifeblood as Type O Negative, offering macabre meditations on mortality and sensuality through mystifying post-punk, chest-crushing doom and haunted atmospheres," describing it as "a deeply powerfu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Magazine (band), Magazine, Joy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decibel Magazine
''Decibel'' is a monthly heavy metal magazine published by the Philadelphia-based Red Flag Media since September 2004. It is currently the only monthly metal music magazine published in North America. Its sections include Upfront, Features, Reviews, Guest Columns and the Decibel Hall of Fame. The magazine's tag-line is currently "Extremely Extreme" (previously "The New Noise"); the editor-in-chief is Albert Mudrian. History ''Decibel'' was first conceived in late 2003 by journalist Albert Mudrian (born 1975), around the time he was finishing his book '' Choosing Death: The Improbable History of Death Metal & Grindcore'' (2004). Mudrian had previously written in a number of magazines published by the Philadelphia-based Red Flag Media, who he joined in 1997, and felt that there was "a market in the United States for a metal magazine that covered extreme music the way that magazines like '' Spin'' used to cover pop music and culture". He brainstormed some ideas for the magazine, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metal Hammer
''Metal Hammer'' is a heavy metal music magazine and website founded in 1983, published in the United Kingdom by Future, with other language editions published by different companies available in numerous other countries. ''Metal Hammer'' features news, reviews and long-form articles covering both major and underground bands in heavy metal, as well as covering rock, punk, grunge and other alternative music genres. Publication history Wilfried F. Rimensberger conceived ''Metal Hammer'' in 1983, taking the idea of a rock magazine publishing in different languages to Jürgen Wigginghaus, publisher of the German magazine ''MusikSzene'', where Rimensberger was chief editor. Wigginghaus helped launch the German edition of ''Metal Hammer'' soon after, while Rimensberger launched the flagship, English language version from London in November 1986, installing Harry Doherty, formerly of ''Melody Maker'', as editor. The magazine would grow to be published in 11 different languages around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Future Plc
Future plc is a British publishing company. It was started in 1985 by Chris Anderson (entrepreneur), Chris Anderson. It is listed on the London Stock Exchange and is a constituent of the FTSE 250 Index. History 1985–2012 The company was founded by Chris Anderson (entrepreneur), Chris Anderson as Future Publishing in Somerton, Somerset, England, with the sole magazine ''Amstrad Action'' in 1985. An early innovation was the inclusion of free software on magazine covers. It acquired GP Publications and established what would become Future US in 1994. Anderson sold the company to Pearson plc for £52.7m in 1994, but bought it back in 1998, for £142 million. The company was Initial public offering, floated on the London Stock Exchange in 1999. Anderson left the company in 2001. In 2004, the company was accused of corruption when it published positive reviews for the video game ''Driver 3'' in two of its owned magazines, ''Xbox World'' and ''PSM3, PSM2''. 2012–2015 Futu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Plotkin
James Plotkin is an American guitarist and producer known for his role in bands such as Khanate and OLD but with an extensive catalogue outside these bands. He has played guitar for Phantomsmasher and Scorn and continues to remix tracks for bands such as KK Null, Nadja, Sunn O))), ISIS, Pelican and Earth. He works in the genres of grindcore, industrial metal, noise music, drone metal, dark ambient, digital hardcore and post-metal. Discography Solo work *James Plotkin – A Strange, Perplexing – 1996 *James Plotkin – The Joy Of Disease – 1996 *James Plotkin / Pole – Split Series #8 (withdrawn version) – 2000 *James Plotkin / Pimmon – Split Series #8 – 2000 *James Plotkin – Kurtlanmak/Damascus – 2006 *James Plotkin – Indirmek – 2007 Collaborative releases *James Plotkin & Kazuyuki K Null – Aurora – 1994 *Jimmy Plotkin & Alan Dubin (2× self-titled 7-inches) – 1995 *James Plotkin & K.K. Null – Aurora Remixes – 1996 *James Plotkin & Mick Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerrang!
''Kerrang!'' is a British music webzine and quarterly magazine that primarily covers rock, punk and heavy metal music. Since 2017, the magazine has been published by Wasted Talent Ltd (the same company that owns electronic music publication '' Mixmag''). The magazine was named onomatopoeically after the sound of a "guitar being struck with force". ''Kerrang!'' was first published on 6 June 1981 as a one-off "Heavy Metal Special" from the now-defunct '' Sounds'' newspaper. Due to the popularity of the issue, the magazine became a monthly publication, before transitioning into a weekly in 1987. Initially devoted to the new wave of British heavy metal and the rise of hard rock acts, ''Kerrang!'' musical emphasis has changed several times, focusing on grunge, nu metal, post-hardcore, emo and other alternative rock and metal genres over the course of its forty-year publication history. In 2001, it became the best-selling British music weekly, overtaking '' NME''. After p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decibel (magazine)
''Decibel'' is a monthly heavy metal magazine published by the Philadelphia-based Red Flag Media since September 2004. It is currently the only monthly metal music magazine published in North America. Its sections include Upfront, Features, Reviews, Guest Columns and the Decibel Hall of Fame. The magazine's tag-line is currently "Extremely Extreme" (previously "The New Noise"); the editor-in-chief is Albert Mudrian. History ''Decibel'' was first conceived in late 2003 by journalist Albert Mudrian (born 1975), around the time he was finishing his book '' Choosing Death: The Improbable History of Death Metal & Grindcore'' (2004). Mudrian had previously written in a number of magazines published by the Philadelphia-based Red Flag Media, who he joined in 1997, and felt that there was "a market in the United States for a metal magazine that covered extreme music the way that magazines like '' Spin'' used to cover pop music and culture". He brainstormed some ideas for the magazine, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tidal (service)
Tidal (stylized TIDAL) is a Norwegian-American music streaming service, launched in 2014 by the Norwegian-Swedish public company Aspiro. Tidal is now majority-owned by Block, Inc., the owner of the point-of-sale system Square. With distribution agreements with all three major record labels and many independent labels, Tidal claims to provide access to more than 100 million tracks and 650,000 music videos. On April 10, 2024, Tidal merged its two subscription plans to become one simply named Tidal, which offers the same quality as the former HiFi Plus plan (FLAC HiRes 24-bit/192KHz and MQA – 24-bit/352.8 kHz). However, on July 24, 2024, Tidal removed the feature to listen in MQA. Tidal claims to pay the highest percentage of royalties to music artists and songwriters within the music streaming market. In March 2015, Aspiro was acquired by Project Panther Bidco Ltd., which relaunched the service with a mass-marketing campaign, promoting it as the first artist-ow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer or music producer is a music creating project's overall supervisor whose responsibilities can involve a range of creative and technical leadership roles. Typically the job involves hands-on oversight of recording sessions; ensuring artists deliver acceptable and quality performances, supervising the technical engineering of the recording, and coordinating the production team and process. The producer's involvement in a musical project can vary in depth and scope. Sometimes in popular genres the producer may create the recording's entire sound and structure. However, in classical music recording, for example, the producer serves as more of a liaison between the conductor and the engineering team. The role is often likened to that of a film director, though there are important differences. It is distinct from the role of an executive producer, who is mostly involved in the recording project on an administrative level, and from the audio engineer who operates the re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastering (audio)
Mastering is a form of audio post production which is the process of preparing and transferring recorded audio from a source containing the Audio mixing (recorded music), final mix to a data storage device called a master recording, the source from which all copies will be produced (via methods such as pressing, duplication or Replication (optical media), replication). In recent years, digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, their skills, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply Equalization (audio), equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk Albums By Scottish Artists
Post-punk (originally called new musick) is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Magazine, Joy Division, Talking Heads, the Raincoats, Gang of Four, the Cure, and the Fall. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
