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Soothradaran
''Soothradharan'' () is a 2001 Indian Malayalam-language film written and directed by A. K. Lohithadas. The film stars Dileep and Meera Jasmine, while Bindu Panicker, Kalabhavan Mani and Cochin Haneefa play other important roles. Music of the movie was done by Raveendran master. This was the debut film of actress ''Meera Jasmine.'' Bindu Panicker and Haneefa won Second Best Actress and Second Best Actor Awards at the Kerala State Film Awards of India. Dileep acting good and not a commercial success of 2001 . Plot Ramesan (Dileep) who supports the five member family by selling pickles and other eatables, reaches a border town named Pandavapuram under certain circumstances where he finds the conditions to be truly stark and dreary. Director dwells upon the ordeals of life in Pandavapuram. Ramesan is trying in vain to find his friend Leelakrishnan (Salim Kumar) who acts as a hijada to eke out a living. Devumma (Bindu Panicker) who runs a brothel gives him shelter. Seemingly obl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan Jaleel
Milan Jaleel is an Indian film producer and distributor mainly works in Malayalam cinema Malayalam cinema is an Indian film industry of Malayalam-language motion pictures. It is based in Kochi, Kerala, India. The films produced in Malayalam cinema are known for their cinematography and story-driven plots. In 1982, '' Elippat .... He produce and distribute films under the banner of Galaxy Films. He started his production works in 1997 by producing the movie ''Kalyanappittannu''. At present he is the president of Kerala Film Producers' Association. Production and distribution References External links * Malayalam film producers 1960 births Living people Film producers from Thrissur {{India-film-producer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahesh (actor)
Mahesh is an Indian actor in Malayalam films and television serials. He came into the movie industry as a hero and later started doing negative roles and supporting roles. Career He started his career as an assistant director for the director J. Sasikumar in the early 1980s. Then he worked as an associate director for 16 Malayalam movies with different leading directors. Later he turned to the acting career. He first acted in the movie ''Mudra'', directed by Sibi Malayil in 1989 at the age of 23. He went on to act in classic movies like '' Mrugaya'', '' Sadayam'' ''Vyooham'', etc. He took a break in the late 1999s and went to United States and settled there. He made a comeback in 2006 and directed a Malayalam movie in 2008; '' Calendar'', with Prithviraj Sukumaran, Zarina Wahab and Navya Nair in the lead. He did story, screenplay and dialogue for the Malayalam movie '' Ashwaroodan''. Currently he is active in direction for Malayalam films. Personal life He was born to P. K. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films With Screenplays By A
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s Malayalam-language Films
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter '' samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the compli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerala State Film Award For Second Best Actress
The Kerala State Film Award for Second Best Actress was an award presented annually from 1969 to 2014 at the Kerala State Film Awards of India. The Kerala State Film Awards is managed by the Kerala State Chalachitra Academy, an autonomous non-profit institution working under the Department of Cultural Affairs, Government of Kerala. The award was discontinued in 2014 and was succeeded by the Kerala State Film Award for Best Character Actress from 2015 onwards. Superlatives Winners See also * Kerala State Film Award for Best Character Actress The Kerala State Film Award for Best Character Actress is an award, begun in 2015, presented annually at the Kerala State Film Awards of India to an actress for her performance in a Malayalam film. It replaced the Kerala State Film Award for Seco ... References External linksOfficial website [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerala State Film Award For Second Best Actor
The Kerala State Film Award for Second Best Actor was an award presented annually from 1969 to 2014 at the Kerala State Film Awards of India. The Kerala State Film Awards is managed by the Kerala State Chalachitra Academy, an autonomous non-profit institution working under the Department of Cultural Affairs, Government of Kerala. Rahman is the youngest recipient at age 16 for '' Koodevide'' (1983). The award was discontinued in 2014 and was succeeded by the Kerala State Film Award for Best Character Actor from 2015 onwards. Superlatives Winners See also * Kerala State Film Award for Best Character Actor The Kerala State Film Award for Best Character Actor is an award, begun in 2015, presented annually at the Kerala State Film Awards of India to an actor for his performance in a Malayalam film. It replaced the Kerala State Film Award for Second ... References External linksOfficial website [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brindabani Sarang
Brindavani Sarang or Brindabani Sarang, also known as raga Sarang, is a Hindustani classical raga. It is also called Vridavani Sarang. This raga falls under the category of Sarang ragas. Theory Brindabani Sarang is a Kafi thaat raga. It was created by Swami Haridas. The associated mythology being that he brought Lord Krishna to earth by singing this raga who took the form of an idol which can still be seen in Mathura. One of the famous Ragas for the Sarang , it is a popular of this family, together with Shuddha Sarang, and Madhyamad Sarang. The name Brindavani Sarang is a testament to its popularity in the region around Mathura. The notes ''Ga'' and ''Dha'' are not used in this raga. A characteristic of all Sarang is the way ''Rishab'' (Re) is sung. The Rishabh is not accorded embellishments, so it is sung without any ''meenḍ'' of adjacent ''swara''s neither with any ''andolan''. This preeminence of Re makes the ''swar'' the ''vadi'' of this Raga as also for all other v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shree (Carnatic Raga)
Shri ragam is an ancient ragam in the Carnatic tradition. It is also written as Sri or Shree.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications This scale does not have all the seven ''swaras'' (musical notes) in the ascending scale. ''Shree'' is the ''asampurna melakartha'' equivalent of ''Kharaharapriya'', the 22nd ''Melakarta'' rāgam.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is the last of the 5 ''Ghana'' rāgams of Carnatic music. It is a popular rāgam that is considered to be highly auspicious. Notably, Carnatic Shree takes the lower ''madhyamam'' being the asampurna scale equivalent of Kharaharapriya. It is not related to the Hindustani raga, Shree. Structure and Lakshana ''Shree'' is an asymmetric rāgam that does not contain ''gāndhāram'' or ''dhaivatam'' in the ascending scale. It is a ''audava-vakra-sampurna'' rāgam (or ''owdava'', meaning pentatonic in ascending scale), where ''vakra'' indicates t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aarabhi
Arabhi or Aarabhi (pronounced ārabhi) is a ragam (musical scale) in Carnatic music (South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent scale, also known as ''janaka'') is '' Shankarabharanam'', 29th in the 72 ''Melakarta'' raga system. It is a combination of the pentatonic scale ''Shuddha Saveri'' (or ''Durga'' in Hindustani Music) and the ''sampurna raga'' scale ''Shankarabharanam''. ''Arabhi'' is a raga that dates back to 7 AD. Originally, it was called as ''pazhanthakkam'' in Ancient Tamil music. A very auspicious ragam that emanates Veera rasa (valour), Arabhi is one of the five ''Ghana'' ragams that shine with special brilliance when '' Thanam'' is played on Veena. Structure and Lakshana Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : ''Arabhi'' raga is an ''Owdava-sampoorna'' raga meaning, 5 ''swaras'' occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desh (raga)
Desh or Des is a Hindustani classical music raga which belongs to the Khamaj thaat. This raga is very similar to raga Khamaj. Technical description The raga is of audava-sampurna nature, i.e., in its arohana (ascent) only five notes are used, whereas the avarohana (descent) uses all the seven notes. Shuddha Ni is used in the arohana, while Komal Ni (represented as ni below) is used in avarohana. All other swaras are shuddha. * Arohana: Ni Sa Re, Ma Pa Ni, Sa. * Avarohana: Sa ni Dha, Pa Dha Ma Ga Re, Pa Ma Ga, Re Ga Ni Sa. * Pakad: Re, Ma Pa Ni, Sa Re ni Dha Pa, ma Ga Re * The vadi swara is Re The ascent in this raga is a step by step pentatonic movement which goes like this: Sa, Re, Ma Pa, Ni Sa’. Samayam (Time): The raga is to be sung during the second quarter of the night (9PM to 12AM). Re is very prominent, quite a few times the singer rests on Re, making it a centre to the melody. The Meend from Ma to Re via Ga is one of the most vital features of the raga. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
