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Sony FE 100mm F2.8 STF GM OSS
The Sony FE 100mm F2.8 STF GM OSS is a premium full-frame smooth trans focus prime lens for the Sony E-mount, announced by Sony in 2017. The lens is currently Sony's only native lens offering Smooth Trans Focus. This compromise in design results in the lens exhibiting the bokeh of an F2.8 lens, while having the light-gathering capabilities of an F5.6 lens, thus requiring good lighting conditions or flash in order to best use the lens. Given its unusually high 1:4 (0.25x) image reproduction ratio, the 100mm GM lens can be considered a pseudo-macro lens. Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view of 150mm. See also *List of Sony E-mount lenses * Sony STF 135mm f/2.8 STF * Venus Optics Laowa 105mm f/2 STF References Camera lenses introduced in 2017 100 100 or one hundred (Roman numeral: C) is the natural number following 99 and preceding 101. In medieval cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony
, commonly stylized as SONY, is a Japanese multinational conglomerate corporation headquartered in Minato, Tokyo, Japan. As a major technology company, it operates as one of the world's largest manufacturers of consumer and professional electronic products, the largest video game console company and the largest video game publisher. Through Sony Entertainment Inc, it is one of the largest music companies (largest music publisher and second largest record label) and the third largest film studio, making it one of the most comprehensive media companies. It is the largest technology and media conglomerate in Japan. It is also recognized as the most cash-rich Japanese company, with net cash reserves of ¥2 trillion. Sony, with its 55 percent market share in the image sensor market, is the largest manufacturer of image sensors, the second largest camera manufacturer, and is among the semiconductor sales leaders. It is the world's largest player in the premium TV mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony E-mount
The E-mount is a lens mount designed by Sony for their NEX ("New E-mount eXperience") and ILCE series of camcorders and mirrorless cameras. The E-mount supplements Sony's α mount, allowing the company to develop more compact imaging devices while maintaining compatibility with 35mm sensors. E-mount achieves this by: * Minimising mechanical complexity, removing mechanical aperture and focus drive. * Shortening the flange focal distance to 18 mm compared with earlier offerings from Sony which used 44.5 mm. * Reducing the radius of the flange. The short flange focal distance prohibits the use of an optical viewfinder, as a mirror box mechanism cannot be included in this reduced distance. Therefore all E-mount cameras use an electronic viewfinder. History Initially, E-mount was implemented on the Sony α NEX-3 and NEX-5 consumer-targeted devices with APS-C sized sensors. E-mount integration into Sony camcorder products was provided with the Sony Handycam NEX-VG10. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smooth Trans Focus
The Smooth Trans Focus (STF) technology in photographic lenses uses an apodization filter to realize notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background. This is accomplished by utilizing a concave neutral-gray tinted lens element next to the aperture blades as apodization filter, a technology originally invented (and patented) by Minolta in the 1980s, and first implemented in a commercially available lens in 1999. In contrast to soft focus lenses, STF lenses render a perfectly sharp image in the focus plane. Lenses featuring ''Smooth Trans Focus'' technology: * Minolta STF 135mm F2.8 4.5(introduced 1999) * Sony α STF 135mm F2.8 4.5(SAL-135F28) (introduced 2006) * Sony FE 100mm F2.8 STF GM OSS ( SEL-100F28GM) (introduced 2017) See also * STF function (an emulation of the effect in the Minolta Maxxum 7) * Fujinon XF 56mm F1.2 R APD (a similar lens introduced by Fujifilm , trading as Fujifilm, or simply Fuji, is a Japanese mul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Photography
Portrait photography, or portraiture, is a type of photography aimed toward capturing the personality of a person or group of people by using effective lighting, backdrops, and poses. A portrait photograph may be artistic or clinical. Frequently, portraits are commissioned for special occasions, such as weddings, school events, or commercial purposes. Portraits can serve many purposes, ranging from usage on a personal web site to display in the lobby of a business. History The relatively low cost of the daguerreotype in the middle of the 19th century and the reduced sitting time for the subject, though still much longer than now, led to a general rise in the popularity of portrait photography over painted portraiture. The style of these early works reflected the technical challenges associated with long exposure times and the painterly aesthetic of the time. Hidden mother photography, in which portrait photographs featured young children's mothers hidden in the frame to calm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35mm Full-frame
A full-frame DSLR is a digital single-lens reflex camera (DSLR) with a 135 film, 35 mm image sensor format (). Historically, 35 mm was one of the standard film formats, alongside larger ones, such as Medium format (film), medium format and large format (photography), large format. The full-frame DSLR is in contrast to full-frame mirrorless interchangeable-lens cameras, and DSLR and mirrorless cameras with smaller sensors (for instance, those with a size equivalent to APS-C-size film), much smaller than a full 35 mm frame. Many digital cameras, both compact and SLR models, use a smaller-than-35 mm frame as it is easier and cheaper to manufacture imaging sensors at a smaller size. Historically, the earliest digital SLR models, such as the Nikon NASA F4 or Kodak DCS 100, also used a smaller sensor. Kodak states that 35 mm film (note: in "Academy ratio, Academy format", 21.0 mm × 15.2 mm) has the equivalent of 6K horizontal resolution, according to a senior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35mm Format
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'. The term 135 was introduced by Kodak in 1934 as a designation for 35 mm film specifically for still photography, perforated with Kodak Standard perforations. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film size. Despite competition from formats such as 828, 126, 110, and APS, it remains the most popular film size today. The size of the 135 film frame with its aspect ratio of 1:1.50 has been adopted by many high-end digital single-lens reflex and digital mirrorless cameras, commonly referred to as "full frame". E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prime Lens
In film and photography, a prime lens is a fixed focal length photographic lens (as opposed to a zoom lens), typically with a maximum aperture from f2.8 to f1.2. The term can also mean the primary lens in a combination lens system. Confusion between these two meanings can occur without clarifying context. Alternate terms, such as ''primary focal length'', ''fixed focal length'', or ''FFL'' are sometimes used to avoid ambiguity. As alternative to zoom lens The term ''prime'' has come to mean the opposite of ''zoom''—a fixed-focal-length, or unifocal lens. While a prime lens of a given focal length is less versatile than a zoom lens, it is often of superior optical quality, wider maximum aperture, lighter weight, and smaller size. These advantages stem from having fewer moving parts, optical elements optimized for one particular focal length, and a less complicated lens formula that creates fewer optical aberration issues. Larger maximum aperture (smaller f-number) facilita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smooth Trans Focus
The Smooth Trans Focus (STF) technology in photographic lenses uses an apodization filter to realize notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background. This is accomplished by utilizing a concave neutral-gray tinted lens element next to the aperture blades as apodization filter, a technology originally invented (and patented) by Minolta in the 1980s, and first implemented in a commercially available lens in 1999. In contrast to soft focus lenses, STF lenses render a perfectly sharp image in the focus plane. Lenses featuring ''Smooth Trans Focus'' technology: * Minolta STF 135mm F2.8 4.5(introduced 1999) * Sony α STF 135mm F2.8 4.5(SAL-135F28) (introduced 2006) * Sony FE 100mm F2.8 STF GM OSS ( SEL-100F28GM) (introduced 2017) See also * STF function (an emulation of the effect in the Minolta Maxxum 7) * Fujinon XF 56mm F1.2 R APD (a similar lens introduced by Fujifilm , trading as Fujifilm, or simply Fuji, is a Japanese mul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bokeh
In photography, bokeh ( or ; ) is the aesthetic quality of the blur produced in out-of-focus parts of an image. Bokeh has also been defined as "the way the lens renders out-of-focus points of light". Differences in lens aberrations and aperture shape cause very different bokeh effects. Some lens designs blur the image in a way that is pleasing to the eye, while others produce distracting or unpleasant blurring ("good" and "bad" bokeh, respectively). Photographers may deliberately use a shallow focus technique to create images with prominent out-of-focus regions, accentuating their lens's bokeh. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas. However, bokeh is not limited to highlights; blur occurs in all regions of an image which are outside the depth of field. The opposite of bokeh—an image in which multiple distances are visible and all are in fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Full-frame Digital SLR
A full-frame DSLR is a digital single-lens reflex camera (DSLR) with a 35 mm image sensor format (). Historically, 35 mm was one of the standard film formats, alongside larger ones, such as medium format and large format. The full-frame DSLR is in contrast to full-frame mirrorless interchangeable-lens cameras, and DSLR and mirrorless cameras with smaller sensors (for instance, those with a size equivalent to APS-C-size film), much smaller than a full 35 mm frame. Many digital cameras, both compact and SLR models, use a smaller-than-35 mm frame as it is easier and cheaper to manufacture imaging sensors at a smaller size. Historically, the earliest digital SLR models, such as the Nikon NASA F4 or Kodak DCS 100, also used a smaller sensor. Kodak states that 35 mm film (note: in " Academy format", 21.0 mm × 15.2 mm) has the equivalent of 6K horizontal resolution, according to a senior vice president of IMAX. This equates to 10K horizontal resolution in f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
APS-C
Advanced Photo System type-C (APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2 and Ø 31.15 mm field diameter. It is therefore also equivalent in size to the Super 35 motion picture film format, which has the dimensions of 24.89 mm × 18.66 mm (0.980 in × 0.735 in) and Ø 31.11 mm field diameter. Sensors approximating these dimensions are used in many digital single-lens reflex cameras (DSLRs), mirrorless interchangeable-lens cameras (MILCs), and a few large-sensor live-preview digital cameras. APS-C size sensors are also used in a few digital rangefinders. Such sensors exist in many different variants depending on the manufacturer and camera model. All APS-C variants are considerably smaller than 35 mm standard film which measures 36×24 mm. Because of this, devices with APS-C sensors are known as "cro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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