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Sonia Viviani
Sonia Viviani is a retired Italian actress and glamour model who is foremost known for her appearances in the Italian exploitation cinema and two films of acclaim in Turkey in the 1970s. Film career Viviani met with cinema at an early age due to her father's work at Cinecittà and started her career in Pasquale Squitieri's ''I guappi'' (1974). She met Tony Askin who became her agent and a plethora of roles followed. Her first role worthy of mention was in ''Un urlo dalle tenebre'' aka ''The Return of Exorcist'' by Franco lo Cascio in 1975. However, her first lead roles came with two Osman F. Seden films: ''Teşekkür Ederim Büyükanne'' (1975), an adaptation of Marino Girolami film '' Grazie... nonna'' and ''Delicesine'' (1976), an adaptation of Irving Wallace novel ''The Fan Club'' that featured Viviani with Kadir İnanır and Fikret Hakan, two prominent Turkish actors. Her later films from mid-1970s to 1980s covered many exploitation genres ranging from commedia sexy all'ita ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus ( legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Regions of Italy, Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan cities of Italy, Metropolitan city , subdivision_name3 = Metropolitan City of Rome Capital, Rome Capital , government_footnotes= , government_type = Mayor–council gover ...
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Commedia Sexy All'italiana
The commedia sexy all'italiana (, lit. " sex comedy Italian style"), also known as commedia scollacciata or commedia erotica all'italiana, is a subgenre of Italian ''commedia all'italiana'' film genre. Style ''Commedia sexy'' is characterized typically by both abundant female nudity and comedy, and by the minimal weight given to social criticism that was the basic ingredient of the main ''commedia all'italiana'' genre. Stories are often set in affluent environments such as wealthy households. It is closely connected to the sexual revolution, and it was something extremely new and innovative for that period. For the first time, films with female nudity could be watched at the cinema. Pornography and scenes of explicit sex were still forbidden in Italian cinemas, but partial nudity was somewhat tolerated. The genre has been described as a cross between bawdy comedy and humorous erotic film with ample slapstick elements which follows more or less clichéd storylines. History Roots ...
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Le Nuove Comiche
''Le nuove comiche'' is a 1994 Italian comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term ori ... film directed by Neri Parenti. It is the third and final installment in the ''Comiche'' trilogy, preceded by '' Le comiche'' (1990) and '' Le comiche 2'' (1991). Cast References External links * 1994 films Films directed by Neri Parenti Films scored by Bruno Zambrini 1990s Italian-language films 1994 comedy films Italian comedy films 1990s Italian films {{1990s-Italy-film-stub ...
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Luigi Cozzi
is a fictional character featured in video games and related media released by Nintendo. Created by Japanese video game designer Shigeru Miyamoto, Luigi is portrayed as the younger fraternal twin brother and sidekick of Mario, Nintendo's mascot. Luigi appears in many games throughout the Mario (franchise), ''Mario'' franchise, oftentimes accompanying his brother. Luigi first appeared in the 1983 Game & Watch game ''List of LCD games featuring Mario#Mario Bros., Mario Bros.'', where he is the character controlled by the second player. He would retain this role in many future games, including ''Mario Bros.'', ''Super Mario Bros.'', ''Super Mario Bros. 3'', ''Super Mario World'', among other titles. He was first available as a primary character in ''Super Mario Bros. 2''. In more recent appearances, Luigi's role became increasingly restricted to spinoffs, such as the ''Mario Party'' and ''Mario Kart'' series; however, he has been featured in a starring role in ''Nelsonic Industr ...
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The Adventures Of Hercules
''The Adventures of Hercules'' ( it, Le avventure dell'incredibile Ercole) is the 1985 sequel to the 1983 film ''Hercules (1983 film), Hercules''. It was written and directed by Luigi Cozzi and has Professional bodybuilding, bodybuilder-turned-actor Lou Ferrigno reprising his role as the title character. Summary The film opens explaining the story of Zeus' Seven Mighty Thunderbolts that kept peace. One day, other vengeful gods (Aphrodite, Hera, Poseidon, and Flora (deity), Flora) stole these lightning bolts to create chaos. The lack of these thunderbolts has rendered Zeus powerless and sent the Moon on a collision course with the Earth. As the humans on Earth begin to suffer, two sisters named Urania and Glaucia speak to the Little People and learn that only Hercules can save them now. After hesitation, Zeus finally decides to send Hercules back from the stars to Earth to aid the humans, but the vengeful gods resurrect their own warrior: King Minos. They believe that King Minos, w ...
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Sword-and-sandal
Sword-and-sandal, also known as peplum (pepla plural), is a subgenre of largely Italian-made historical, mythological, or Biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as ''Samson and Delilah'' (1949), ''Quo Vadis'' (1951), '' The Robe'' (1953), ''The Ten Commandments'' (1956), ''Ben-Hur'' (1959), ''Spartacus'' (1960), and ''Cleopatra'' (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films. The term "peplum" (a Latin word referring to the Ancient Greek garment ''peplos''), was introduced by French film critics in the 1960s. The terms "peplum" and "sword-and-sandal" were used in a condescending way by film critics. Later, the terms were embraced by fans of the films, similar to the terms "spaghetti Western" or "shoot-'em-ups". In their English versions, peplum films ...
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Sergio Martino
Sergio Martino (born 19 July 1938) is an Italian film director and producer, notable for his contributions to the giallo genre. Martino is the brother of the late producer Luciano Martino (who died in 2013). They collaborated frequently in their respective professions. Their grandfather was director Gennaro Righelli. Sergio Martino worked for both the big screen as well as for Italian television where he does most of his current work. He often worked with actress Edwige Fenech who in the 1970s was married to his brother Luciano. He also worked with many genre actors such as George Hilton (who was married to Sergio's cousin), Anita Strindberg, Ivan Rassimov and Claudio Cassinelli, as well as famed Italian screenwriter Ernesto Gastaldi Ernesto Gastaldi (born 10 September 1934) is an Italian screenwriter. Film historian and critic Tim Lucas described Gastaldi as the first Italian screenwriter to specialize in horror and thriller films. Gastaldi worked within several popular gen ...
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Giallo
In Italian cinema, ''Giallo'' (; plural ''gialli'', from ''giallo'', Italian for yellow) is a genre of mystery fiction and thrillers that often contains slasher, crime fiction, psychological thriller, psychological horror, sexploitation, and, less frequently, supernatural horror elements. This particular style of Italian-produced murder mystery horror-thriller film usually blends the atmosphere and suspense of thriller fiction with elements of horror fiction (such as slasher violence) and eroticism (similar to the French '' fantastique'' genre), and often involves a mysterious killer whose identity is not revealed until the final act of the film. The genre developed in the mid-to-late 1960s, peaked in popularity during the 1970s, and subsequently declined in commercial mainstream filmmaking over the next few decades, though examples continue to be produced. It was a predecessor to, and had significant influence on, the later American slasher film genre. Literature In the ...
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Umberto Lenzi
Umberto Lenzi (6 August 1931 – 19 October 2017) was an Italian film director, screenwriter, and novelist. A fan of film since young age, Lenzi studied at the Centro Sperimentale di Cinematografia and made his first film in 1958 which went unreleased, while his official debut happened in 1961 with '' Queen of the Seas''. Lenzi's films of the 1960s followed popular trends of the era, which led to him directing several spy and erotic thriller films. He followed in suit in the 1970s making ''giallo'' films, crime films and making the first Italian cannibal film with '' Man from the Deep River''. He continued making films up until the 1990s and later worked as a novelist writing a series of murder mysteries. Biography Early life Umberto Lenzi was born on 6 August 1931 in the Massa Marittima province of Italy. Lenzi was a film enthusiast as early as grade school. While studying law, Lenzi also created film fan clubs. Lenzi eventually put off studying law and began pursuing the tech ...
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Nightmare City
''Nightmare City'' ( it, Incubo sulla città contaminata: released in the United States as ''City of the Walking Dead'') is a 1980 science-fiction horror film directed by Umberto Lenzi. The film stars Hugo Stiglitz as a television news reporter who witnesses the collapse of order in a city overrun by irradiated blood-drinking ghouls. Victims of the ghouls rise from the dead to join the host, adding to the chaos. Plot American television reporter Dean Miller waits at a small European airport to interview a scientist about a recent nuclear accident, when an unmarked Lockheed C-130 Hercules military plane makes an emergency landing. The plane doors open and dozens of armed, deformed men burst out and attack the military personnel on the runway; they are impervious to most injuries and bullet wounds and are relentless in their assault, stopping only to consume the blood of their victims. Miller flees the airport for the TV station where he works and tries to alert the public, but Gen ...
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Zombie Film
A zombie film is a film genre. Zombies are fictional creatures usually portrayed as reanimated corpses or virally infected human beings. They are commonly portrayed as cannibalistic in nature. While zombie films generally fall into the horror genre, some cross over into other genres, such as action, comedy, science fiction, thriller, or romance. Distinct subgenres have evolved, such as the " zombie comedy" or the " zombie apocalypse". Zombies are distinct from ghosts, ghouls, mummies, Frankenstein's monsters or vampires, so this list does not include films devoted to these types of undead. History Victor Halperin's '' White Zombie'' was released in 1932 and is often cited as the first zombie film. A number of zombie films were produced in the late 1930s and 1940s, including '' I Walked with a Zombie'' (1943). Inspired by the zombie of Haitian folklore, the modern zombie emerged in popular culture during the latter half of the twentieth century, with George A. Romero ...
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Bruno Mattei
Bruno Mattei (30 July 1931 – 21 May 2007) was an Italian film director, screenwriter, and editor who directed exploitation films in many genres, including women in prison, nunsploitation, zombie, mondo, cannibal, and Nazisploitation films. Mattei's films often followed popular genre trends of the era. Mattei continued work as a director primarily in the Philippines until his death in 2007, just before he was to enter production on his fifth Zombie film. Biography Bruno Mattei was born on 30 July 1931 in Rome, Italy. Mattei grew up around films as his father owned a film editing studio. He studied at the Centro Sperimentale Centrale, the national film school, and graduated in 1951. Mattei initially worked as a screenwriter and claimed to have worked on over 100 films as an editor, a claim that film historian Louis Paul stated was "difficult to verify". Some of the earliest films Mattei worked on included ''Lulu'' and ''Tua per la vita''. Early film work started in 1956 on ...
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