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Sofia Golovkina
Sofia Nikolayevna Golovkina (February 17, 2004) was a Soviet and Russian ballet dancer, choreographer and teacher. A graduate of the Moscow State Academy of Choreography in 1933, she was the principal dancer of the Bolshoi Ballet till 1959. In 1960, she became director of the Moscow Bolshoi Ballet School. For her work, Golovkina was awarded the Russian Order of Merit, People's Artist of the USSR, and the Order of the Red Banner of Labour. She died in 2004 in Moscow. Biography Born in Moscow, Golovkina trained with Alexander Chekrygin at the Bolshoi Ballet School, joining the ballet when she was 17. There she danced the leads in the major classical works including ''Swan Lake'', ''Raymonda'', '' The Sleeping Beauty'' and ''Don Quixote''. She also created roles as the Tsar-Maiden in Alexander Gorsky's '' The Little Humpbacked Horse'' and Zarema in Rostislav Zakharov's '' The Fountain of Bakhchisaray''. In 1943, she danced Nikiya in Gorsky's ''La Bayadère'' and in 1947 she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow
Moscow is the Capital city, capital and List of cities and towns in Russia by population, largest city of Russia, standing on the Moskva (river), Moskva River in Central Russia. It has a population estimated at over 13 million residents within the city limits, over 19.1 million residents in the urban area, and over 21.5 million residents in Moscow metropolitan area, its metropolitan area. The city covers an area of , while the urban area covers , and the metropolitan area covers over . Moscow is among the world's List of largest cities, largest cities, being the List of European cities by population within city limits, most populous city entirely in Europe, the largest List of urban areas in Europe, urban and List of metropolitan areas in Europe, metropolitan area in Europe, and the largest city by land area on the European continent. First documented in 1147, Moscow became the capital of the Grand Principality of Moscow, which led the unification of the Russian lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( ) is a ballet in a prologue and three acts to music by Pyotr Ilyich Tchaikovsky, his Opus 66, completed in 1889. It is the second of his three ballets and, at 160 minutes, his second-longest work in any genre. The original scenario was by Ivan Vsevolozhsky after Perrault's '' La belle au bois dormant'', or ''The Beauty Sleeping in the Forest''; the first choreographer was Marius Petipa. The premiere took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890, and from that year forward ''The Sleeping Beauty'' has remained one of the most famous ballets of all time. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of '' Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would compose the music for the ballet. Tchaiko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agrippina Vaganova
Agrippina Yakovlevna Vaganova (; 26 June 1879 – 5 November 1951) was a Soviet and Russian ballet teacher who developed the Vaganova method – the technique which derived from the teaching methods of the old Imperial Ballet School (today the Vaganova Academy of Russian Ballet) under the ''Premier Maître de Ballet'' Marius Petipa throughout the mid to late 19th century, though mostly throughout the 1880s and 1890s. It was Vaganova who perfected and cultivated this form of teaching the art of classical ballet into a workable syllabus. Her ''Fundamentals of the Classical Dance'' (1934) remains a standard textbook for the instruction of ballet technique. Her technique is one of the most popular techniques today. Biography Vaganova was born in Saint Petersburg to Akop Vaganov, an Armenian from Astrakhan, who worked as an usher at the Mariinsky Theatre, and a Russian mother. Vaganova's whole life was connected with the Imperial Ballet (later the Kirov Ballet) of the Mariinsky Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rector (academia)
A rector (Latin language, Latin for 'ruler') is a senior official in an educational institution, and can refer to an official in either a university or a secondary school. Outside the English-speaking world, the rector is often the most senior official in a university, while in the United States, the equivalent is often referred to as the President (education), president, and in the United Kingdom and Commonwealth of Nations, the equivalent is the Vice-chancellor (education), vice-chancellor. The term and office of a rector can be referred to as a rectorate. The title is used widely in universities in EuropeEuropean nations where the word ''rector'' or a cognate thereof (''rektor'', ''recteur'', etc.) is used in referring to university administrators include Albania, Austria, Benelux, the Benelux, Bosnia and Herzegovina, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, Germany, Greece, Hungary, Iceland, Italy, Latvia, Malta, Moldova, North Macedonia, Poland, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natalia Bessmertnova
Natalia Igorevna Bessmertnova () was a Soviet prima ballerina of the Bolshoi Ballet and a People's Artist of the USSR (1976). Life Natalia Bessmertnova was born in Moscow in 1941 and trained at the Moscow State Academy of Choreography from 1953-61. Among her teachers were Sofia Golovkina and Marina Semyonova. She graduated in 1961 as the first student in the school's history receiving A+ in the final examinations. In 1963, she joined the Bolshoi Ballet and was its ''prima ballerina'' for three decades. She was married to Yury Grigorovich, former Director and Chief choreographer of the Bolshoi. When he was forced to leave the Bolshoi in 1995, she took part in a historic strike which led to cancellations of scheduled performances. Bessmertnova died in Moscow on 19 February 2008, aged 66, from cancer. Her sister Tatyana (born 1947) was also a ballet dancer. Title roles * Giselle in Lavrovsky's 1963 '' Giselle'' production * Leyli in Goleizovsky's 1964 * Anastasia in Grigo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Revolution
The Russian Revolution was a period of Political revolution (Trotskyism), political and social revolution, social change in Russian Empire, Russia, starting in 1917. This period saw Russia Dissolution of the Russian Empire, abolish its monarchy and adopt a socialist form of government following two successive revolutions and Russian Civil War, a civil war. It can be seen as the precursor for Revolutions of 1917–1923, other revolutions that occurred in the aftermath of World War I, such as the German Revolution of 1918–1919. The Russian Revolution was a key events of the 20th century, key event of the 20th century. The Russian Revolution was inaugurated with the February Revolution in 1917, in the midst of World War I. With the German Empire inflicting defeats on the front, and increasing logistical problems causing shortages of bread and grain, the Russian Army was losing morale, with large scale mutiny looming. Officials were convinced that if Tsar Nicholas II abdicated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flames Of Paris
''Flames of Paris'' or ''The Flames of Paris'' () is a full-length ballet in four acts, choreographed by Vasily Vainonen with the stage director Sergei Radlov to music by Boris Asafyev based on songs of the French Revolution. The libretto by Nicolai Volkov and Vladimir Dmitriev was adapted from a book by Felix Gras. It was premiered at the Kirov Theatre in Leningrad on 7 November 1932, with Natalia Dudinskaya as Mireille de Poitiers, Vakhtang Chabukiani as Jérôme, Olga Jordan as Jeanne, Nina Anisimova as Thérèse, and Konstantin Sergeyev as Mistral. The Bolshoi Ballet premiered the full work on 6 July 1933 at the Bolshoi Theatre in Moscow, with Aleksey Yermolayev (Jérôme), Anastasia Abramova (Jeanne), Nadezhda Kapustina (Thérèse) and Marina Semenova (Mireille de Poitiers). The conductor was Yuri Fayer. A new production (using some of the original choreography) was staged in 2008 by Alexei Ratmansky for the Bolshoi Ballet and is available on DVD with Ivan Vasili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasili Vainonen
Vasili Ivanovich Vainonen, also spelled Vasily () (1901-1964), was a Russian choreographer, mainly for the Kirov Ballet, now known as the Mariinsky Ballet, with which he worked from 1930 to 1938. At 19 years old, he began choreographing works, mostly for smaller concert stages and, quickly, made a name for himself. His initial career at the Kirov was somewhat shaky after he choreographed one of the acts (together with V.P. Chesnakov and Leonid Yakobson) Shostakovich's ballet The Golden Age. Vainonen's section was partly censored due to its use of western dance styles and the ballet was shelved after its initial run. Of all the Vainonen works from this period, the one still performed is Flames of Paris (Russian: Пла́мя Пари́жа) from 1932 with music by Boris Asafyev partly incorporating the melodies of songs of the French Revolution. The libretto by Nicolai Volkov and Vladimir Dmitriev was adapted from a book by Felix Gras. It was premiered at the Kirov Theatre in Lenin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is an 1877 ballet, originally staged in four acts and seven tableaux by the French choreographer Marius Petipa to music by Ludwig Minkus and libretto by . The ballet was staged for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was hailed by contemporary critics and audiences as one of the choreographer Petipa's masterpieces, particularly the scene of act II ''The Kingdom of the Shades'', which is one of the most celebrated pieces in all of classical ballet. Nearly all modern versions of ''La Bayadère'' are derived from and Vakhtang Chabukiani's redacted version staged for the Kirov/Mariinsky Ballet in 1941 that has remained in the company's repertory to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fountain Of Bakhchisaray
''The Fountain of Bakhchisaray'' (, ''Bakhchisaraiskiy fontan'') is a narrative poem by Alexander Pushkin, written from 1821 to 1823. Pushkin began writing ''The Fountain of Bakhchisaray'' in the spring of 1821, after having visited The Fountain of Tears at the Bakhchysarai Palace in 1820. The bulk of the poem was written during 1822. In spring 1823, the entry draft was completed. During the autumn of 1823, Pushkin made his final changes to the poem and prepared it for printing. The first edition of ''The Fountain of Bakhchisaray'' was published on 10 March 1824. The poem has inspired multiple works. In 1899, composer Anton Arensky wrote a five-part cantata, including an aria for Zarema. In 1909–1910, a short film based on the poem was created by Yakov Protazanov. In 1934, Boris Asafyev composed a ballet of the same name, also inspired by Pushkin's work, and Alexander Ilyinsky composed an opera in 1911 based on the poem. Alexander von Zemlinsky's 1897 opera ''Sarema'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rostislav Zakharov
Rostislav Vladimirovich Zakharov (; September 7, 1907 – January 15, 1984) was a Soviet and Russian choreographer, ballet dancer and opera director. He was a professor at the Russian Institute of Theatre Arts (GITIS) in Moscow (1946–1983). Zakharov was awarded the Stalin Prize twice and designated the People's Artist of the USSR (1969). Zakharov is best known for choreographing ''The Fountain of Bakhchisaray'' with music by Boris Asafiev (1934) and ''Cinderella'' (1945). The art of choreographer Zakharov made up an entire epoch in the history of the Soviet and world ballet and opera theater. As a choreographer Zakharov had his own unique philosophy of dance art. He influenced the art of ballet, making it a truly realistic and democratic art. At the beginning of the 20th century, the ballet theater began to move away from romanticism and get closer to the great world classical literature. Zakharov was at the origins of a new ballet direction –ballet drama. Due to his deep know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Little Humpbacked Horse (ballet)
''The Little Humpbacked Horse, or The Tsar Maiden'' (a.k.a. ''Konyok Gorbunok ili Tsar-Devitsa'', or ''Le Petit cheval bossu, ou La Tsar-Demoiselle'') is a ballet in four acts and eight scenes with apotheosis. Story of the ballet The libretto is by Arthur Saint-Léon, based on the fairy tale ''The Little Humpbacked Horse'' by Pyotr Pavlovich Yershov, Pyotr Yershov. However, the choreographer substantially deviated from Yershov's original tale. The ballet shows how Ivan the fool, with the aid of a magical horse, defeats an evil Khan (title), Khan and wins the hand of the Tsar-Maiden. Eventually Ivan replaces the ineffective and incompetent Tsar and becomes Tsar himself. Choreography of Saint-Léon The original choreography was created by Arthur Saint-Léon and was set to music by Cesare Pugni. The ballet was first presented by the Mariinsky Ballet, Imperial Ballet on at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. Marfa Muravyova (as the Tsar Maiden) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
