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Sodom And Gomorrah (play)
''Sodom and Gomorrah'' (French title: ''Sodome et Gomorrhe'') is a play by French dramatist Jean Giraudoux (1882–1944). Composed as a tragedy set in the biblical city of Sodom, the play was first published in 1943. History Although Giraudoux was a prolific writer before World War II, ''Sodome et Gomorrhe'' was his only new work produced during the German occupation. The play was first translated into English by Herma Briffault in Barry Ulanov's ''Makers of the Modern Theatre'' (1961). Synopsis One of Giradoux's darkest works, the themes and lessons of ''Sodom and Gomorrah'' are "deeply pessimistic". The play explores the fundamental differences between man and woman, their different expectations and the unlikelihood of their satisfaction. The plot begins with an angel proclaiming that the people of the two cities will be destroyed unless they can show among themselves an example of true love. The characters of Lia and Jean are introduced as the best evidence, but over the course ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Hoet
Gerard Hoet (; 22 August 1648 – 2 December 1733) was a Dutch Golden Age painter and engraver. Biography Gerard Hoet trained with his father and brother who were glass painters, and Warnard van Rijsen, who lived in Zaltbommel, and who himself was a pupil of Cornelis van Poelenburgh in Utrecht.Gerard Hoet biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the In 1672 Hoet moved to |
Herma Briffault
Herma Briffault, born Herma Hoyt (1898-1981) was an American ghostwriter and translator of French and Spanish literature.Peter KihssHerma Brifault, 83; Prolific Translator and Ghost Writer ''The New York Times'', August 18, 1981. Life Herma Hoyt was born in Reedsville, Ohio on May 4, 1898. In the 1920s, she went to live in Paris, divorcing her first husband J. Eugene Mullins. In 1931, she married the French-born anthropological writer Robert Briffault, and started a career as a ghost writer. She wrote eighteen books under other people's names, including a 1928 biography of the hotelier César Ritz under the name of his widow, Marie-Louise Ritz. The pair endured the Nazi occupation of Paris as enemy aliens under house arrest. Robert Briffault died in 1948. Around that time, Briffault began working with Vilhjalmur Stefansson to research the history of Russian-American attempts to join Alaska and Siberia by telegraph. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By Jean Giraudoux
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Philipe
Gérard Philipe (born Gérard Albert Philip, 4 December 1922 – 25 November 1959) was a prominent French actor who appeared in 32 films between 1944 and 1959. Active in both theatre and cinema, he was, until his early death, one of the main stars of the post-war period. His image has remained youthful and romantic, which has made him one of the icons of French cinema. Life and career Early life Born Gérard Albert Philip in Cannes in a well-off family, he was of one-quarter Czech ancestry from his maternal grandmother. His father, Marcel Philip (1893–1973), was a barrister and businessman in Cannes; his mother was Maria Elisa "Minou" Philip, née Vilette (1894–1970). On his mother's advice, in 1944 Gérard changed his surname from "Philip" to "Philipe". As a teenager, Philipe took acting lessons before going to Paris to study at the Conservatoire of Dramatic Art. Early Films Philipe made his film debut in '' Les Petites du quai aux fleurs'' (1943), directed by Marc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwige Feuillère
Edwige Feuillère (born Edwige Louise Caroline Cunatti; October 29, 1907 – November 13, 1998) was a French stage and film actress. Biography She was born Edwige Louise Caroline Cunatti to an Italian architect father and an Alsace-born mother. She was raised primarily in Dijon. In 1931 she married actor Pierre Feuillère, from whom she separated two years later (1933), but kept his surname. She acted from 1931 until 1995. Death She died of natural causes, aged 91. Selected filmography *1931: ''La Fine Combine'' (Short, dir. André Chotin) – Mado, the mistress *1931: ''Mam'zelle Nitouche'' (dir Marc Allégret) – Une théâtreuse (uncredited) *1931: '' The Champion Cook'' (dir. Alberto Cavalcanti) – Régine *1932: '' Monsieur Albert'' (dir. Karl Anton) – Comtesse Peggy Ricardi *1932: ''La Perle'' (dir. René Guissart) – Viviane Lancenay *1932: ''Une petite femme dans le train'' (dir. Karl Anton) – Adolphine *1932: '' Maquillage'' (dir. Karl Anton) – Kett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Douking
Georges Douking (born Georges Ladoubée; 6 August 1902 – 20 October 1987) was a French stage, film, and television actor. He also directed stage plays such as the premier presentation of Jean Giraudoux's ''Sodom and Gomorrah'' at the Théâtre Hébertot in 1943. He is perhaps best known for his role in the surreal 1972 comedy ''The Discreet Charm of the Bourgeoisie''. He was one of the favorite actors of the French filmmaker Pierre Chenal. Douking appeared in more than 75 films between 1934 and 1981.filmography of Georges Douking at Partial filmography *1934: '' |
Love
Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest Interpersonal relationship, interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love for food. Most commonly, love refers to a feeling of a strong attraction and emotional attachment (psychology), attachment.''Oxford Illustrated American Dictionary'' (1998) Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human morality, moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, Obsessive love, obsessiveness or codependency. It may also describe compassionate and affectionate actions towards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Destroying Angel (Bible)
In the Hebrew Bible, the destroying angel (, ''malʾāḵ hamašḥīṯ''), also known as mashḥit ( ''mašḥīṯ'', 'destroyer'; plural: , ''mašḥīṯīm'', 'spoilers, ravagers'), is an entity sent out by YHWH on several occasions to kill the enemies of the Hebrews. These angels ('' mal'akh'') are also variously referred to as '' memitim'' (, 'executioners, slayers'), or Angel of the Lord. The latter is found in Job 33:22, as well as in Proverbs 16:14 in the plural, "messengers of death". ''Mashchith'' was also used as an alternate name for one of the seven compartments of Gehenna. In 2 Samuel 24:15-16, the destroying angel kills the inhabitants of Jerusalem. In I Chronicles 21:15, the same "Angel of the Lord" is seen by David to stand "between the earth and the heaven, with a drawn sword in his hand stretched out against Hebrews's enemies". Later, in II Kings 19:35, the angel kills 185,000 Assyrian soldiers. In the Book of Enoch, angels of punishment and destruct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Ulanov
Baruch "Barry" Ulanov (April 10, 1918 – April 30, 2000) was an American writer, perhaps best known as a jazz critic. Background Barry Ulanov was born in Manhattan, New York City. He received early instruction on the violin from his father Nathan who was concertmaster for Arturo Toscanini's NBC Symphony Orchestra. He ceased playing the instrument after a car crash in which he broke both wrists. He studied at Columbia University taking his BA there in 1939. While at Columbia, he joined the Boar's Head Society and wrote about jazz and also attended jazz concerts, including an early performance of "Strange Fruit" by Billie Holiday at the Café Society. Career Soon after graduating he edited several magazines and journals on music. He was editor of the journal ''Metronome'' from 1943 to 1955 and increased its coverage of modern jazz music as well as promoting contemporary African American musicians. Ulanov was an early advocate of bebop and the music of Charlie Parker and Dizzy Gil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Giraudoux
Hippolyte Jean Giraudoux (; 29 October 1882 – 31 January 1944) was a French novelist, essayist, diplomat and playwright. He is considered among the most important French dramatists of the period between World War I and World War II. His work is noted for its stylistic elegance and poetic fantasy. Giraudoux's dominant theme is the relationship between man and woman—or in some cases, between man and some unattainable ideal. Biography Giraudoux was born in Bellac, Haute-Vienne, where his father, Léger Giraudoux, worked for the Ministry of Transport. Giraudoux studied at the Lycée Lakanal in Sceaux and upon graduation traveled extensively in Europe. After his return to France in 1910, he accepted a position with the Ministry of Foreign Affairs. With the outbreak of World War I, he served with distinction and in 1915 became the first writer ever to be awarded the wartime Legion of Honour. He married in 1918 and in the subsequent inter-war period produced the majority of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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