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Siyāmak
Siamak ( , sometimes transliterated as Siyamak or Siamac) is a character in Shahnameh, the national epic of Greater Iran. Ferdowsi's great epic poem begins with the story of Keyumars, the first king to arise among humans, who at that time lived in mountain caves and wore the skins of leopards. God ('' Hormazd'') granted him the supernatural radiance called '' farr'' reserved for kings. His son was Siāmak and was beloved by all, except the destructive spirit ''Ahriman'', who raised an army under the command of his own demonic son. When the divine figure Sorush warned Keyumars, Siāmak led an army of his own. Siāmak accepted a challenge to single combat and died at the hands of the demon. Keyumars mourned for a year, and then Sorush advised him to fight Ahriman once more. Siāmak's son Hushang led the army that defeated Ahriman's son, whom he bound and beheaded. Keyumars died after a thirty-year reign, leaving his throne to Hushang. Etymology and meaning In terms of etymology, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahnameh
The ''Shahnameh'' (, ), also transliterated ''Shahnama'', is a long epic poem written by the Persian literature, Persian poet Ferdowsi between and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 distichs or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems, and the longest epic poem created by a single author. It tells mainly the Persian mythology, mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest of Persia, Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater Greater Iran, region influenced by Persian culture such as Armenia, Dagestan, Georgia (country), Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language. It is regarded as a literary masterpiece, and definitive of the ethno-national cultural ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Epic
A national epic is an epic poem or a literary work of epic scope which seeks to or is believed to capture and express the essence or spirit of a particular nation—not necessarily a nation state, but at least an ethnic or linguistic group with aspirations to independence or autonomy. National epics frequently recount the origin of a nation, a part of its history, or a crucial event in the development of national identity such as other national symbols. History In medieval times Homer's ''Iliad'' was taken to be based on historical facts, and the Trojan War came to be considered as seminal in the genealogies of European monarchies. Virgil's ''Aeneid'' was taken to be the Roman equivalent of the ''Iliad'', starting from the Fall of Troy and leading up to the birth of the young Roman nation. According to the then-prevailing conception of history, empires were born and died in organic succession and correspondences existed between the past and the present. Geoffrey of Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greater Iran
Greater Iran or Greater Persia ( ), also called the Iranosphere or the Persosphere, is an expression that denotes a wide socio-cultural region comprising parts of West Asia, the South Caucasus, Central Asia, South Asia, and East Asia (specifically the Tarim Basin)—all of which have been affected, to some degree, by the Iranian peoples and the Iranian languages. It is defined by having long been ruled by the dynasties of various Iranian empires, under whom the local populaces gradually incorporated some degree of Iranian influence into their cultural and/or linguistic traditions; or alternatively as where a considerable number of Iranians settled to still maintain communities who patronize their respective cultures, geographically corresponding to the areas surrounding the Iranian plateau. It is referred to as the "Iranian Cultural Continent" by ''Encyclopædia Iranica''. Throughout the 16th–19th centuries, Iran lost many of the territories that had been conquered under th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdowsi
Abu'l-Qâsem Ferdowsi Tusi (also Firdawsi, ; 940 – 1019/1025) was a Persians, Persian poet and the author of ''Shahnameh'' ("Book of Kings"), which is one of the world's longest epic poetry, epic poems created by a single poet, and the greatest epic of Persian-speaking people, Persian-speaking countries. Ferdowsi is celebrated as one of the most influential figures of Persian literature and one of the greatest in the history of literature. Name Except for his ''kunya (Arabic), kunya'' ( – , meaning 'father of Qasem') and his Takhallus, pen name ( – ''Ferdowsī'', meaning 'Paradise, paradisic'), nothing is known with any certainty about his full name. According to Djalal Khaleghi-Motlagh, the information given by the 13th-century author Bundari about Ferdowsi's name should be taken as the most reliable. Bundari calls the poet al-Amir al-Hakim Abu'l-Qasem Mansur ibn al-Hasan al-Ferdowsi al-Tusi. From an early period on, he has been referred to by different additional na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poetry
In poetry, an epic is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. With regard to oral tradition, epic poems consist of formal speech and are usually learnt word for word, and are contrasted with narratives that consist of everyday speech where the performer has the license to recontextualize the story to a particular audience, often to a younger generation. Influential epics that have shaped Western literature and culture include Homer's ''Iliad'' and '' Odyssey''; Virgil's '' Aeneid''; and the anonymous '' Beowulf'' and '' Epic of Gilgamesh''. The genre has inspired the adjective '' epic'' as well as derivative works in other mediums (such as epic films) that evoke or emulate the characteristics of epics. Etymology The English word ''epic'' comes from Latin , which itself comes from the Ancient Greek adject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyumars
Keyumars or Kiomars () was the name of the first king (shah) of the Pishdadian dynasty of Iran according to the ''Shahnameh''. The name appears in Avestan in the form of , or in medieval Zoroastrian texts as ''Gayōmard'' or ''Gayōmart''. In the Avesta he is the mythological first human being in the world. The corresponding name in Middle Persian is . In Ferdowsi's ''Shahnameh'' he appears as the first shah of the world. He is also called the (), the first to practice justice, the lawgiver. The Avestan form means "the living mortal", from 'life' and 'mortal, human being'; cf. Persian 'human' (). In Zoroastrian literature According to the Zoroastrian creation myth, Gayōmart, who was neither male nor female, was the first human, or, according to the Avesta, he was the first person to worship Ahura Mazda. The Avestan forms ''Mashya'' and ''Mashyana'' appear as the male and female first humans; their names are versions of the word 'mortal'. In the eighth book of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopard
The leopard (''Panthera pardus'') is one of the five extant cat species in the genus ''Panthera''. It has a pale yellowish to dark golden fur with dark spots grouped in rosettes. Its body is slender and muscular reaching a length of with a long tail and a shoulder height of . Males typically weigh , and females . The leopard was first described in 1758, and several subspecies were proposed in the 19th and 20th centuries. Today, eight subspecies are recognised in its wide range in Africa and Asia. It initially evolved in Africa during the Early Pleistocene, before migrating into Eurasia around the Early–Middle Pleistocene transition. Leopards were formerly present across Europe, but became extinct in the region at around the end of the Late Pleistocene-early Holocene. The leopard is adapted to a variety of habitats ranging from rainforest to steppe, including arid and montane areas. It is an opportunistic predator, hunting mostly ungulates and primates. It relies on it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahura Mazda
Ahura Mazda (; ; or , ),The former is the New Persian rendering of the Avestan form, while the latter derives from Middle Persian. also known as Horomazes (),, is the only creator deity and Sky deity, god of the sky in the ancient Iranian religion Zoroastrianism. He is the first and most frequently invoked spirit in the ''Yasna''. The literal meaning of the word ''Wikt:Ahura, Ahura'' is "lord", and that of ''Wikt:Mazda, Mazda'' is "wisdom". The first notable invocation of Ahura Mazda occurred during the Achaemenid Empire, Achaemenid period () with the Behistun Inscription of Darius the Great. Until the reign of Artaxerxes II (), Ahura Mazda was worshipped and invoked alone in all extant royal inscriptions. With Artaxerxes II, Ahura Mazda was gathered in a triad with Mithra and Anahita. In the Achaemenid period, there are no known representations of Ahura Mazda at the royal court other than the custom for every emperor to have an empty chariot drawn by white horses to invit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khvarenah
''Khvarenah'' (also spelled ''khwarenah'' or ''xwarra(h)'': ) is an Avestan word for a Zoroastrian concept literally denoting "glory" or "splendour" but understood as a divine mystical force or power projected upon and aiding the appointed. The neuter noun thus also connotes "(divine) royal glory", reflecting the perceived divine empowerment of kings. The term also carries a secondary meaning of "(good) fortune"; those who possess it are able to complete their mission or function. In 3rd- to 7th-century Sassanid-era inscriptions as well as in the 9th- to 12th-century texts of Zoroastrian tradition, the word appears as Zoroastrian Middle Persian ''khwarrah'', rendered with the Pahlavi ideogram ''GDE'', reflecting Aramaic ''gada'' "fortune". Middle Persian ''khwarrah'' continues as New Persian ''k(h)orra''. These variants, which are assumed to be learned borrowings from the Avestan, are the only Iranian language forms with an initial 'xᵛ-'. In all other dialects, the word has an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angra Mainyu
Angra Mainyu (; ) is the Avestan name of Zoroastrianism's hypostasis of the "destructive/evil spirit" and the main adversary in Zoroastrianism either of the Spenta Mainyu, the "holy/creative spirits/mentality", or directly of Ahura Mazda, the highest deity of Zoroastrianism. The Middle Persian equivalent is Ahriman (anglicised pronunciation: ). The name can appear in English-language works as Ahrimanes. In the Avesta In Zoroaster's revelation Avestan ''angra mainyu'' "seems to have been an original conception of Zoroaster's." In the Gathas, which are the oldest texts of Zoroastrianism and are attributed to Zoroaster, ''angra mainyu'' is not yet a proper name.Proper names are altogether rare in the Gathas. In these texts, even Ahura Mazda and Amesha Spenta are not yet proper names. In the one instance in these hymns where the two words appear together, the concept spoken of is that of a ''mainyu'' ("mind", "spirit" or otherwise an abstract energy etc.)The translation of '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sraosha
Sraosha ( or ; ), is the Avestan name of the Zoroastrian '' yazata'' of "Conscience" and "Observance", which is also the literal meaning of his name. In the Middle Persian commentaries of the 9th-12th centuries, the divinity appears as '', S(a)rosh''. This form appears in many variants in New Persian as well, for example , ''Sorūsh''. Unlike many of the other Yazatas (concepts that are "worthy of adoration"), Soroush is also frequently referred to as the "Angel of Conscience" or "Voice of Conscience", which overlaps with both of his role as the "Teacher of Daena", Daena being the hypostasis of both "Conscience" and "Religion" and Guardian/Companion over the Chinvat Bridge. Soroush is also the Persian name of the angel Gabriel in Abrahamic religions and the angel Jibril in Islam. In scripture In Zoroaster's revelation Soroush is already attested in the Gathas, the oldest texts of Zoroastrianism and believed to have been composed by Zoroaster himself. In these earliest t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
