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Siter
The siter and celempung are plucked string instruments used in Javanese gamelan. They are related to the ''kacapi'' used in Sundanese gamelan. The siter and celempung each have between 11 and 13 pairs of strings, strung on each side, between a box resonator. Typically the strings on one side tuned to pélog and the other to slendro. The siter is generally about a foot long and fits in a box (which it is set upon while played), while the celempung is about three feet long and sits on four legs, and is tuned one octave below the siter. They are used as one of the elaborating instruments (panerusan), that play cengkok (melodic patterns based on the balungan). Both the siter and celempung play at the same speed as the gambang (which is rapidly). The name "siter" comes from the Dutch word "citer", which corresponds to the English word "zither". "Celempung" is related to the Sundanese musical form celempungan. The strings of the siter are played with the thumbnails, while the finge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celempung
The siter and celempung are plucked string instruments used in Javanese gamelan. They are related to the ''kacapi'' used in Sundanese gamelan. The siter and celempung each have between 11 and 13 pairs of strings, strung on each side, between a box resonator. Typically the strings on one side tuned to pélog and the other to slendro. The siter is generally about a foot long and fits in a box (which it is set upon while played), while the celempung is about three feet long and sits on four legs, and is tuned one octave below the siter. They are used as one of the elaborating instruments ( panerusan), that play cengkok (melodic patterns based on the balungan). Both the siter and celempung play at the same speed as the gambang (which is rapidly). The name "siter" comes from the Dutch word "citer", which corresponds to the English word "zither". "Celempung" is related to the Sundanese musical form celempungan. The strings of the siter are played with the thumbnails, while the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Instruments
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called ''kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument '' siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or '' gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument '' siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indonesia
Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guinea. Indonesia is the world's largest archipelagic state and the 14th-largest country by area, at . With over 275 million people, Indonesia is the world's fourth-most populous country and the most populous Muslim-majority country. Java, the world's most populous island, is home to more than half of the country's population. Indonesia is a presidential republic with an elected legislature. It has 38 provinces, of which nine have special status. The country's capital, Jakarta, is the world's second-most populous urban area. Indonesia shares land borders with Papua New Guinea, East Timor, and the East Malaysia, eastern part of Malaysia, as well as maritime borders with Singapore, Vietnam, Thailand, the Philippines, Australia, Palau, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi
The kacapi ( su, ᮊᮎᮕᮤ) is a traditional zither of Sundanese people in Indonesia. This musical instrument is similiar to Chinese , Japanese ''koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian), pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which gives th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Java
The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflecting the diversity of the island and its lengthy history. Apart from traditional forms that maintain connections to musical styles many centuries old, there are also many unique styles and conventions which combine elements from many other regional influences, including those of neighbouring Asian cultures and European colonial forms. Gamelan The gamelan orchestra, based on metallic idiophones and drums, is perhaps the form which is most readily identified as being distinctly "Javanese" by outsiders. In various forms, it is ubiquitous to Southeast Asia. In Java, the full gamelan also adds a bowed string instrument (the rebab, a name illustrative of Islamic influence), plucked siter, vertical flute suling and voices. The rebab is one of the main melodic instruments of the ensemble, together with the metallophone gendér; these and the kendang drums are often played by the most expe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Indonesia
As it is a country with many different tribes and ethnic groups, the music of Indonesia ( id, Musik Indonesia) itself is also very diverse, coming in hundreds of different forms and styles. Every region have its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India. The music of Java, Sumatra, Bali, Flores (Lesser Sunda Islands) and other islands have been well documented and recorded, and further research by Indonesian and international scholars is also ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musical instruments in their rituals. The contemporary music of Indonesia today is also po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celempungan
Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter. Celempungan is named for the celempung, a bamboo tube zither from West Java. Celempungan ensembles had their golden era from 1935 to 1945. In modern celempungan ensembles, the celempung may be replaced by the siter, kacapi, and kendang. Troupes' musical repertoires include gamelan salendro kliningan. Dutch ethnomusicologist Jaap Kunst Jaap Kunst (12 August 1891 in Groningen – 7 December 1960 in Amsterdam) was a Dutch musicologist. He is credited with coining the term "ethnomusicology" as a more accurate name for the field then known as comparative musicology. Kunst studied th ... described celempungan in his 1973 book ''Music in Java'': See also * Karinding References Further reading * * * * Gong and chime music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panerusan
The panerusan instruments or elaborating instruments are one of the divisions of instruments used in Indonesian gamelan. Instead of the rhythmic structure provided by the colotomic instruments, and the core melody of the balungan instruments, the panerusan instruments play variations on the balungan. They are usually the most difficult instruments to learn in the gamelan, but provide the most opportunity for improvisation and creativity in the performer. Hood, Mantle. ''The Nuclear Theme as a Determinant of Patet in Javanese Music''. New York: Da Capo, 1977. Pages 11–12. Panerusan instruments include the gendér, suling, rebab, siter/celempung, bonang, and gambang. The female singer, the pesindhen, is also often included, as she sings in a similar fashion to the instrumental techniques. As these include the only wind instruments, string instruments, and wooden percussion instruments found in the gamelan, they provide a timbre which stands out from most of the gamelan. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cengkok
Céngkok ( jv, ꦕꦺꦁꦏꦺꦴꦏ꧀, translit=Céngkok) (old orthography: ''tjengkok'') are patterns played by the elaborating instruments used in Indonesian Javanese gamelan. They are melodic formula that lead to a '' sèlèh'',Brinner, Benjamin (2008). ''Music in Central Java'', p.157. . following the rules of the ''pathet'' of the piece. The most elaborate ''cengkok'' repertoire is that of the '' gendér barung''. The '' gambang'' and '' siter'', on the other hand, do not have such formalized sets of ''cengkok'', and therefore may vary more from performer to performer. Most ''cengkok'' derive from the vocal repertoire, and many have names that originally came from lyrics, like the well-known " Ayu kuning". They may incorporate pre-existent melodic patterns through a process of centonization. See also * Gamelan * Seleh * Sekaran * Pathet * Music of Indonesia * Music of Java The Music of Java embraces a wide variety of styles, both traditional and contemporary, refl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panerusan Instruments
The panerusan instruments or elaborating instruments are one of the divisions of instruments used in Indonesian gamelan. Instead of the rhythmic structure provided by the colotomic instruments, and the core melody of the balungan instruments, the panerusan instruments play variations on the balungan. They are usually the most difficult instruments to learn in the gamelan, but provide the most opportunity for improvisation and creativity in the performer. Hood, Mantle. ''The Nuclear Theme as a Determinant of Patet in Javanese Music''. New York: Da Capo, 1977. Pages 11–12. Panerusan instruments include the gendér, suling, rebab, siter/ celempung, bonang, and gambang. The female singer, the pesindhen, is also often included, as she sings in a similar fashion to the instrumental techniques. As these include the only wind instruments, string instruments, and wooden percussion instruments found in the gamelan, they provide a timbre which stands out from most of the gamelan. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
