Sir Henry Rushbury
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Sir Henry Rushbury
Sir Henry George Rushbury (28 October 1889 – 5 July 1968) was an English painter and etching, etcher. Born the son of a clerk in Harborne, then on the outskirts of Birmingham, Rushbury studied on a scholarship under Robert Catterson Smith at the Birmingham School of Art from the age of thirteen. He worked as an assistant to Henry Payne (artist), Henry Payne chiefly as a stained-glass artist, until 1912, when he moved to London, where he shared lodgings with fellow Birmingham student, Gerald Brockhurst. Rushbury was an official war artist during World War I, and took up etching and drypoint under the influence of Francis Dodd (artist), Francis Dodd before studying briefly under Henry Tonks at the Slade School of Art in 1921. He was elected a member of the New English Art Club in 1917, the Royal Society of Painter-Etchers in 1921, the Royal Society of Painters in Water Colours in 1922, and the Royal Academy in 1936. In 1940 he was again appointed an official war artist until ...
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Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling, it is a crucial technique in modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ...
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