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Sinfonietta (Zemlinsky)
The Sinfonietta, Op. 23, is a composition for orchestra by Austrian composer Alexander Zemlinsky. Composition and performance The work was composed in 1934, partly in response to a suggestion from Zemlinsky's publishers Universal Edition who had encouraged the composer to write “an orchestral work, short and practical in its requirements...”. The work was first performed in Prague on 19 February 1935, conducted by Heinrich Jalowetz.Antony Beaumont: Foreword to published score (UE 35541). The composer himself conducted further performances in Vienna, Paris, Barcelona and Lausanne. The American premiere was given on 29 December 1940 by the New York Philharmonic Symphony Orchestra conducted by Dimitri Mitropoulos. Structure and style The work is in three movements:- # Sehr lebhaft # Ballade (Sehr gemessen) #Rondo (Sehr lebhaft) The Sinfonietta is a characteristic work of Zemlinsky's late style, with its clear-cut orchestration, predominantly contrapuntal textures and rhythmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Von Zemlinsky
Alexander Zemlinsky or Alexander von Zemlinsky (14 October 1871 – 15 March 1942) was an Austrian composer, conductor, and teacher. Biography Early life Zemlinsky was born in Vienna to a highly diverse family. Zemlinsky's grandfather, Anton Semlinski, emigrated from Žilina, Hungary (now in Slovakia) to Austria and married an Austrian woman. Both were from staunchly Roman Catholic families, and Alexander's father, , was raised as a Catholic. Alexander's mother, Clara Semo, was born in Sarajevo to a Sephardic Jewish father and a Bosniak mother. Alexander's entire family converted to the religion of his maternal grandfather, Judaism, and Zemlinsky was born and raised Jewish. His father added an aristocratic "von" to his name, though neither he nor his forebears were ennobled. He also began spelling his surname in Hungarian"Zemlinszky". He was also a freemason. Alexander studied the piano from a young age. He played the organ in his synagogue on holidays, and was admitted to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use. The term ''xylophone'' may be used generally, to include all such instruments such as the marimba, balafon and even the semantron. However, in the orchestra, the term ''xylophone'' refers specifically to a chromatic instrument of somewhat higher pitch range and drier timbre than the marimba, and these two instruments should not be confused. A person who plays the xylophone is known as a ''xylophonist'' or simply a ''xylophone player''. The term is also popularly used to refer to similar instruments of the lithophone and metallophone types. For example, the Pixiphone and many similar toys described by the makers as xylophones have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfoniettas
A sinfonietta is a symphony that is smaller in scale (either in terms of length or the instrumental forces required), or lighter in approach than a standard symphony. Although of Italian form, the word is not genuine in that language and has seldom been used by Italian composers. It appears to have been coined in 1874 by Joachim Raff for his Op. 188, but became common usage only in the early 20th century . Just as the term ''symphony'' itself can refer to pieces of music of varied size and scope, it is difficult to identify common criteria which pieces called ''sinfonietta'' share. Many of the sinfoniettas listed on this page employ larger forces and/or are longer than pieces designated symphonies, sometimes even by the same composer. Examples of sinfoniettas include: *William Alwyn's Sinfonietta for strings (1970) *Malcolm Arnold's Sinfonietta No. 1, Op. 48 (1954), Sinfonietta No. 2, Op. 65 (1958), and Sinfonietta No. 3, Op. 81 (1964) *Alexander Arutiunian's Sinfonietta for strin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping, hitting, or shaking the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Albanian folk music, Arabic folk music, Israeli folk music, Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Galician traditional music, Asturian traditional music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triangle (musical Instrument)
The triangle, or musical triangle, is a musical instrument in the percussion family, classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is bent into a triangular shape with one open end. The instrument is usually held by a loop of some form of thread or wire at the top curve to enable the triangle to vibrate, and it is struck with a metal rod called a "beater". The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Drum
A tom drum (also known as a tom-tom) is a cylindrical drum with no snares, named from the Anglo-Indian and Sinhala language. It was added to the drum kit in the early part of the 20th century. Most toms range in size between in diameter, though floor toms can go as large as . Design history The drum called "Thammattama", played by the Sinhalese people of Sri Lanka, is used in a number of Buddhist rituals in that country. It is commonly heard in Theravada Buddhist temple Vihāras paired along with the reed instrument called horanava. This may be etymologically derived from the Tamil term "Thappattam" or "Thappu", a frame drum associated with South Indian Tamil culture. However, the tom-tom drums on the Western drum set clearly resemble the Sri Lankan version more than the frame drum. The British colonists complained loudly about the noise generated by the "tom-toms" of the natives throughout South Asia. It is likely that the term tom-toms thus comes from their experiences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snare Drum
The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in Orchestra, orchestras, Concert band, concert bands, Marching band, marching bands, Parade, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band. Snare drums are usually played with drum sticks, but other beaters such as the Brush (percussion), brush or the Rute (music), rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin , which is the latinisation , which in turn derives . In orchestral scores, cymbals may be indicated by the French ; German , , , or ; Italian or ; and Spanish . Many of these derive from the word for plates. History Cymbals have existed since ancient times. Representations of cymbals may be found in reliefs and paintings from Armenian Highlands (7t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glockenspiel
The glockenspiel ( ; or , : bells and : play) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a Musical keyboard, keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with Percussion mallet, mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in Orchestra, orchestras, Concert band, wind ensembles, Marching band, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. (The xylophone has wooden bars, unlike the glockenspiel which has metal bars.) The Pixiphone, a type of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettledrums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized Beater (percussion), beater called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the European classical music, classical orchestra by the last third of the 18th century. Today, they are used in many types of Musical ensemble, ensembles, incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universal Edition
Universal Edition (UE) is an Austrian classical music publishing firm. Founded in 1901 in Vienna, it originally intended to provide the core classical works and educational works to the Austrian market. The firm soon expanded to become one of the most important publishers of modernist and contemporary classical music. History 20th century Universal Edition was founded on 1 June 1901 in Vienna. It was formed by the publishers Bernhard Herzmansky (himself from the firm), and as an attempt to compete with the Leipzig-based publishers Breitkopf & Härtel and Edition Peters. UE itself describes this as an attempt to "simply to counter the predominance of the foreign music trade in Vienna with a domestic music publishing house". In a financial boost for UE, the Austrian Ministry of Education gave a 5 July 1901 decree that Austrian music schools should prefer UE editions over those by German publishers. The firm's creation was announced next month in the '' Neues Wiener Tagbla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Clarinet
The E-flat (E) clarinet is a member of the clarinet family, smaller than the more common B clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing instrument in E with a sounding pitch a minor third higher than written. The E-flat clarinet has a total length of about . In Italian, the term refers specifically to the E♭ clarinet, particularly in band scores. The term is also used, referring more generally to any small clarinet; in Italian scores, the E♭ clarinet is sometimes indicated as , e.g. the ''Fantasia Eroica'' op. 33 (1913) by . Until the late nineteenth century, the term also indicated a clarinet in E♭. The E clarinet is used in orchestras, concert bands, and marching bands, and plays a central role in clarinet choirs, carrying melodies that would be uncomfortably high for the B clarinet. Solo repertoire is limited, but composers from Berlioz to Mahler have used it ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
