Silvia Hauer
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Silvia Hauer
Silvia Hauer is a German operatic mezzo-soprano. A member of the ensemble of the Hessisches Staatstheater Wiesbaden since 2015, she has performed leading roles such as Cherubino in Mozart's ''Le nozze di Figaro'', Rosina in Rossini's ''Il Barbiere di Siviglia'', Bizet's Carmen, and the title role in ''Der Rosenkavalier'' by Richard Strauss. Her concert repertoire includes Oskar Gottlieb Blarr's ''Jesus-Passion'' and Verdi's Requiem. Career Hauer was born in Kehl. She studied at the Musikhochschule Freiburg and the University of Music in Vienna. She won the competition Jugend musiziert. In the 2010–2011 season, she appeared as the third wood sprite in Dvořák's ''Rusalka'' at the Komische Oper Berlin and as Bolette in at the Theater Heidelberg. In 2011, she won the Bundeswettbewerb Gesang competition. She then became a member of the studio of the Bavarian State Opera. until 2013, performing roles such as Annina in Verdi's '' La traviata'', Kate Pinkerton in Puccini's ''Mad ...
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Kehl
Kehl (; ) is a city with around 38,000 inhabitants in the southwestern Germany, German state of Baden-Württemberg. It lies in the region of Baden on the Rhine River, at the confluence with the smaller Kinzig (Rhine), Kinzig River, directly opposite the French and Alsace, Alsatian city of Strasbourg. It is the third-largest city of the Ortenaukreis (''Ortenau District'') after Offenburg and Lahr/Schwarzwald. Kehl is mostly known because of its proximity to Strasbourg and as a border city. Strasbourg and Kehl are connected by four Rhine bridges which are from south to north: the ''Passerelle des Deux Rives'' (pedestrians and cyclists), the ''Bridge of Europe'' (motorists, pedestrians and cyclists), the ''Beatus-Rhenanus Bridge'' (tramway, pedestrians and cyclists), and the ''Rhine Bridge, Kehl, Rhine Bridge'' (railway). Line D of the Strasbourg tramway was extended in 2017 to reach Kehl station, and since 2018 there are another two stations within Kehl. It is therefore possible t ...
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La Clemenza Di Tito
(''The Clemency of Titus''), K. 621, is an ''opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. Mozart completed the work in the midst of composing ''Die Zauberflöte'', his last opera. ''La clemenza di Tito'' premiered on 6 September 1791 at the Estates Theatre in Prague. Background In 1791, the last year of his life, Mozart was already well advanced in writing ' by July when he was asked to compose an ''opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abou ...''. The commission came from the impresario Domenico Guardasoni, who lived in Prague and who had been charged by the Estates of Bohemia with providing a new work to celebrate the coronation of Leopold II, Holy Roman Emperor, as King o ...
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Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on William Shakespeare, Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the La Scala, Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It was not until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late ...
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Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the . The composer termed the cycle a "" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * '' Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * ''Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them without having watched the previous parts ...
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Eugene Onegin (opera)
''Eugene Onegin'' (, ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825–1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. There are several recordings of it, and it is regularly performed. The work's title refers to the protagonist. Composition ...
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Die Zauberflöte
''The Magic Flute'' (, ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. It is a ''Singspiel'', a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before Mozart's death. It was Mozart's last opera. It was an outstanding success from its first performances, and remains a staple of the opera repertory. In the opera the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the ...
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Die Fledermaus
' (, ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach. ''Le Réveillon'' later was adapted as the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve '' réveillon'', or supper party, was not considered to provi ...
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Alcina
''Alcina'' (Händel-Werke-Verzeichnis, HWV 34) is a 1735 opera by George Frideric Handel. Handel used the libretto of ''L'isola di Alcina'', a work set to music in 1728 in Rome by Riccardo Broschi, which he had acquired a year later during his travels in Italy. Partly altered for better conformity, the story was originally taken from Ludovico Ariosto's ''Orlando furioso'' (like those of the Handel operas ''Orlando (opera), Orlando'' and ''Ariodante''), an epic poem. The opera contains several musical sequences with opportunity for dance: these were composed for dancer Marie Sallé. Performance history ''Alcina'' was composed for Handel's first season at the Royal Opera House#First theatre, Theatre Royal, Covent Garden in London. It premiered on 16 April 1735. Like the composer's other works in the opera seria genre, ''Alcina'' fell into obscurity; after a revival in Braunschweig, Brunswick in 1738 it was not performed again until a production in Leipzig in 1928. The Australian s ...
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Così Fan Tutte
(''Women are like that, or The School for Lovers''), Köchel catalogue, K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''The Marriage of Figaro, Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Joseph II, Holy Roman Emperor, Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John A. Rice (musicologist), John Rice uncovered two String trio, terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''wikt:tutte#Italian, tutte'') to indicate women. It is usually translated into English as "Women are like that". The words a ...
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Kent Nagano
Kent George Nagano (born November 22, 1951) is an American conductor and opera administrator. Since 2015, he has been ''Generalmusikdirektor'' (GMD) of the Hamburg State Opera (until 2025). Early life and education Nagano was born in Berkeley, California, while his parents were in graduate school at the University of California, Berkeley. He is a '' sansei'' (third-generation) Japanese-American. He grew up in Morro Bay, a city on the Central Coast of California in San Luis Obispo County. He studied sociology and music at the University of California, Santa Cruz. After graduation, he moved to San Francisco State University to study music, taking composition courses from Grosvenor Cooper and Roger Nixon. He also studied at the École Normale de Musique de Paris. Career Nagano's first conducting job was with the Opera Company of Boston, where he was assistant conductor to Sarah Caldwell. In 1978, he became the conductor of the Berkeley Symphony, his first music directorshi ...
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Babylon (opera)
''Babylon'' is an opera in seven scenes by Jörg Widmann, with a libretto in German by Peter Sloterdijk. The opera describes life in a multi-religious and multi-cultural metropolis. It was premiered by the Bavarian State Opera, conducted by Kent Nagano, on 27 October 2012. Background and performance history The stage work ''Babylon'' was written by Jörg Widmann on a commission by the Bavarian State Opera. The opera was composed from 2011 to 2012. Librettist and composer were not held to any restrictions. The librettist Peter Sloterdijk describes life in a multi-religious and multi-cultural metropolis, the rise and fall of an empire. His essay '' God's Zeal'', that deals with the three major monotheistic religions, Judaism, Christianity and Islam, possibly influenced the libretto. The Bavarian State Opera presented the world premiere of Widmann's ''Babylon'', conducted by Kent Nagano on 27 October 2012 in National Theatre Munich. The production was directed by Carlus Padrissa (L ...
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