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Sikkil Sisters
Sikkil Kunjumani (10 June 1927 – 13 November 2010) and Sikkil Neela (9 September 1938 – 17 September 2023) were sisters who played the carnatic flute, called Venu flute. Together they are more famously known as the Sikkil Sisters. Their father ''Azhiyur Natesa Iyer'' was a mridangist. Kunjumani started learning music from her father initially and then learnt flute from her maternal uncle Azhiyur Narayanaswami Iyer. Neela learnt flute from her sister Kunjamani. Kunjamani, began giving concerts from the age of nine and Neela from the age of seven. Sikkil Sisters have been giving concerts together since 1962. They are top artistes of the All India Radio and they have been giving hundreds of performances at all the sabhas, television and elsewhere, both within India and abroad. The sisters blend the tone and play on their flutes and the merger is total and the effect remarkable. They are known for the chaste, orthodox style in rendering raga, kriti and swara. Sikkil Kunjumani d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All India Radio
All India Radio (AIR), also known as Akashvani (), is India's state-owned public broadcasting, public radio broadcaster. Founded in 1936, it operates under the Ministry of Information and Broadcasting (India), Ministry of Information and Broadcasting and is one of the two divisions of Prasar Bharati. Headquartered at the ''Akashvani Bhavan'' in New Delhi, it houses the Drama Section, FM Section, and National Service. It also serves as the home of the Indian television station Doordarshan Kendra. All India Radio is the largest radio network in the world in terms of the number of languages broadcast, the socioeconomic diversity it serves, and the scale of its broadcasting organisation. AIR's domestic service includes 420 stations nationwide, covering nearly 92% of India's geographic area and 99.19% of its population, with programming available in 23 languages and 179 dialects. History Akashvani When the Indian State Broadcasting Service (ISBS) was renamed to All India Radio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kriti (music)
A ''kriti'' () is a form of musical composition in the Carnatic music literature. The Sanskrit common noun ''Kriti'' means 'creation' or 'work'. A kriti forms the mental backbone of any typical Carnatic music concert and is the longer format of a Carnatic song. Structure A conventional ''kriti'' typically contain three parts: #''Pallavi'', the equivalent of a refrain in Western music #''Anupallavi (music), Anupallavi'', the second verse, which is sometimes optional #''Charanam'', the final (and longest) verse that wraps up the song The ''charanam'' usually borrows patterns from the ''anupallavi''. The ''charanam's'' last line usually contains the composer's signature, or ''mudra (music), mudra'', with which the composer leaves their mark. Variations Some Kritis have a verse between the ''anupallavi'' and the ', called the ''Chitta swara, ''. This verse consists only of notes, and has no words. Other ''krithis'', particularly some of Oothukkadu Venkata Kavi and Muthuswami Diks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swara
Swara () or svara is an Indian classical music term that connotes simultaneously a breath, a vowel, a note, the sound of a musical note corresponding to its name, and the successive steps of the octave, or ''saptanka''. More comprehensively, it is the ancient Indian concept of the complete dimension of musical pitch. At its most basic comparison to western music, a ''swara'' is, essentially, a "note" of a given scale. However, that is but a loose interpretation of the word, as a ''swara'' is identified as both a musical note and tone; a "tone" is a precise substitute for sur, relating to "tunefulness". Traditionally, Indian musicians have just seven ''swara''s/notes with short names: sa, re, ga, ma, pa, dha, ni, which they collectively refer to as ''saptank'' or ''saptaka''. This is one of the reasons why ''swara'' is considered a symbolic expression for the number seven. In another loose comparison to western music, ''saptak'' (as an octave or scale) may be interpreted as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sikkil Mala Chandrasekar
Sikkil Mala Chandrasekhar (b 1963) is a noted South Indian carnatic flautist. Mala Chandrasekhar was born to a musical family. Mala Chandrasekhar started learning from Sikkil Sisters, her aunt Kunjumani and her mother Neela. In playing style, Mala combines the strongest aspects of both Aunt Kunjumani's clear classic lines with Mother Neela's flair and expressiveness. Mala imbibed through her mother the flute artistry of their paternal uncle, Azhiyur Narayanaswamy Iyer, and the rigorous rhythmic training given by their mrudungam-playing father, Azhiyur Natesa Iyer. Other major influences on Mala's playing are the expertise and repertoire of noted vocalist and teacher Radha Viswanathan, and of Radha's stepmother and guru M.S. Subbulakshmi. Mala's husband Chandrashekhar is Radha's son. Early life and background Born in a reputed musical family on 23 August 1963, Mala started learning flute at the age of five from her gurus Padmasree Sangeetha Kalanidhi Smt Sikkil Neela (mother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalaimamani
The Kalaimamani is the highest civilian award in the state of Tamil Nadu, India. These awards are given by the ''Tamil Nadu Iyal Isai Nataka Mandram'' (literature, music and theatre), a unit of the Directorate of Art and Culture, Government of Tamil Nadu, to recognise artists in the state for their achievements. The Tamil Nadu government has appointed dancer Chitra Visweswaran as the secretary of Tamil Nadu Iyal Isai Nataka Manram. Film music director Deva is its chairman. Awardees by year 1958–59 ;Actor * Padmini 1962–63 ;Actor *Sivaji Ganesan 1968–69 The individuals listed below were recipients of the Kalaimamani for the year 1968–69. ;Actor * K. A. Thangavelu ;Music *K. S. Narayanaswamy (vainika) 1969–1970 ;Actor * Sowcar Janaki 1970–71 ;Music * M. S. Viswanathan (composer) 1971–72 The individuals listed below were recipients of the Kalaimamani for the year 1971–72. ;Music * Madras A. Kannan (mridangam) *G. N. Dhandapani Iyer (veena) 1972–73 ; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Akademi Award
Sangeet Natak Akademi Award (IAST: Saṅgīta Nāṭaka Akādamī Puraskāra), also known as the Akademi Puraskar, is an award given by the Sangeet Natak Akademi, India's National Academy of Music, Dance & Drama. It is the highest Indian recognition given to people in the field of performing arts. In 2003, the award consisted of Rs. 50,000, a citation, an '' angavastram'' (a shawl), and a ''tamrapatra'' (a brass plaque). Since 2009, the cash prize has been increased to ₹1,00,000. The awards are given in the categories of music, dance, theatre, other traditional arts and puppetry, and for contribution/scholarship in performing arts. Award recipients The recipients of the Sangeet Natak Akademi award in various categories of performing arts have been listed below: Music Hindustani music Vocal *1952 – Mushtaq Hussain Khan *1953 – Kesarbai Kerkar *1954 – Rajab Ali Khan *1955 – Anant Manohar Joshi *1956 – Rajabhaiyya Poonchhwale *1957 – Rasoolan Bai * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeetha Kalasikhamani
Sangeetha Kalasikhamani or Sangita Kalasikhamani (Sanskrit: ; from sangeetha = music, kala = art, sikhamaṇi = gem of a diadem or crest) is the title awarded yearly to an expert Carnatic music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is o ...ian by the Indian Fine Arts Society, Chennai. List of Sangeetha Kalasikhamanis References {{reflist External links AWARDEES OF SANGEETHA KALASIKHAMANI Carnatic music Indian music awards Tamil Nadu awards Year of establishment missing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeetha Kalanidhi
Sangita Kalanidhi () is the title awarded annually to a Carnatic musician by the Madras Music Academy. From 1929 to 1941, the award did not exist. The award was conceived in 1942 by Academy President K. V. Krishnaswami Iyer and on 1 January 1943 all musicians who had presided over the annual conferences between 1929 and 1942 were awarded the title. This included 2 or 3 past presidents - Palamarneri Swaminatha Iyer (1931), probably Umayalpuram Swaminatha Iyer (1936) and Mangudi Chidambara Bhagavatar (1937) - but no posthumous award has been presented since then. At times, 1946 is cited as the year of Umayalpuram Swaminatha Iyer's death, in which case he might have received the Sangita Kalanidhi in his lifetime. Sangeetha Kalanidhis Source(s): References Notes Sources External links * {{cite web , title=Sangita Kalanidhi recipients , url=https://musicacademymadras.in/awards/sangita-kalanidhi/ , publisher=Madras Music Academy Madras Music Academy is one of the earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padma Shri
The Padma Shri (IAST: ''padma śrī'', lit. 'Lotus Honour'), also spelled Padma Shree, is the fourth-highest Indian honours system, civilian award of the Republic of India, after the Bharat Ratna, the Padma Vibhushan and the Padma Bhushan. Instituted on 2 January 1954, the award is conferred in recognition of "distinguished contribution in various spheres of activity including the arts, education, industry, literature, science, acting, medicine, social service and public affairs". It is awarded by the Government of India every year on Republic Day (India), India's Republic Day. History Padma Awards were instituted in 1954 to be awarded to citizens of India in recognition of their distinguished contribution in various spheres of activity including the arts, education, Private industry, industry, literature, science, acting, medicine, social service and Public affairs (broadcasting), public affairs. It has also been awarded to some distinguished individuals who were not citiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Flautists
Indian or Indians may refer to: Associated with India * of or related to India ** Indian people ** Indian diaspora ** Languages of India ** Indian English, a dialect of the English language ** Indian cuisine Associated with indigenous peoples of the Americas * Indigenous peoples of the Americas ** First Nations in Canada ** Native Americans in the United States ** Indigenous peoples of the Caribbean ** Indigenous languages of the Americas Places * Indian, West Virginia, U.S. * The Indians, an archipelago of islets in the British Virgin Islands Arts and entertainment Film * ''Indian'' (film series), a Tamil-language film series ** ''Indian'' (1996 film) * ''Indian'' (2001 film), a Hindi-language film Music * Indians (musician), Danish singer Søren Løkke Juul * "The Indian", an unreleased song by Basshunter * "Indian" (song), by Sturm und Drang, 2007 * "Indians" (song), by Anthrax, 1987 * Indians, a song by Gojira from the 2003 album '' The Link'' Other uses i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
