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Siete (album)
''Siete'' is the fifth studio album of Carlos Varela, released in 2003. Track listing #"Échate a correr" - 4:26 #"Callejón sin luz" - 4:33 #"Estás" - 4:35 #"Dudas" - 5:24 #"Colgando del cielo" - 5:20 #"Delicadeza" - 2:34 #"Siete" - 4:38 #"Como un pez sin el mar" - 4:49 #"El humo del tren" - 3:03 #"25 mil mentiras sobre la verdad" - 4:34 #"Mi fe" - 3:45 #"Detrás del cristal" - 3:57 External links Carlos Varela Official site {{Authority control 2003 albums Carlos Varela albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Varela (singer-songwriter)
Carlos Victoriano Varela Cerezo (born 11 April 1963) is a Cuban singer-songwriter of Nueva Trova, a political and poetic musical genre. Nueva Trova began as a reaction to the unjust conditions that led to the Cuban Revolution in 1959. Varela joined the Nueva Trova musical movement in the 1980s while in his 20s. He has earned the nickname ("cariño" in Spanish) of "Nomo" (Gnome), due to the way he dresses. Career Silvio Rodríguez, one of the most well-known founders of Nueva Trova, discovered Varela and took him on tour in Spain. His first CD, "Jalisco Park", was published there in 1989. Today Varela's music is known for its open criticism of the status quo in post-revolutionary Cuba, but is still considered part of the Nueva Trova movement and genre. Singer-songwriter Jackson Browne translated Carlos Varela's song "Walls and Doors" into English for Browne's 2014 ''Standing In The Breach'' recording and tour. Varela's song "Una palabra" ("One Word") was used in the sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trova
''Trova'' is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as ''trovadores'' who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. According to nueva trova musician Noel Nicola, Cuban trovadors sang original songs or songs written by contemporaries, accompanied themselves on guitar, and aimed to feature music that had a poetic sensibility. This definition fits best the singers of boleros, and less well the Afrocubans singing funky sones (El Guayabero) or even guaguancós and abakuá ( Chicho Ibáñez). It rules out, perhaps unfairly, singers who accompanied themselves on the piano. ''Trova'' musicians have played an important part in the evolution of Cuban popular music. Collectively, they have been prolific as composers, and have provided a start for many later musicians whose career lay in larger groupings. Socially, they reached ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Hijos De Guillermo Tell
''Los hijos de Guillermo Tell'' (''The Sons of William Tell'') is a compilation album by Carlos Varela. It was produced in 2004 for Abdala Studio, Havana, Cuba Cuba ( , ), officially the Republic of Cuba ( es, República de Cuba, links=no ), is an island country comprising the island of Cuba, as well as Isla de la Juventud and several minor archipelagos. Cuba is located where the northern Caribbea .... Track listing #"Como los peces" #"Muros y puertas" #"Robinson" #"Nubes" #"Como un angel" #"Monedas al aire" #"Ahora que los mapas cambian de color" #"Graffiti de amor" #"El humo del tren" #"Una palabra" #"Pequeños sueños" #"Jalisco Park" #"Siete" #"Habaname" #"Foto de familia" #"Guillermo Tell" 2004 compilation albums Carlos Varela albums {{2000s-compilation-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
