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Siemens Synthesizer
The Siemens Synthesizer (or "Siemens Studio für Elektronische Musik") was developed in Germany in 1959 by the German electronics manufacturer Siemens, originally to compose live electronic music for its own promotional films. (See also excerpt of pp157ndas160from ) From 1956 to 1967, it had a significant influence on the development of electronic music. Among others, Mauricio Kagel, Henri Pousseur, Herbert Brün and Ernst Krenek completed important electronic works there. History In 1955, Siemens established an audio laboratory, the Siemens Studio für Elektronische Musik, in its Munich facilities to produce electronic music for its publicity films. Siemens engineers Helmut Klein and Alexander Schaaf were charged with assembling the components for the studio and providing a means for controlling the composition, synthesis, and recording of music. The organization of the studio was completed by 1959. A second model was installed in 1964. The studio was closed in 1967 but its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siemens Electronic Music Studio, Deutsches Museum (front)
Siemens AG ( ) is a German Multinational corporation, multinational technology Conglomerate (company), conglomerate. It is focused on Industrial control system, industrial automation, Building automation , building automation, rail transport and health technology. Siemens is the largest engineering company in Europe, and holds the position of global market leader in industrial automation and industrial software. The origins of the conglomerate can be traced back to 1847 to the ''Telegraphen Bau-Anstalt von Siemens & Halske'' established in Berlin by Werner von Siemens and Johann Georg Halske. In 1966, the present-day corporation emerged from the merger of three companies: Siemens & Halske, Siemens-Schuckert, and Siemens-Reiniger-Werke. Today headquartered in Munich and Berlin, Siemens and its subsidiaries employ approximately 320,000 people worldwide and reported a global revenue of around €78 billion in 2023. The company is a component of the DAX and Euro Stoxx 50 stock mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Maderna
Bruno Maderna (born Bruno Grossato, 21 April 1920 – 13 November 1973) was an Italian composer, conductor and academic teacher. Life Maderna was born Bruno Grossato in Venice but later decided to take the name of his mother, Caterina Carolina Maderna.Interview with Maderna's three children Caterina, Claudia and Andreas Maderna, Heidelberg 2019 At the age of four he began studying the violin with his grandfather. "My grandfather thought that if you could play the violin you could then do anything, even become the biggest gangster. If you play the violin you are always sure of a place in heaven." As a child he played several instruments (violin, drums and accordion) in his father's small variety band. A child prodigy, in the early thirties he was not only performing violin concertos, he was already conducting orchestral concerts: first with the orchestra of La Scala in Milan, then in Trieste, Venice, Padua and Verona. He was originally Jewish. Orphaned at the age of four,. Maderna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Monitor
Studio monitors are loudspeakers in speaker enclosures specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios and project or home studios, where accurate audio reproduction is crucial. Among audio engineers, the term ''monitor'' implies that the speaker is designed to produce relatively flat (linear) phase response, phase and frequency responses. In other words, it exhibits minimal emphasis or de-emphasis of particular frequencies, the loudspeaker gives an accurate reproduction of the tonal qualities of the source audio ("uncolored" and "transparent" are synonyms), and there will be no relative absolute phase, phase shift of particular frequencies—meaning no distortion in sound-stage perspective for stereo recordings. Beyond stereo sound-stage requirements, a linear phase response helps impulse response remain true to source without encountering "smearing". An unqualified reference to a ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Studio
A recording studio is a specialized facility for Sound recording and reproduction, recording and Audio mixing, mixing of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the Studio recording, recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound reverberation that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or Dubbing, dialogue replacement in film, television, or animation, Foley (filmmaking) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling Musical note, note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio signal, audio and automation data for digital audio workstations (DAWs) and Audio plugin, plug-ins. Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. As the technology matured, sequencers gained more features, such as the ability to record multitrack audio. Sequencers used for audio recording are called digital audio workstations (DAWs). Many modern sequencers can be used to control Software synthesizer, virtual instruments implemented as software Audio plug-in, plug-ins. This allows musicians to repl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Vocoders
__NOTOC__ Analogue vocoder models *Analog-Lab X-32 2-band *Behringer VC340 Analog Vocoder * Bode Model 7702 6-band *Doepfer Modular Vocoder subsystem A-129 *Dynacord SRV66 *Elektronika (Электроника) EM 26 *EMS **EMS Vocoder 1000 **EMS Vocoder 2000 6-band **EMS Vocoder 3000 6-band **EMS Vocoder 5000 *Farad - Bruce Haack Custom Model *Korg VC-10 0-band*Kraftwerk Custom Model (See photo in main article: Vocoder) *Krok (Крок) 2401 Vocoder (Вокодер) 4-bandref name="Krok" group=M> — The only Russian rackmount Vocoder, ''Крок Вокодер'' *MAM Vocoder VF11 **FAT PCP-330 Procoder **Next! VX-11 Vocoder * Moog: **R.A. Moog Modular Vocoder 1-band ?ref name=bode1984> **Moog Modular Vocoder (spectrum encoder-decoder, 10 Band) — list & photograph of Wendy's modular, including ''Moog spectrum encoder/decoder for vocoder'' **Moog 16 channel Vocoder (Bode model 7702) 6-band * PAiA 6710 Vocoder *Roland SVC-350 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Music Sequencers
Music sequencers are hardware devices or application software that can record, edit, or play back music, by handling note and performance information. Hardware sequencers Many synthesizers, and by definition all music workstations, groove machines and drum machines, contain their own sequencers. The following are specifically designed to function primarily as the music sequencers: Rotating object with pins or holes * Barrel or cylinder with pins (since 9th or 14th century) — utilized on barrel organs, carillons, music boxes * Metal disc with punched holes (late 18th century) — utilized on several music boxes such as Polyphon, Regina, Symphonion, Ariston, Graphonola (early version), etc. Punched paper * Book music (since 1890) for pneumatics system — utilized on several mechanical organs * Music roll for pneumatics system — utilized on player pianos (using piano rolls), Orchestrions, several mechanical organs, etc. * Punch tape system for earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Musical Instrument
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronics, electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch (music), pitch, frequency, or duration of each Musical note, note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano where the keys are each linked mechanically to swinging string hammers - whereas with an electronic keyboard, the keyboard interface is linked to a synth module, computer or other electronic or digital sound generator, which then creates a sound. However, it is increasingly common to separate user interface and sound-generating functions int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 19255 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music. Born in Montbrison, Loire, Montbrison, in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism in the 1950s, Aleatoric music, controlled chance music in the 1960s and the electronic transformation of instrumental music in real time from the 1970s onwards. His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces considered landmarks of twent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Castiglioni
Niccolò Castiglioni (17 July 1932 – 7 September 1996) was an Italian composer, pianist, and writer on music. Castiglioni was born and raised in Milan, where he began studying piano at the age of 7. He received his performer's diploma from the Milan Conservatory in 1952, and graduated there in composition in 1953. His student compositions were marked by Stravinsky's neo-classicism, but after graduation his style changed under the influence of the Second Viennese School. His interest in twelve-tone technique was joined with musical-political engagement, though this was short-lived. The ''Impromptus I–IV'', identified by the composer as his first true opus, abandoned these expressionistic tensions, and these four short pieces exhibit a close relationship to Webern's aphoristic style, while also moving closer to the European avant garde. Personal contact with Luciano Berio at the RAI electronic music studio in Milan also influenced Castiglioni's direction at that time, and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milko Kelemen
Milko Kelemen (30 March 1924 – 8 March 2018) was a Croatian composer. Life Milko Kelemen was born in Slatina, Croatia (then Kingdom of Serbs, Croats and Slovenes). He studied under Stjepan Šulek in Zagreb, under Olivier Messiaen in Paris and Wolfgang Fortner in Freiburg amongst others. Kelemen founded the Music Biennale Zagreb, an international contemporary music festival and served as its president from 1961 to 1979. He also worked at the Electronic Siemens Studio in Munich and was invited to Berlin as Composer in Residence. Kelemen was a recipient of many awards, most notably the Federal Cross of Merit, the prize of the ISCM, the Great Yugoslav State Prize, and the French order Chevalier des Arts et des Lettres. Kelemen taught composition at many prestigious schools and universities, including Zagreb University, Academy of Music, Croatia (1955-58), The Robert Schumann Institute in Düsseldorf, Germany (1970-72), Stuttgart Academy of Music, Germany (1973-89), Yale Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, having been called the "father of electronic music", for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. Stockhausen was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. As one of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic musicboth with and without live performersthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
